Poesía y revolución de Vladimir Maiakovsky
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Poesía y revolución de Vladimir Maiakovsky

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A Extraordinária Aventura vivida por Vladimir Maiakóvski no Verão na Datcha
“A tarde ardia em cem sóis O verão rolava em julho. O calor se enrolava no ar e nos lençóis da datcha onde eu estava, Na colina de Púchkino, corcunda, o monte Akula, e ao pé do monte a aldeia enruga a casca dos telhados. E atrás da aldeia, um buraco e no buraco, todo dia, o mesmo ato: o sol descia lento e exato E de manhã outra vez por toda a parte lá estava o sol escarlate. Dia após dia isto começou a irritar-me terrivelmente. Um dia me enfureço a tal ponto que, de pavor, tudo empalidece. E grito ao sol, de pronto: Desce! Chega de vadiar nessa fornalha!
E grito ao sol: Parasita! Você aí, a flanar pelos ares, e eu aqui, cheio de tinta, com a cara nos cartazes! E grito ao sol: Espere! Ouça, topete de ouro, e se em lugar desse ocaso de paxá você baixar em casa para um chá? Que mosca me mordeu! É o meu fim! Para mim sem perder tempo o sol alargando os raios-passos avança pelo campo. Não quero mostra medo. Recuo para o quarto. Seus olhos brilham no jardim. Avançam mais. Pelas janelas, pelas portas, pelas frestas a massa solar vem abaixo e invade a minha casa. Recobrando o fôlego, me diz o sol com a voz de baixo: Pela primeira vez recolho o fogo, desde que o mundo foi criado. Você me chamou? Apanhe o chá, pegue a compota, poeta! Lágrimas na ponta dos olhos - o calor me fazia desvairar, eu lhe mostro o samovar: Pois bem, sente-se, astro! Quem me mandou berrar ao sol insolências sem conta? Contrafeito me sento numa ponta do banco e espero a conta com um frio no peito. Mas uma estranha claridade fluía sobre o quarto e esquecendo os cuidados começo pouco a pouco a palestrar com o astro. Falo disso e daquilo, como me cansa a Rosta², etc. E o sol: Está certo, mas não se desgoste, não pinte as coisas tão pretas. E eu? Você pensa que brilhar é fácil? Prove, pra ver! Mas quando se começa é preciso prosseguir e a gente vai e brilha pra valer!¿ Conversamos até a noite ou até o que, antes, eram trevas. Como falar, ali, de sombras? Ficamos íntimos, os dois. Logo, com desassombro estou batendo no seu ombro. E o sol, por fim: Somos amigos pra sempre, eu de você, você de mim. Vamos, poeta, cantar, luzir no lixo cinza do universo. Eu verterei o meu sol e você o seu com seus versos. O muro das sombras, prisão das trevas, desaba sob o obus dos nossos sóis de duas bocas. Confusão de poesia e luz, chamas por toda a parte. Se o sol se cansa e a noite lenta quer ir pra cama, marmota sonolenta, eu, de repente, inflamo a minha flama e o dia fulge novamente. Brilhar para sempre, brilhar como um farol, brilhar com brilho eterno, Gente é pra brilhar que tudo o mais vá prá o inferno, este é o meu slogan e o do sol.”
