#michael corner

writing things and headcanons:

the hogwarts inquiry and graves on the ministry: the chapter opens with graves (himself an ex ministry employee, though we don’t know the circumstances of his exit yet) poking holes in the wizengamot’s approach to justice thus far in the post-war period, suggesting holding individuals accountable - especially someone like thicknesse who was imperiused - misses how the entire wizarding state is implicated in wartime crimes against muggleborns and other persecuted groups. also disillusioned by the way post-war trials are going, kingsley wants to take a different course of action to get to the bottom of what happened at hogwarts during the war. a lot of post-war fics do an amazing job doing post-war justice through criminal trials, and i wanted to do something a bit different for this fic that is explicitly interested in places and institutions and the cultures they foster (hogwarts and the ministry itself, but grimmauld place and, soon, the burrow, home to different kinds of institutions, including families). like a lot of people who grew up in the uk in the early 00s public inquiries - like the leveson inquiry into media culture and phone hacking, or the chilcott inquiry into the iraq war - really left a big impression on me (though i’m sure this is also true in lots of political cultures, not least in the US in things like senate hearings etc). i also really love seeing inquiries and hearings rendered in fiction (in tv, jesse armstrong shows like the thick of it and succession), so knew i wanted to have a go writing these into this fic. there are actually quite a few inquiries of varying scale that happen in the canon series (though none are public), so we know this is a mechanism the ministry has previously used to investigate various breaches of law or accepted norms (in CoS, arthur faces one over the car; over buckbeak in PoA; into percy over crouch; dumbledore asks for one after the dementor attack on harry, which fudge rejects; into bode’s murder at st mungo’s, and into the miscarriage of justice that saw sirius jailed for the potters’ murders). i’m literally just going to quote from taylor_fannon074’s gorgeous comment on this because it’s so well put: 

‘The Wizarding World knows that their children have been forcibly put at the center of a war they didn’t know existed for most of it. Children are the first line of attack when it comes to implementing fascist ideologies. People  areso sensitive about children and it’s a perfect weapon to utilize against anything that you want. It’s why Dumbledore became headmaster when he could’ve been Minister of Magic. It’s why the Malfoys are Voldemort’s greatest allies. If it were just about the Carrows they’d carry all the blame, now the defendants are the Ministry. Kingsley is using this tactic to direct the people’s anger towards the Ministry’s systemic oppression. He’s giving the kids a platform to talk about how a werewolf was the greatest teacher they ever had and several ministry officials tortured them. It calls the ministry’s competency into question, planting the seeds of doubt. I don’t think Kingsley aiming for a full scale revolution but trying to open the curtains and get wizards more active in their community.  He’s going after that statute of secrecy next, I can feel it in my bones!!!!’

kingsley: there are so many really great reads on kingsley as minister after the war, particularly kingsley taking on the ruthless (and manipulative) instincts of a politician, and speculation about that might clash with harry’s worldview and longstanding resentment of ministers carrying about things like public image and making moral compromises to get things done. i don’t disagree with those reads at all, and think they have a ton of basis in canon. what i knew i wanted in beasts, though, was to see if you could write a different kingsley, someone who hasn’t abandoned his principles but instead is trying to centre them. i wanted to play with the idea that all politicians are the same’, asking how kingsley’s contradictions - an avowed progressive, a lifelong ministry insider with more links to the muggle world than most, a resistance fighter turned a minister of magic trusted and admired by the children of the order - would shape his approach to try to capture post-war momentum for rebuilding and make real change, whatever that might look like. i also wanted this dynamic of kingsley and ginny having some familiarity with each other that we don’t see from the canon series that might hint at some wartime interactions we haven’t seen yet. anyway i wrote this scene with kingsley and ginny ages ago and then i read the unfinished but excellent fic about ginny and post-war justice cited below and was crushed to see someone had already written a version of the same scene much better. what a blow! (read that fic)

ginny’s card-making: ginny weasley loves to decorate and she loves christmas. canon could not be clearer about this. if you think she wouldn’t spitefully refuse to wish minerva mcgonagall seasons’ greetings then i’m sorry i think you are wrong with a capital W. graves didn’t get a card but he did get an essay because she’s warming up to him a bit but cards are only for those who aren’t on ginny approval probation 

writing on the wall: actually this is just me apologising to the anon who sent me this ask ages ago and i didn’t reply because i knew i had this scene in the bank and didn’t want to spoil it but yeah basically anon i could not agree with you more!!! i think it’s really a squandered opportunity in canon not to make more of this - in those old ootp planning notes jkr was going to have ginny write on the wall about umbridge in temper, but then removed it, so clearly was thinking of the DA wall daubing as a parallel with CoS but then… gave the line to neville lol. fuming. anyway! had to be done! thank u so much anon and so sorry again!

