Zitan cover to an album of bodhi leaf paintings of Luohan (purple sandalwood, Qing dynasty 18th-19th century)
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Zitan cover to an album of bodhi leaf paintings of Luohan (purple sandalwood, Qing dynasty 18th-19th century)
from here

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12th-Century Sun Wukong
I was happy to learn that the Monkey Pilgrim (Hou xingzhe, 猴行者), Sun Wukong's antecedent, appears among a large set of late-12th-century ritual scrolls portraying the famed 500 Arhats. [1] He is depicted as a monkey-headed, black robe-wearing figure with the lower half of his body obscured by clouds, making him hard to see unless you zoom in on the image. He holds what appears to be the head of a staff in his left hand (fig. 1). Our hero is located just behind Tripitaka, who is riding a white horse led by a spirit-soldier(?) or perhaps Sha Wujing’s antecedent (fig. 2). The full scroll shows this scene happening above the heads of four arhats (fig. 3), indicating that the Tang Monk is considered to be one of these Buddhist sages.
I actually found the simian immortal by accident while researching an article about Tripitaka’s Buddha title. Dr. Meir Shahar tells me that this depiction of Monkey doesn’t appear to have been mentioned in previous JTTW scholarship (personal communication, June 3, 2023). [2] Therefore, I’m so very happy that I can share this discovery with my readers!
For more ancient depictions of Sun Wukong, please see my past article:
Last updated: 06-04-2023 Many people assume that Sun Wukong (孫悟空), the immortal monkey hero from Journey to the West (Xiyouji, 西遊記, 1592 CE,
Fig. 1 – A detail of the Monkey Pilgrim (larger version). From Lin Tinggui and Zhou Jichang, Images of the 500 Arhats (Wubai Luohan tu, 五百羅漢圖, 1178-1188 CE). Hanging scroll, ink and color on silk. Image from Nara kuniritsu hakubutsukan, Tōkyō bunkazai kenkyūjo, 2014, p. 86. Courtesy of Dr. Liu Shufen, a research fellow at the Institute of History and Philology, Academia Sinica.
Fig. 2 – A detail of Xuanzang on his his horse (larger version).
Fig. 3 – The full scroll (larger version).
Notes:
1) To learn more about these paintings, see Zhou (2021).
2) Dr. Benjamin Brose tells me that the painting appears in a Japanese source, but the Monkey Pilgrim is only listed as an “ape-like figure” (personal communication, June 3, 2023). See Nara kuniritsu hakubutsukan, Tōkyō bunkazai kenkyūjo henshū, 2014, p. 86.
Sources:
Nara kuniritsu hakubutsukan, Tōkyō bunkazai kenkyūjo henshū [Nara University Tōkyō Research Institute for Cultural Properties (Ed.)]. (2014). Daitokuji denrai gohyaku rakan zu [Daitoku Temple’s Tradition of the 500 Arhats Paintings]. Kyōto: Shitau bungaku.
Zhou, Y. (2021). The Daitokuji Five Hundred Arhats Paintings and Their Beholders [Master’s dissertation, University of Alberta]. Education and Research Archive. https://era.library.ualberta.ca/items/f0bf436c-f6e5-46a2-920a-91c8b9dd5ba9
Luohan 18 Palms Applications (video)
MWW Artwork of the Day (9/3/22) Liao Dynasty artist (fl. c. 1000) Luohan (from Yizhou caves)(c. 1000) Lead-glazed stoneware statue, 103 cm. high The British Museum, London
An austere youthful ‘luohan' (arhat), this ceramic sculpture belongs to the celebrated set of sixteen or eighteen once placed in caves to the west of Yixian, Hebei province. The surviving ‘lohan’ from the set are so individually modelled that they have been considered portraits of eminent monks; however, a tradition of representating ‘lohan’ with very human faces certainly existed in China since the middle Tang, as evidenced by those surrounding Sakyamuni in no. 312. The Yixian figures are striking for their sombre dignity and power, and have nothing of the elevated caricature associated with Chan ‘lohan’ painting of the Five Dynasties and Song periods. Made in the tradition of Tang dynasty portraiture of monks and priests, it represents the aspirations of the educated man to attain spiritual enlightenment.
Head of a Lohan China, 15/16th century wood, 13.50″ (34.3cm) x 9.50″ (24.1cm)
When entering the main hall of a Buddhist temple in China, one will discover two rows of sculpted figures, traditionally numbering eighteen in total. These figures are known as the Eighteen Lohan. Lohan (or Luohan) is the Chinese term, derived from the Sanskrit word Arhat, for a disciple or follower of Buddha who has reached a state of enlightenment. (Source)

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Luohan statues at Nokogiri Yama, Chiba Prefecture. There are about 1500 statues around the mountain. You should find one that resembles your own face. This was taken during my trip back in 2012 on my old iPhone 4 #nokogiriyama #buddhiststatue #mountain #buddhisttemple #buddhism #luohan #1500luohan #stone #zen #iphone4 #iphone4photography #peace #鋸山 #禅宗 #石 #千葉県 (at 鋸山日本寺) https://www.instagram.com/p/CKqTHD7pXbV/?igshid=z2riqm3mpc8y
~Arhat (Luohan).
Period: Liao dynasty (907–1125)
Date: ca. 1000
Culture: China
Medium: Stoneware with three-color glaze.
Expounding on the post before this one , on the "Four Practices" prescribed by Bodhidharma: 1. Retribution of enmity (hatred): accept all suffering (adversity) as the fruition of past transgression. Without enmity or complaint. 2. Acceptance of circumstances (karma): to remian unmoved by all things, bad luck or good fortune seen equally. 3. Absence of craving (or aversion): to be without wanting or judgment, which are the sources of suffering. 4. Accordance with Dharma: eradicate wrong thoughts by practicing Paramita. (More in comments..) ....... #Amituofo #Dharmapala #Damo #bodhidharma #blossoming #Daruma #Buddha #Tathagata #Shaolin #Luohan #bodhisattva #Arhat #Zen #Dhyana #Nirvana #Meditation #Lotus #chanbuddhism #ChanWuYi #chanwuyi☯️☸️xinyiba #ShaolinTemple #ShaolinKungfu #Enlightenment #nibbana #Buddhas https://www.instagram.com/p/B1HRa9jnYQz/?igshid=cg44mv35vl2g