#lotsofthinkythoughts

Its location near Regent’s Park, made it a perfect destination for a drawing session. On a beautiful spring day like today, Rose would walk along the paths of the park and draw the flora and fauna in her sketchbook. Then make her way towards the museum. Other days, after a long time indoors, she would enjoy the park’s fresh air and time to reflect on the latest collection piece she’d discovered.

Since her childhood, art had been a way for Rose to travel, around the globe and across time, a way to see the world through other people’s eyes and to share her own vision. A way to exist beyond the Powell Estate. The Museum of Serendipity transported her like nothing else.

Although she enjoyed the morning sun, she didn’t linger in Regent’s Park, too eager to get there. 

The elderly greeter was listening to the radio in his small front office. 

“Hello, Wilf!”

He jumped to his feet with an energy that belied his years.

“Ah, Rose, luv. Alright? How’s school?”

“Got another assignment to complete for art history class. By the way, mid-term break is coming up, if you fancy a holiday, I could cover your shifts here for a few days.”

He would be doing her a favour more than the other way around.

“I’ll keep that in mind,” he said. “We got a new piece came in.”

New pieces were simply added to the exhibition wherever a space was available. As they walked to the drawing room, Rose tried to know more about the museum.

“Who brought this new piece?”

“John did, just this morning.”

“John?”

“Yeah, John McConnell , the mailman,” Wilf said. “Here it is.”

On the mantel lay an artifact shaped like a metal glove without fingertips. Or a pan flute.

“Looks like something from the future,” she joked.

“Modern art, then,” Wilf said. 

He left her to look at it a while longer. The pattern that covered it, both engraved and raised all at once, looked like scales. Rose pulled her sketchbook out of her messenger bag and drew it. Texture study. 

Basil, the museum’s Abyssinian cat, greeted her, rubbing himself against her legs. She petted his long ears and ruddy coat. She followed Basil out of the room, and wandered the now familiar corridors and staircases. Her hand trailed along the faded floral wallpaper and oak paneling. The smell of candle wax and pine wood polish always hung in the air.

There was one painting in particular Rose always came back to, in the third floor library, just above a loveseat that once belonged to Marie Antoinette. Ahead of her, Basil jumped on the loveseat and looked at her expectantly.   

Rose pulled up a chair to sit down, the museum was almost a second home now, she had no qualms moving furniture around.

With a dreamy sigh, she let her eyes roam the large canvas. It depicted a dozen people in elegant Edwardian clothing, visiting an art exhibition. She was transported back in times, it seemed. Back to la Belle Époque. Late 19th- early 20th century, in France. Among women in high-necked waist shirts, carrying white lace parasols and men wearing mustaches and straw boating hats. The era of Moulin Rouge and absinthe, of the first movie, of bicycles and Marie Curie, just to name a few.  The era of Gustav Klimt, Toulouse-Lautrec, Van Gogh and Renoir, the artists whose work Rose had first fallen in love with. The painting itself blended elements of Art Nouveau and Impressionism (as she’d described in her second assignment).  

But there was one character in particular that commanded her attention again and again. There, in the upper left corner. The painter had done this trick which makes it look like the subject’s eyes are on you wherever you stand in the room. Though unnerved at first, Rose now tried to master this technique. Countless time she’d drawn his thick, curly brown hair, the soft contours of his jaw, his blue eyes, the creases that bracketed his mouth. And that smile, a Mona Lisa smile, the hardest trait to capture. 

His clothes also offered many details to work on: the sheen of his satin cravat, the velvet of his jacket, the pattern of his waistcoat. 

At first, she only tried to capture his likeness in various mediums, but over time she tried to sketch his profile, his back. She depicted that gentleman in various poses and actions. He had taken a life of his own. What was he doing there that day? What was his relationship with the painter? Why was he looking at her like that?

Basil meowed. 

“Alright, don’t be jealous. I’ll draw you first, you beautiful boy.”

“Thanks, it’s a new jumper. Do you like the colour?” said a man with a northern accent.

Rose started. He was leaning against the door, looking at her, with the smallest hint of a smile. 

He picked up Basil and sat down on the loveseat, laying the cat on his legs crossed at the knees. Rose held back a quip about the similar size of their ears.

“Well, go on, then,” he said, indicating her sketchbook with his chin.  

“Hold on, are you the director of the museum? Or the curator?”

“No,” he said. “I don’t think so.”

At a loss for a reply, Rose simply got to work. 

If Basil wasn’t running away, then surely this man posed no threat. Just a lost, slightly odd item, like everything else in the Museum of Serendipity. Including herself.

His face offered such striking features to draw, that bold nose, those sharp cheekbones. The cropped hair revealed the shape of his skull and the collar of his sweater, a beautiful neck. A face for charcoal, she thought, to capture the lights and darks of him, in loose, almost intangible strokes. Charcoal and dry pastels, she amended, she had to recreate the infinite blue of his eyes.

They chatted about everything big and small: cats, galaxies, her doubts about art school and his hopes for the future of humanity.

Time flowed differently when she was creating. In that moment more than ever. A sort of appeasing, melodic hum filled her mind, and everything, but her subject, faded away.

When she traced his eyes, she was surprised to find in them a spark, as if he knew her. 

She looked up at him, and he smiled. “Hello,” he said.