beasts, beings and patronuses: my favourite part of this chapter to write! (obviously that’s a lie it was the bit where harry and ginny shagged but second favourite for sure). graves goes all enlightenment subjectivity theory again smh, and then suggests what’s happened with the stag antlers might be something to do with a great disturbance to harry’s soul. @saintsenara think this is me steathily building up a tomarry endgame - other theories are circulating, all theories have me salivating

slughorn: hardcore hinny shipper, we have to stan. what’s he up to? also rina girl get back to school you're making ginny look conscientious

hermione: thank you to the extremely patient romione folks in my inbox - the trouble with this plot is that i have to keep all the romione bits off stage for now (and i have written some hermione and ron pov missing moment scenes that i might drop when this plot is fully developed and the mystery has ended) but for now i’m just sorry that so far in the published chapters the hermione plot is all unhealthy coping mechanisms and no answers!

muggle london: did i go rummaging on the freedom of information requests sent to transport for london to find out adult and child fares for central london weekend travel in 1998? yes i did. you never know when the transport pedants are going to flood your mentions !!! ‘are you a child’ ‘sort of’ could be summary of the entire fic really couldn’t it

the exes: i knew i wanted an unlikely character to speak a bit of truth to ginny, someone she wouldn’t be expecting to call her on her shit. the idea of using one of her exes to do it seemed satisfying for a couple of different reasons. i liked the idea of using a character who knows ginny well and who sees through her a bit, but also has nothing to lose throwing out some tough love to her face because they don’t really have any investment in being in her good books anymore. i also liked the idea of not taking ginny’s canonical descriptions of her relationships with her exes for granted, and using those relationships as an example of previous incidences where this character has kidded themselves, or at least come up with a retroactive narrative of something that has happened to them as a coping mechanism that actually masks a bigger, more complicated truth. (i have a longer meta on ginny and her exes i’ll post this week that isn’t expressly beasts-related where i’ll bang on about my read on what these relationships were to her, but for now suffice to say it seemed important in a fic that is at heart a coming of age ginny character study to draw in characters who were likely formative for her in her teenage years in some way). dean seemed a complicated choice, though (more about him below), so… michael corner it was. 

michael corner (or: characterisation when the character has about five whole lines in the whole of canon): 

this is michael corner this whole chapter:

i had a ball trying to figure out how to write michael corner, as the discord girlies can attest. michael is a very minor character in the series, with only a handful of scenes/appearances, and he spends most of them being a little dickhead lmao. the man never stops interrupting people to call them out/correct them. in his first scene in canon in ootp, at the hog’s head, michael sasses hermione on her motivations to set up the DA (‘“You want to pass your DADA O.W.L. too though, I bet?”’ - that earns him a snippy clapback) and then interrupts harry when harry’s being modest to both praise him but also correct him lol (‘“Not with the dragon, you didn’t,” said Michael Corner at once. “That was a seriously cool bit of flying...”’.) in DH, he yells at harry for planning to nip in and nip out of hogwarts when all the DA are living in hiding (‘“You’re going to leave us in this mess?” demanded Michael Corner’), and then gets annoyed at luna for being dumb about the diadem (‘“Yeah, but the lost diadem,” said Michael Corner, rolling his eyes, “is lost, Luna. That’s sort of the point.”’) when it comes to ginny, she calls him a ‘fool’ when he almost gives the game away about the DA in the hall, and when they’re paired up at the DA and she’s killin it hexing him he’s “either very bad or unwilling to jinx her”. given his interest in his academics - and that he’s a ravenclaw - i think we can suspect it’s the latter, a display of chivalric concern that was never going to go down well with gin. they then break up after ginny decides he’s too ‘sulky’ about ravenclaw’s loss at quidditch, after which michael immediately goes off to get with cho (michael and harry bonding over their shared type fic when). but. michael’s also someone ginny (someone who does not suffer fools!) went out with for an entire year, so can’t be a total dickhead, clearly knows right from wrong and has moments of real bravery - joining the DA in the first place, but also enduring torture that neville describes as particularly horrific for trying to rescue a chained up first-year during the DH, which would almost certainly make him deserving of ginny’s respect after the war. being in the DA under the carrows must have been an intense bonding experience for all involved, and actually would have forced ginny and michael back into each other’s lives in a way that forced them to develop some kind of working relationship. all this then added up to the decisions i made to write him as he is in beasts: someone who is grouchy, sassy, contrarian, too competitive, a bit jealous of others’ abilities (the sore loser), and fond of calling people out/correcting people, but also someone who speaks his mind and whose heart is, ultimately, in the right place, a bit of an arse but not a baddie. and i think that makes sense as a character ginny weasley would be attracted to, at least initially, and who she can get behind as someone whose opinion she will listen to, with a pinch of salt.

