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Lili Brik retratada por Rodchenko en un fotomontaje propagandístico de la Rusia soviética. El cartel es una de las obras más célebres del constructivismo.
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"Portrait au Flacon" d'Alexander Rodchenko, circa 1930.
In the years 1919/20 Malevich was still deeply engaged in his Suprematism movement during 1919 and 1920. In fact, this period was significant for him as he continued to develop and refine the principles of Suprematism. Malevich believed in the supremacy of pure artistic feeling over depiction of objects in the visible world, and this period saw him producing some of his most iconic works. Between 1917 and 1918 he created his series of “White on White” paintings. Malevich remained firmly rooted in Suprematism during these years, exploring its principles in depth through his art. One of the results of this you can see in the painting “Suprematism of the Spirit”. File:Suprematism-spirit-1919-1920.jpg – Wikipedia.
Seems that there were several versions made (by him personally?). The museum in Amsterdam has one on wood and the museum in Tel Aviv has one based on that one in Amsteram. But the version I mention above is shown in Unovis No 1 Vitebsk 1920 as annex to the facsimile edition and in Jahrbuch der jungen Kunst, Klinkhardt Biermann in the article of Kallai, Ernst (Konstruktivismus p.375) Leipzig,1924 as well as El Lissitzky/Hans Arp (Die Kunstismen /Les Ismes de L’Art /The Isms of Art) in 1924-1914 Erlenbach Zürich München Leipzig 1925 Pp 23 (illustration 45) etc. (More information available)
Rodchenko in Motion - animated poster
Alessio Sciascia
Milano, Italy
Rodchenko in Motion - animated poster
Imagine a poster as a frozen moment in time, what came first and what will happen next? Taking the task of animate a poster from the constructivism period the choice was of working on one of the most famous art pieces by Alexander Rodchenko. On a rhythmic music in the background that recalls factories and machines the pieces that compose the poster come togheter. Screwing and sliding at their place the pieces end up to create the entire composition that will be eventually destroyed. Music: An Animated Description of Mr. Maps - The Books Rhode Island School of Design Graphic Design Spring 2013 Course: Type in Motion Professor: Hammett Nurosi
Мультимедиа Арт Музей, Москва | Выставки | Из коллекции музея
Работы классиков российской фотографии от середины 19 века до сегодняшнего дня, включая работы таких звезд российской фотографии как Карл Бу
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Happy B’day to Alexander Rodchenko, cover design for “Novyi LEF” (New Left), No. 8-9, magazine of the Soviet avant-garde group “LEF” (Left Front of the Arts), 1927.
Александр Родченко | Alexander Rodchenko
• Лестница, 1929
• Радиослушатель, 1929
• Шуховская башня, 1929
• Утренняя гимнастика на крыше студенческого общежития в Лефортово, 1932
• Лодки, 1926
• Девушка с лейкой, 1933
• Памятник Пушкину, 1930
• Извозчик, 1926
• Страстная площадь, 1926
• Колонны Музея Революции, 1926
Victory Drummer. Susan Marie Shultz. 2022.
Beat the squares with the tramp of rebels!
Higher, rangers of haughty heads!
We'll wash the world with a second deluge,
Now’s the hour whose coming it dreads.
Too slow, the wagon of years,
The oxen of days — too glum.
Our god is the god of speed,
Our heart — our battle drum.
Is there a gold diviner than ours/
What wasp of a bullet us can sting?
Songs are our weapons, our power of powers,
Our gold — our voices — just hear us sing!
Meadow, lie green on the earth!
With silk our days for us line!
Rainbow, give color and girth
To the fleet-foot steeds of time.
The heavens grudge us their starry glamour.
Bah! Without it our songs can thrive.
Hey there, Ursus Major, clamour
For us to be taken to heaven alive!
Sing, of delight drink deep,
Drain spring by cups, not by thimbles.
Heart step up your beat!
Our breasts be the brass of cymbals.
- Mayakovsky (1917)
