#linear design

Bathed in twilight’s meandering sun.

Riding in on a high horse.

Several hands high.

Looking back would be nothing but…

an unconditional, good-bye.

∇

∇

The miles ahead?

An easily read map with routes I could choose or deny.

Yet, contemplation, a plethora of shine and showers, not so simple to define.

Its inventory, a snowshoe in the sand.

Too basic to understand.

Repugnant, regurgitated, bliss.

Straight lines to a closed fist.

The resolution?

A well-rounded, linear, first kiss.

Next, we visit the Nazca civilization (200 BC to 600) found in the desert on the South coast of Peru. Their principal cultural complexes can be found at Cahuachi and Ventilla. This group consist of small villages spread out over terraces hillsides near irrigated floodplains each with their own chief. Even with the use of irrigation, they had to make use of an extensive trade route to endure – trading as far as the Amazon, this can be seen from the feathers found in the graves. Most of what we know of their cultural practices comes from excavations of tombs. Tombs were built as shafts, 4.5 m deep, lined with mud bricks – containing not only the mummified remains in upright sitting position but also their earthly belongings – that could be revisited. Colourfully decorated textiles and ceramics are characteristic of the Nazca culture. Their favourite colours were maroon, light purple and blue-grey. Pots have a wide variety of forms and are mostly light cream or red background with black outlined patterns or figures. While some images are highly abstract and ornamental, others depict narrative scenes like battles. The most popular subjects depict shellfish, monkeys, condors, mythically transformed creatures especially felines, gods and shamans. However, they are best known for their geoglyphs – large linear designs on the landscape that can only be fully appreciated from the air. Archaeologists believe that these lines where used to point to sacred sites and show people where water could be found. Their exact purpose may never be known but some believe that the lines were made to walk along during religious festivities.

“The Heron”, Nazca Lines (bird) (Wikipedia)

“The Owl man”,  Nasca (Peru), Astronaut, August 2007 (Wikipedia)

Mummies and archeological rest in the Cemetery of Chauchilla, 30 km away from Nazca, southern Peru. (Wikipedia)

“Killer Whale”, Orca_mitica_nasca (Wikipedia)

Nasca. Double-Spout, Bridge-Handle Vessel, 325-440. Ceramic, pigments, 9 1/4 x 7 x 6 1/4 in. (23.5 x 17.8 x 15.9 cm). Brooklyn Museum, Henry L. Batterman Fund, 41.423. (Wikipedia)

Lobster Effigy Vessel, AD 300-600 (Early Intermediate Phases IIII-IV) (Wikipedia)

Practical: the class learn about metal sheets making Nazca inspired pewter

In conclusion, we found it is interesting to note that similarities can be drawn between the Nazca and the San people (South Africa). Both of these cultures use a form of trans-inducing foods to create art for religious purposes. They use of landscape as part of their art that serves as a pointer for the next generation on where to find food or water. Lastly, both of these cultures have images of transformed mythical creatures in their pictographs.

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