bonus michael headcanons: other characterisation bits that are more headcanons than anything else: michael, terry and anthony’s band. ginny is canonically a fan of the weird sisters, with a poster up in her room. the weird sisters play at the yule ball.  michael and ginny meet at the yule ball. like literally nine billion other teenage relationships, wouldn’t be fun if michael and ginny first met/got to chatting because they both liked the same band? then that became: well, dean was artistic - what if ginny’s into creatives? wouldn’t it be a laugh if michael, terry and anthony, this three piece gang of boy besties, were in a band? so that became me imagining them all in a promising but bit-too-clever-for-their-own-good indie band, alt-j or vampire weekend of the 90s, very into the smiths. (the album cover ginny recognises in their flat ‘of a white turreted castle, lush woodland by a sunlit lake’ is blur’s country house - partly because the castle in that album art looks a bit like hogwarts, but also because country house was the single that, as british readers might remember, was in a very famous race for number 1 with oasis in the battle of britpop in august 1995, which became about the middle-class southern band (blur) vs the northern working class equivalent (oasis). in my mind the ravenclaw boys would have been team blur and the gryffindor boys are team oasis lol. 90s lore!) the ravenclaw boys being low key into hallucinogenic potions is literally because michael has a throwaway line in hbp where he asks slughorn about felix felicis lol (‘“Have you ever taken it, sir?” asked Michael Corner with great interest.”). so yeah that was enough to get me imagining michael and the boys as low key stoners but also into experimenting with different psychedelic substances and writing bangin’ tunes. they’re boarding school teenage boys, after all!

dean: ah dean 🥺 one day i’ll finish that damn dean fic. the dean we see here is who i imagine dean would be after the war - more lost and alone than literally any of the other main characters, properly unhappy. unlike the golden trio, or the silver trio, dean spends his deeply traumatic war alone, and i think that would fuck him up. he has to go on the run and leave his muggle family behind, a family he’s lied to about the severity of the war (“My parents are Muggles, mate,” said Dean, shrugging. “They don’t know nothing about no deaths at Hogwarts, because I’m not stupid enough to tell them.”’). he must have struggled, as the trio did, with accessing food and finding places of safety, but also had far fewer protections than the trio (no perkins tent, no invisibility cloak, none of hermione’s abilities). he’d also have had to deal with the fact that he’s a young black boy on the run in majority white racist nineties britain, where he would be hyper visible and vulnerable to the suspicions of muggles as well as the wizarding ministry and snatchers (the police/suspicious members of the public are never going to have treated a black teenage boy who seems homeless well). he briefly has the company of ted tonks, surrogate dad figure, dirk cresswell and the goblins, but then watches all but griphook get murdered. then he’s snatched, rescued, and goes to live at shell cottage with his ex’s brother lol. he would have none of the wartime bonding and sense of group solidarity that the wartime DA seem to have built, and while it seems likely he too would join the aurors if invited to punish the people who persecuted him, i think he would feel intensely isolated and lonely as well as challenged by the demands of that job, one he never really seems to crave in canon. got our first few deamus hints here but yeah basically if michael’s going thru one kind of trauma, dean’s going through another, one that he’s never going to open up to the ex who hurt him about. he doesn’t hate ginny - in DH, when he hears about the sword theft, he shows clearly still wants her to be safe and well - but he’s had none of michael’s time to build a post-relationship working friendship with her, and the emotional trust isn’t there anymore. wow bummed myself out writing that out jesus. he could have offered her a cup of tea, though. that’s just basic brit etiquette

baby’s first almost smut: look. what was i supposed to do. these two haven't shared a bed since august. if you think they’re not fucking immediately on sight i simply do not know what to tell you

(gif courtesy of @uncontainedhybrid)

reading list: 

postwar justice (and kingsley as MoM): 

The Weight of the After by PaperyInk  Castles by @pebblysand

the ravenclaw boys: 

these three brilliant fics by chaserzachsmith (crikey)  Notes from the Ravenclaw Bulletin Board by lost_robin

grimmauld place:

haunted house by @bronzeagepizzeria Grimmauld Place: Azkaban by a Different Name by @artemisia-black

beasts and beings:

this meta by @myrskytuuli on harry potter as colonial fantasy 

on the politics of childhood in 20c european politics, especially post-war (not hp fanfiction but historical non-fiction lmao): 

the lost children and kidnapped souls, both by tara zahra 

songs from the playlist for this chapter:

la jeune fille en feu by para one and arthur simonini | i horó 's na hug òro eile by duncan chisholm | blue ridge mountains by fleet foxes | lull by vraell and rosie h sullivan | if we make it through december by phoebe bridgers | please, please, please let me get what i want by the smiths | wading in waist-high water (solstice version) by fleet foxes | feels like a dream by alice boman and perfume genius

and a sneak peek of chapter 9 because now we're at grimmauld and you know what that means... 🐕‍🦺🐾

‘Wow. What a shithole.’ ‘Fred!’ ‘Don’t lie, Mum, you think it’s a shithole, too, I can see it on your face.’  ‘Well, yes, but don’t be rude, this is someone’s house.' ‘Be as rude as you like,’ says a bored voice. They all jump, turn to see a man standing at the foot of the stairs: tall, gaunt, long hair like curtains framing a ten-thousand galleon face. ‘I assure you,’ says Sirius Black, ‘this house is an insult to shitholes everywhere.’