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Behold! The battl- wait no, fuck, I've just noticed the inside of the weird rubber tracks these meng kits use isn't painted. Christ. I thought this was done but the wires on the roller aren't painted either.
A re-design of Wangsheng Funeral Parlour
Tried to put emphasis on Hu Tao's connection to butterflies.
"Zhongli" has been with the parlour for centuries, guiding it as a Jiangshi no less...or is he?

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something I haven't seen discussed in a while is how romanticized scenes are framed and described in relation to each other.
so of course, there are multiple scenes throughout the show where aang sees katara:
In The Fortuneteller, (besides being the least referenced episode in defense of kat/aang beyond the direct "powerful bender" exposition), the transcript description of Meng looking at Aang is exactly the same as Aang looking at Katara. Of course, the parallels of aang and meng (even down to the rhyming pronunciation of their names) were clearly drawn in the show and in previous metas. The overarching theme is one sided emotional investment, misplaced exaggerated actions that the person of desire doesn't notice, and the absence of the person of desire's perspective. Ultimately, meng has to let her infatuation with aang go because he doesn't see her in a romantic light.
Imo, it's confusing for the narrative to have this lesson for meng if the audience isn't to assume that it is also for aang as well. Aang doesn't see katara's look of realization when sokka says he's a "powerful bender." So what indication does he have to keep trying (particularly with the Day of Black Sun kiss)?
as a side note, we know Katara is also capable of her own romanticized pov of a character—which is why she fiercely denies that Jet would betray them (similarly to aang’s reaction to katara in TSR when she was acting differently than he expected.)
so why couldn't we get a similarly framed scene like this, where katara romanticizes aang? If they wanted to keep the "Will they won't they", it didn't have to be framed as a moment where aang noticed her staring.
It is narratively confusing that for katara and meng, their idealization of crushes is something they have to resolve, while we are to assume that aang's idealization of katara from the start is true love (and something he doesn't have to get over).
Antis say that the ambiguity of katara's pov is because she's worried about the war (which is true - but also, shouldn't this be true for aang too?), that romance isn't the main plot of atla, and that of course aang's love is shown more because he is the main character. In my opinion, that's just a lazy excuse for the writers' going the "she'll come around" route. So much of katara's internal feelings have to be speculated. like sure, I can plausibly interpret katara's "I'm confused" could mean she was worried about the war/losing aang and didn't want to get into romantic talk before the final battle. But it could also very reasonably be interpreted as katara not wanting to disappoint aang or to spare his feelings.
TLDR: applying the same framing to Meng (towards Aang), Aang (towards Katara), and Katara (towards Jet), while withholding it from Katara towards Aang, it makes their romantic relationship feel imbalanced.
The Fortune in The Fortune Teller
This is an isolated look into this specific episode.
The Fortune Teller is the 14th episode of book 1 of Avatar: The Last Airbender. It is famous for supposedly developping the show's romantic subplot between Katara and A\ang. The episode does two things: A\ang attempts to flirt with Katara, and Katara is finally willing to consider him as more than just a friend.
However, I believe that this episode could have masterfully foreshadowed the pair not getting together in the end. In this essay I will detail how each step the episode takes towards a Kat@ang endgame is actually foreshadowing the opposite.