Krenz.
Stunning digital works by artist Krenz who lives and works in Taiwan.
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Krenz.
Stunning digital works by artist Krenz who lives and works in Taiwan.
BUY PRINTS | FOLLOW ON INSTAGRAM

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Shall We Dance
These are the last assignments of the Krenz Dynamic and Composition course, to create at least one drawing by apply the composition arrangement from Alphonse Mucha illustration. The characters I used are protagonists from comic "Welcome to the ballroom", Hiyama Chinatsu (female) and Fujita Tatara (male). A sport comic feature ballroom dancing competition, also referred as Dancesport. The gesture featured in comic are so dynamic and beautiful.
In order to meet the assignment requirement and my current anatomy skill level, I choose to draw still pose of one invites another for dance(sob). Their dress are beautiful and able to show body silhouette without having drastic gesture. In return, I'll have to use additional items to further make the composition work. Hanging fabrics are handy to create lines in different width. And looks suitable for the theme! So as the roses in background in respond to Chinatsu (female) cloth pattern. A circular window are placed behind them on upper part of their body area able to forcefully attract your eyeball to their face, like a frame.
★ Krenz | SpringBride / WhiteBride ☆ ✔ republished w/permission
Finally done with this... my eyes are tired o-o many people were waiting for feedback today, our teaching assistant is working really hard ~ The suit one was the hardest for me, I also got tired of trying to get the shape right at the end 😹 I have also started to color the line art today , it’s harder than I thought D: ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ #digitaldraw #digitalart #digitaldrawing #artstudy #shapestudy #photostudy #artstudent #digitalartist #digitalartwork #instadraw #instaart #blacknwhite #negativeshapes #arthomework #photoshop #dailyart #dailypractice #lightandshade #lightandshadow #artpractice #drawingpractice #drawing #krenz #artclass
Not my methods! Today im studying krenz-sensei’s simplification techniques. Learn from the masters ✨👨🏫✨😀 #drawing🎨 #procreate #practice #drawingdrillchallenge #krenz #anatomy #mannequinization https://www.instagram.com/p/BnswvRXnTU9/?utm_source=ig_tumblr_share&igshid=60tee4nh8clx

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Krenz
Krenz Dynamic & Composition Course 2019 - 2.7-PART 1 Cleared another Krenz online course!!
This is an interesting course regarding how you can design gesture and composition using lines, shapes and forms.
The course has designed to make sure the students understand the theories of composition as simple as possible. By introduce the basic elements of composition, this makes beginner less anxious about this part of knowledge. This also allows composition arrangement become more flexible.
For the dynamic gesture part, the course doesn't really teach you anatomy in details, they didn't even limit gesture on human. The course teach you how to identify gesture and design pose based on flow of body movement. And further extend as tool for composition in a visual, together with other elements such as clothes, hairs, accessories, tails etc. As long as the characters look reasonable, they doesn't restrict much on the drawing style, this grant the freedom of creation for students.
This course has helped me break some of the rigid form I've always had on drawing, didn't know I could draw human in these pose, and with composition in mind.
Throughout the course, the importance of references and create own visual library has mentioned so many time. This shows that other than receiving guidance from lectures, research and self study should not be neglected.
Along the course, using the existing character design for assignment that required to draw human are allowed. As long as you able to meet assignment requirement.
Whoever reading this may wonder if this course include colors as composition tool, no it didn't. The color part had included in Krenz Painting Course.
Krenz Dynamic & Composition Course 2019 - 2.7-PART 2