- Vladimir V. Maiakovsky
(via https://www.youtube.com/watch?v=wTWfUzM_aPQ)

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You have passed, as they say, into worlds elsewhere. Emptiness... Fly, cutting your way into starry dubiety. No advances, no pubs for you there. Sobriety. No, Yessenin, this is not deridingly,- in my throat not laughter but sorrow racks. I see - your cut-open hand maddeningly, swings your own bones like a sack. Stop it, chuck it! Isn't it really absurd? Allowing cheeks to flush with deathly hue? You who could do such things with words, that no one else on earth could do. Why, for what? Perplexity appalls. Critics mutter: 'The main fault we find there was hardly any working-class contact at all, as a result of too much beer and wine.' So to say, if you had swopped bohemianism for class, there'd have been no bust-up, class'd have influenced your thinking. But does class quench its thirst with kvass? Class, too, is no fool when it comes to drinking. They'd have attached to you someone from On Guard, and the main accent would have been on content: a hundred lines a day you'd have written hard, as tedious and long-winded as Doronin's attempts. Before I'd created such nonsensical stink, I'd have choked my very own breath. Better far to die of drink, than be bored to death! Neither the noose nor the penknife there will reveal the true cause of this loss. But, maybe, if there had been ink in the Angleterre, there'd have been no reason for veins to be cut. 'Encore!' imitators coo in delight. Over you almost a squad committed base jinks. Why increase the number of suicides? Better to increase the output of ink! It's grievous and misplaced to be mystery-propagators. For ever now your tongue by teeth's locked tight. Of the people, the language-creators, a sonorous apprentice-debauchee has died. And, as condolences, poetic junk they gave, unrehashed hangovers from funerals of the past. Blunted rhymes are shoved in to exorcise your grave- is that how a poet is honoured at the last? A monument for you hasn't yet been cast- where it is, bronze reverberant or granite grand? - but there, already, by memory's bars dedications and memoirs of rubbish stand. Your name into handkerchiefs they're sniveling, your words by Sobinov are slobberingly lisped there- and they wind up under a dead birch tree quivering: 'Not a word, O my friend, not a wh-i-s-p-e-r,' Eh, to a quite a different tune I'd switch and just tell that Leonid Lohengrinich! I'd rise up here a thundering scadalist: 'I won't allow poems to be mangled by mutts! I'd deafen them with a double-barreled whistle. They can stick 'em where the monkey stuck his nuts!' And so disperse such talentless filth, blowing away jacket-sails engendered darkness, so that helter-skelter runs Kogan and his ilk, mutilating oncomers with the spears of his moustaches. The ranks of rubbish meanwhile haven't grown much thinner. There's so much to do - just to catch up with things yet. Life must be changed to begin with. And having changed it - then one can sing it. These days are difficult for the pen. But tell me, you crooks and cripples wheezy, which great ones ever choose- where and when? a path already trodden smooth and easy? The word - in the C-in-C of human powers. Forward march! That time may whistle by as rockets flare. So the wind shall carry to the past of ours only the ruffling of our hair. Our planet is poorly equipped for delight. One must snatch gladness from the days that are. In this life it's not difficult to die. To make life is more difficult by far.
To Sergei Yessienin, V.V.Maiakovsky
A Sierguéi Iessiênin - Vladimir Maiakovsky (by EyesOfEagle)
Backbone Flute
II Both, the sky, which in smoke, forgets that it’s blue above, and the clouds, which like ragged refugees rush, I’ll illumine with the dawn of my final love shinning bright like the consumptive’s flush. With happiness, I’ll muffle the roar of the hoard, who have forgotten both, home and comfort. Listen, people! Climb out of the trenches, up to the front. You can fight it out after. Even if, stumbling and wavering, in blood, like Bacchus, a drunken battle goes on,-- even then the words of love aren’t outmoded. Dear Germans! I know Goethe’s Gretchen must on your quivering lips be encoded. A Frenchman dies, smiling, on a bayonet, a shot-down pilot crashes with ardor, if they’re able to recollect the kiss of your lips, Traviata. But as for me, I simply don’t have the time for the rosy pulp that the centuries chew on. Come and embrace new legs tonight! A redhead, in makeup,-- I am singing of you now. Perhaps, from these days, horrifying like the bayonet’s edge, when the centuries bleach my beard silver, only you shall remain unchanged, and I, following you from city to city. You will be wedded beyond the sea, in the lair of the darkness, you’ll hide, through the London fog, I will kiss tenderly with the fiery lips of the streetlamps at night. If your caravan stops in the deserts’ expanse, where the lions are keen and quick,-- beneath you, under the wind-blown sands, I will place my Sahara-like burning cheek. Wearing a smile, you will see a fine toreador on the ground! Suddenly, I will fling my jealousy into the crowd with the bull’s dying eye. If you carry your faltering steps to a bridge, and wonder how good it would be beneath,-- it’ll be I, the Seine flowing under, who’ll beckon you, baring my rotten teeth. If with another, with the sparks of the hooves, you light up the Strelka or the Sokol’niki, then it’ll be I, tempting you with the moon, climbing up higher, naked and calling you. In the war, they will need someone strong, like me,-- they’ll command me: get killed, cold-blooded! The last thing I utter,-- your name shall be on my shrapnel-torn lip, blood-clotted. Shall my end be a crown? Or Saint Helena? Now that the storm of life I’ve tackled, I’m an equal candidate for the throne of the universe and the convict’s shackles. If I’m destined to become a tsar here,-- my men will be told to imprint your darling face, my dear, onto the nation’s gold. but, if I end up there, where the tundra swallows the plains,-- where the North Wind with the river bargains,-- I will scratch Lily’s name all over the chains and kiss them, laboring in the darkness. Listen you, who forgot the color of the sky above, hairy like animals, wallowing in the slush! in this world, this is perhaps the final love revealing itself in the consumptive’s flush.