40 Cryptograms (2006) - Mark Applebaum
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40 Cryptograms (2006) - Mark Applebaum

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Kronos Quartet -Â Winter 2020 Release: Kronos' Fifty for the Future #31â35 of 50 -Â Mark Applebaum, Hawa KassĂŠ Mady DiabatĂŠ, Susie Ibarra, Vladimir Martynov, and Henry Threadgill
Kronosâ Fifty for the Future is commissioning a collection of 50 new works â 10 per year for five years â that are devoted to the most contemporary approaches to the string quartet and designed expressly for the training of students and emerging professionals. The works are being commissioned from an eclectic group of composers â 25 men and 25 women â and the collection is beginning to represent the truly globe-spanning state of the art of the string quartet in the 21st century.
On February 6, we released the scores and parts, audio recordings, and many more resources for Fifty for the Future works by Mark Applebaum, Hawa KassĂŠ Mady DiabatĂŠ, Susie Ibarra, Vladimir Martynov, and Henry Threadgill, which join previously released pieces by Franghiz Ali-Zadeh, Laurie Anderson, Ken Benshoof, Raven Chacon, Islam Chipsy, Aftab Darvishi, FodĂŠ Lassana DiabatĂŠ, Rhiannon Giddens, Philip Glass, Yotam Haber, Joan Jeanrenaud, Garth Knox, Aleksander KoĹciĂłw, Nicole LizĂŠe, Soo Yeon Lyuh, OnutÄ NarbutaitÄ, Kala Ramnath, Karin Rehnqvist, Yevgeniy Sharlat, Trey Spruance, Tanya Tagaq, Stephan Thelen, Merlijn Twaalfhoven, Aleksandra Vrebalov and Wu Man. Anyone can now learn to play these string quartets... including you!
Visit Fifty for the Future at www.50ftf.kronosquartet.org/
Mouseketier Praxis Improvisation by Mark Applebaum on his mouseketier electroacoustic sound-sculpture. Performed at CCRMA, Stanford University, October 13, 2012
Diego Espinosa performs Aphasia-Dialogue by Mark Applebaum (custom choreography by Diego Espinosa)
Mark Applebaum: 30 (CD Review)
Mark Applebaum: 30 (CDÂ Review)
Mark Applebaum 30 Innova Records CD 928  To celebrate his thirtieth wedding anniversary, composer Mark Applebaum composed three pieces for percussion ensemble. They can be played successively or simultaneously. Each celebrates a different decade of the coupleâs marriage Applebaum isnât the only composer who has created works that have this capacity, but here it is no mere musical trickery. EachâŚ
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âThe mad scientist of musicâ -Â A TED talk I disagree with wholeheartedly.Â
Mostly, what I disagree with is the somewhat overarching theme (seen all over the place, especially in academic composition) that doing something âoutside the boxâ - in this case, giving performers unexplained non-notation, using homemade nonsense instruments, making âcompositionsâ based on things which arenât music, like the Copenhagen subway map (and making a very comfortable living doing all of those things), makes him a visionary, in some way. I think that sort of thing can go one of two ways. The great composers pushed boundaries, broke rules, were daring, and inventive, but I think this talk is a pretty good demonstration that breaking rules might be a necessary condition for greatness, in a way, but it definitely isnât sufficient. His rule-breaking is not the equal of William Byrd, Shostakovich, Tchaikovsky, or Mozartâs rule-breaking.Â
Mark Applebaum: The mad scientist of music