Then John and George trade coats for no reason.

video from reflectismo

Next, Ringo, with a dozen cameras around his neck pushes through the crowd, shouting, ‘Excuse me! Life magazine! Exclusive! I am a camera!’

Then George climbs up into the baggage rack above the seat and plays dead.

gif by deadpoets

Then Ringo scuttles through the car wearing a blond fur coat and a lady’s white fur hat.

Then George, wearing the porter’s hat and white coat, comes in with a tray of empty coke tins.

At the other end of the car Paul is flamboyantly taking pictures out of the window and shouting, ‘God, how artistic! Railway lines!’

Photo by Paul (from 1964. Eyes of the Storm)

The camera keeps filming; Life, Newsweek, and the Saturday Evening Post keep taking notes, and John occasionally looks up and mutters, ‘Funny, very funny.’

Round 2 - 2026 (Costume Art / Fashion is Art) - Match 29 of 64

Michael Braun (Jean Paul Gaultier), left

No explanation found.

vs. Ciara (Celia Kritharioti), right

"We wanted to create something that felt powerful, intentional, and rooted in a deeper story, so we reimagined [Egyptian queen] Nefertiti through a modern lens. It was important that Nefertiti wasn't seen as an artifact, but as authorship, and as something living. A lot of the inspiration came from exhibitions, like, Flight into Egypt: Black Artists and Ancient Egypt, 1876—Now at the Metropolitan Museum of Art. ... It draws from contemporary artists who place ancient Egypt within Black identity as lineage. Nefertiti, to me, represents inheritance, power, and presence. This look is about continuing the story. Nefertiti, to me, represents inheritance, power, and presence, and that's exactly what I wanted to embody. ... Nefertiti had such strength, grace, and undeniable presence, and I wanted jewelry that captured that same regal spirit. Lorraine's designs helped me embody that balance of power and femininity, giving me something that felt both timeless and striking in a modern way." (x)

Paul shouts across the room in a voice you use to an errant child, "Tell us about the songs, John, tell us about the songs."

"Sometimes we write them together," says John. "Sometimes not. Some of them take four hours; some twenty minutes. Others have been known to take as long as three weeks."

~Love Me Do, Michael Braun 1964