Where to escape, if the sky and hell are as closed to me as the earth?
Max Jacob, “Shady Soul,” from The Yale Anthology of Twentieth Century French Poetry
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Where to escape, if the sky and hell are as closed to me as the earth?
Max Jacob, “Shady Soul,” from The Yale Anthology of Twentieth Century French Poetry

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Christopher Wood (1901-1930) - "Portrait de Max Jacob", 1929 - Huile sur carton, 80,5 x 64 cm - musée des beaux-arts de Quimper © musée des beaux-arts de Quimper
Max Jacob (12 July 1876 – 5 March 1944)
6/18/25
The Dice Cup, by Max Jacob, 2019 (originally published in 1916).
Teige used to sit somewhat uncomfortably in his study. He would tuck in his legs and sit down on top of them in his chair. He would read and immediately translate for us the poems of Apollinaire. In this way we became acquainted not only with Alcools and Caligrammes, but also with the poems of Jacob, Cocteau, Cendrars, Reverdy, and other modern poets. Vildrac’s beautiful Book of Love, which we had loved before that, receded into the background, because Cubism, Futurism, and Tzara’s Dada rushed towards us, thanks to Teige.
— Jaroslav Seifert, The Poetry of Jaroslav Seifert, on Karel Teige, transl by Ewald Osers, (1998)

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Jardin du théâtre Max Jacob
Anna Margit (1913-1991) — In Memory of Max Jacob (oil on canvas, 1962)
Max Jacob (deceased)
Gender: Male
Sexuality: Gay
DOB: 12 July 1876
DOD: 5 March 1944
Ethnicity: Ashkenazi Jewish
Occupation: Artist, poet, writer, critic