Before she could think of a good way to phrase her question, he stood up and looked at the sketch over her shoulder. He gave an appreciative nod.

“We need someone to do a painting of the museum,” he announced. “Are you free to do it?”

“A painting? Are you taking the piss?”

“I’m serious. Great big canvas. Like this one.” He pointed to her favourite painting of la Belle Époque.

“I’ll need money to buy supplies,” she said, to test his good faith.

“Of course.”

He grabbed a tin box in a nearby bookcase; it was full of cash. He handed her the stack of pound notes without counting. Almost as if he was ignorant of their value. “Will this do?”

Rose nodded dumbly. She resolved right away to only spend a reasonable sum. 

“I’ll come by next Wednesday afternoon,” she said.

“Perfect. See you, then, Rose Tyler.”

She spent the next few days in a state of disbelief. Her mind constantly replayed her encounter with the blue-eyed man. Several times, she opened her sketchbook to look at his portrait. The fondness it aroused in her took her breath away. She found herself doodling both him and the gentleman in the painting, over and over.

She bought a load of art supplies, but kept the receipt in a secure place in case she needed a refund.

On Wednesday, she arrived at the museum with a knot in her stomach. Wilf greeted her, as usual, but he was wearing a smart new uniform.

A moment later, the blue-eyed man skipped down the stairs, two at a time, and welcomed her with a bright smile. He introduced himself as the Doctor, just the Doctor, and Rose went along with it— after all, it wasn’t the weirdest thing about him.

He’d set up an easel and a canvas in the third floor library. She barely paid attention to his directives, she was distracted by the number of visitors in the museum, more than she had ever seen.

“Is this a prank show thing or what?” she asked.

“Why would it be a prank show?”

“I don’t know.”

“Well, you said it. Why a prank show?” he repeated.

“‘Cause to get that many actors and props, it’s got to be on telly.”

“That makes sense. Well done.”

“Thanks?”

“It’s not a tv show,” he said. 

“But— why?”

“It’s the museum’s anniversary. We are interested in collecting unique pieces, and what’s more unique than Rose Tyler’s first commissioned artwork?” 

“Maybe the last,” she mumbled.

“It won’t be,” he said, stating a fact rather than paying a compliment. “Coffee?”

The Doctor knew something she didn’t, and as irritating as it was, it incited her to stay and fulfill his request.

She laid a tarp on the floor below the easel, spread out her brushes and palette knives, picked the colours. 

Basil, of course, wanted to be part of the painting. He lay down in the sunniest spot, on the window sill, looking ever so regal.

As she prepped the canvas, her brain ran ahead of her with ideas to best infuse her art with feelings this room evoked. Warm earth tones, old leather bound books, a thick Persian rug, but also glass cases to keep people away, artworks by undisclosed artists, mysteries all around. Inviting and distant all at once. Much like the Doctor.

She scanned the room for him. He stood in a corner of the library, surveying. As she traced his silhouette, she noticed the similarity, in his posture and smile, with the fascinating gentleman in the Belle Époque painting. She made a mental note to ask about that too.

Hours passed by, Wilf kept her comfortable with cups of tea, snacks, a stool, opening the window, closing the window.

Everyone had left. The sun had set. Only the Doctor and Basil remained in the room with her. 

The artwork wasn’t finished, but it had everything she needed to continue another day. Yet, she didn’t leave. She didn’t want to. She stood there, wringing her paint-splattered hands waiting for something, anything, from the Doctor. 

“I want to show you something,” he said. He took her hand and they both stood up on Marie Antoinette’s loveseat. “Look closely.”

Now inches from the Belle Époque painting, she saw it like she never had before. It shimmered and shifted. Like those 3D images you have to cross your eyes to see. She blinked. Looked closer. And drifted through the canvas.

Rose gripped the Doctor’s hand tighter. Behind them, there was no library, only a blue door. And in front of her, the painting had come to life. No— they weren’t in the painting, they were in Paris of the 1900s. Around her, people chatted in French, cigar smoke wafted to her nose, and through a window that wasn’t on the painting, she could see the brand new Eiffel tower.

The gentleman that had so fascinated her was there too. Thick hair, bright smile.

“Rose, we meet at last,” he said.

His voice sounded exactly like she’d imagined. She didn’t know until now that she’d imagined his voice.

“She’s all yours,” the Doctor said.

Rose didn’t let go of his hand.

“Don’t worry, I’ll be here to bring you back to your own timeline.”

He disappeared through the blue door.

The other man linked their arms together. A feeling of safety washed over her. He was a stranger and yet not at all. As if to reassure her further, an Abyssinian cat sauntered by.

“Is that Basil?” Rose asked.

“In a fashion. Cats have nine lives, as you know.”

“And you, Doctor, how many have you got?”

The Doctor smiled. “Ah, you figured it out, clever girl.”

That didn’t mean she didn’t have a ton of questions, but for now, she only wanted to soak up the magic of it all. 

The Doctor showed her around the room. They mingled with the other visitors, admiring the artwork on the walls. Rose couldn’t stop grinning.

They stopped in front of a painting depicting another gallery, in another museum, in another era.

“Can we go through there too?” Rose ventured.

“Yes, but wouldn’t you like to see Paris first?”

“We can go out?”