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Doodle before art fight eats me again
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ROBBYS FACE DURNG THE MOHABBOT SCENE IM ACTUALLY SOBBING.

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The "an artists draws their crush/lover all over their sketchbook" trope except it's just post-canon Nathaniel getting back into drawing after disowning his role as a magician and all of his sketchbook is the sketches of Bartimaeus' various guises. Ptolemy. Young Sumerian man. A gargoyle. A lapwing. A small sand cat. That one random driver he turned into just once. A bull and a random woman and a crow with a blue beaker (because someone still struggles with this particular form) and some tiny skatches of a spider and a panter and a tree labelled "Bartimaeus" and maybe a Sumerian man again. All draw carefully and meticulously with an utmost care and skill, thin lines and clean strokes.
Everyone who he trusts enough to look through his new drawing praise him for the amount of diversity and variety in his sketchbook. And Nathaniel just nods politely because he cannot just tell them it's all the same person ninety percent of the time. Mosly because it took him embarrassingly too much time to realise it himself.