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Doodle before art fight eats me again
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the fact he wonโt TOUCH another man for a photo and makes a point to keep his hands to himself when itโs men because heโs got a situationship/homoerotic bench partner/โwhatever you consider yourselves to beโ but lets a random woman touch his faceโฆhe loves to confirm it for us lol.
"homoerotic bench partner" omg nonny you're so funny & also right because he's miles away from other men unless he's drunk at a frat party knowing will is close & hes going home to be looked down on with jealous rage & it fuels him with life because ya. Whatever he got goin on with his boybestfriend is a special relationship & its lowkey cheating if he looks at another man in the eyes too long

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ROBBYS FACE DURNG THE MOHABBOT SCENE IM ACTUALLY SOBBING.
The "an artists draws their crush/lover all over their sketchbook" trope except it's just post-canon Nathaniel getting back into drawing after disowning his role as a magician and all of his sketchbook is the sketches of Bartimaeus' various guises. Ptolemy. Young Sumerian man. A gargoyle. A lapwing. A small sand cat. That one random driver he turned into just once. A bull and a random woman and a crow with a blue beaker (because someone still struggles with this particular form) and some tiny skatches of a spider and a panter and a tree labelled "Bartimaeus" and maybe a Sumerian man again. All draw carefully and meticulously with an utmost care and skill, thin lines and clean strokes.
Everyone who he trusts enough to look through his new drawing praise him for the amount of diversity and variety in his sketchbook. And Nathaniel just nods politely because he cannot just tell them it's all the same person ninety percent of the time. Mosly because it took him embarrassingly too much time to realise it himself.