Mar 6
“i don’t want to work in ballet or opera, or things where it’s like hey, keep this thing alive, you know, even though no one cares about this anymore” oh timothee, as if you had one ounce of the talent ballet and opera require
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“i don’t want to work in ballet or opera, or things where it’s like hey, keep this thing alive, you know, even though no one cares about this anymore” oh timothee, as if you had one ounce of the talent ballet and opera require
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Executive function seems like it’d be so cool and useful, I wish it were real
the fact that they didnt decide to go the route of 'irminsul burns and everyone remembers wanderer as scaramouche' is sooo fascinating to me because imo, it only makes dottore more correct when he rubs it in that wanderer 'can never make up for his past mistakes.' he already couldn't - what's done is done and no amount of punishment or payment in the present can bring anyone back to life (see: deletion attempt) - but with no one remembering who he was, it's true doubly so. he can't even apologize. we do see him giving blueprints back to inazuma but realistically, there isn't much else he can do. he cannot make amends with the people he harmed in any way shape or form. he cannot, as he once stated he was looking forward to, accept whatever consequences they deem fit for him - because they don't even know he's to blame. there is no external burden or punishment coming for him. he just has to live with what is and accept that the only thing there is now is what's in front of him.
and I really don't see this type of situation handled like it is here very frequently. he has a redemption arc of becoming a better person, but doing anything to 'balance the ledger' and 'make up for it' in the more traditional sense of how redemption arcs are often portrayed is mostly impossible. because the ledger is irrelevant. the idea of even being able to 'balance' it somehow is nonsensical. it doesn't matter. there is only the here and now and who you will choose to be within it. that's what matters. and this whole thing is reinforced even further by how soundly the narrative rejects wanderer's logic that the only proper (read: just) end for him now after what he's done is to give his own life. something something the wages of sin are fucking stupid. idk i think it's really neat
It’s so stupid because I’m a literal walking hypnosub stereotype. I get mesmerized by pretty colors. I get distracted by pendulums. I could probably be ensnared if someone forced a spiral in my face. Fuck my life.
fucked up that you can think "i better put that somewhere safe so i don't lose it" and then still lose it
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You don’t know pain until you’ve heard Art Baker say “I’m going home”
x / x / x x / x / x x / x / x
It's almost Christmas time!
canon things about enid sinclair that have a special place in my heart:
when she’s focused she sticks her tongue out
she and thing gossip about wednesday together
she winks at wednesday...
she sleeps with the poe cup trophy in arms as if it was some fucking stuffed animal
(this probably comes from the fact that her parents put too much pressure in her and she’s learned to properly appreciate each of her wins because her parents won’t if it’s not related to wolves)
the scars on the side of her face
upon wednesday “actually it was two (kids that she killed) but who’s counting” addams telling her to stop the loud pop music she’s playing in their room enid only keeps dancing while making direct eye contact like a little shit (affectionate)
being a werewolf her best friend is a vampire
she wrote about wednesday on her vlog
(WHAT DID SHE WRITE ABOUT WEDNESDAY ON HER VLOG)
she misspelled her name though
the flamingo with a ballet skirt
when she’s wolfing out she’s straight up growling loudly but she stops herself to inform thing (while also stating the obvious) “thing, i’m wolfing out.” growling continues
she’s the youngest of like six children