"Not Even At Gunpoint!"
Future Echoes of the Past #3
I didn't plan this meta. Well, maybe...just a tiny, weeny bit...I had been keeping a parallel in mind for a while...but not in this context. But it was kind of one of these moments:
Lets start at the beginning.
@beebopboom has been exploring the three magic tricks that appear in the S2 opening sequence recently, and speculating how the third one might appear in S3, and I've been exploring the paintball fight scene at Tadfield Manor in S1E2 and how that relates to the Great War in Heaven that formed Hell, and the events around the Fall. The two topics intersect, as you have echoes of the Bullet Catch magic trick from the 1941 minisode in S2E4 appearing not once but at least twice at Tadfield Manor.
But...then I realised, there's more than one pointed gun. Way more.
I'd always liked this throwback line from Crowley in S2E1, when Nina asks him if he is a bookseller as well:
Who would want to be a bookseller when this could happen to you?
Shadwell, turning up at the book shop in S1E4, disturbs Aziraphale contacting Heaven through the portal (a modified Solomon's magic circle) under the oculus, and breaks in to confront him. The historical implications of Aziraphale's lines here are that before homosexuality was decriminalized in the UK meeting places for such people were often disguised as respectable looking book shops. Which makes Nina's question in S2E1 and Crowley's denial to her all the more...loaded? Ah, well, you can't fool Nina, now, can you?
Anyway, mah point is...Shadwell literally has Aziraphale at gunpoint, er, fingerpoint here. Loaded fingerpoint.
But then, this isn't the first time Aziraphale has had a gun pointed at him. He had one pointed at him in the church in 1941 by the Nazi agent double-crossing Greta. His biggest fear, as always, isn't actually "dying," or standing in front of the guns, its the paperwork that he knows will go with getting a new body from the Ineffable Bureaucracy.
Crowley turns up to rescue him, because he "didn't want to see [him] embarrassed." With a bit of equivocation between the two of them, all the time while at gunpoint from Greta, they team up to save each other.
This was even before we got to the Bullet Catch - his "show stopper!"
Back to Tadfield Manor.
As they enter, Crowley is lined up in the crosshairs.
Er, wait a minute...
Only Crowley is shown this way here, not Aziraphale. He's a target. I'm starting to ask what point in time this is referring to - the present or the past? Both. Yeah, why not both! The work I did in this previous meta in this series showed that Crowley was considered a target for early removal by the other demons-to-be prior to the Fall.
Then they are both shot.
I pointed out Aziraphale gets shot by blue paint, representing Heaven, but its a colour we don't see used again by any one in the fighting to come. But what I didn't talk about was WHERE he got hit - in the back. That's synonymous with treachery. Heaven has stabbed Aziraphale in the back, so to speak. wow. Nice - not.
And Crowley? He gets hit in the heart - just like the Norman/Lucifer parallel on the Yellow Team does a short while later during his "fall" scene - with the red paint, betrayed by the Red Team who represent the management in Heaven.
Seems the Ineffable Bureaucracy wanted both them out of the way during the Great War...it get more and more interesting each time I look closer at it...
So was Aziraphale ever in the crosshairs? Yep.
And, as @vavoom-sorted-art points out, this is a time Aziraphale chooses to pick a weapon, and to fight. He didn't want the simple, safe deception trick with the ropes - he wanted a weapon. He really is much more the warrior than Crowley. Aziraphale, I think your nature as a principality is showing!
Firing that gun made Crowley sick to his stomach, and so did this metaphorical loaded gun - the Book of Life.
As soon as he found out from Beelzebub it was a real possibility of being played he went back to protect Aziraphale. Crowley hates fighting - watch how often he will try shut it down as quickly as possible or try to escape it when he can. To him everyone has free will, and the person picking the fight with the other is imposing their will on them. That's 'not on' in his books.
Aziraphale, on the other hand, is still reacting with his ingrained Heavenly instincts - that he should follow his morals because they are 'right,' and more sophisticated weapons add weight to the moral argument. He thinks. Maybe. (Yeah, keep working on that doubt, angel.)
Az: Impressive hardware. I've looked at this gun, its not a proper one at all. It just shoots paintballs. Cr: Don't your lot disapprove of guns? Az: Unless they're in the right hands. Then they give weight to a moral argument. I think. Cr: [laughing] A moral argument? Really? *tosses gun away* C'mon. [Heads into the Manor.] [later, after Crowley changes the paintball guns to real guns...] Az: But there are people out there shooting at each other! Cr: Well -Â Lends weight to their moral argument. Everyone has free will, including the right to murder. Just think of it as a microcosm of the universe.
I'll think I'll end this here and leave you with a small montage of the aftermath of all this gun play - everything going up in flames and smoke.
Bring on S3!
If you didn't follow the links in the meta, and want to read the first two in this series, they are here:
#1: The Great War of Tadfield Manor
#2: The Newton/Crowley Mirror-Parallel in S1
