Sep 1, 2025
Staging directions for the West End production of Born With Teeth:
And both the actors and the table delivered
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Staging directions for the West End production of Born With Teeth:
And both the actors and the table delivered
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I think it’s fun that the Jamie Campbell Bower characters I like are all influenced by the time they grew up in:
Gellert Grindelwald: Very much a product of Victorian era politics and how the century shifted everything. A radicalised educated Victorian man, a symbol for the start of the 20th century. Later on a political radical influenced by the blood shed of WW1 and WW2, you’d find many men in our world like him in 1920s/1930s.
Kit Marlow: A man who really existed and was a symbol of Elizabethan England’s play writes. A man who influenced Shakespeare. An atheist man in a highly religious time and country.
Henry Creel: Completely stuck in the 1950s and despises the era. He hates the order and rules of this era but he can’t escape it due to not living in the outside world during the decades after it. His Mr Whatsit clothing being a 1950s style suit while everyone around dresses in typical 80s fashion is telling that he’s never moved on from that decade. The manner of speaking as well, more rigid than the 1980s characters.
Christopher Marlowe, Tamburlaine the Great, Part II: Act V, Scene III.
people that should have been me:
I thought about 1590s Matthew returning and not knowing why his friend Kit is suddenly so skittish around him and got sad.
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So does Matthew Clairmont just always have a queer demon sidekick? Like, throughout all of history?
In the 1590s it’s Kit Marlow.
In the 2010s it’s Hamish Osborne.
I don’t really have a point. It’s just an observation.
If you never had the chance to see Shakespeare in Love on the stage, I so desperately wish you could have seen the ending:
Early Modern True Crime and terror 1648 The theatre of Gods judgements
This is a very rare and interesting book on social norms and social forces at play in the theater of the universe. It is know by two US Copies and was previously owned by bibliographer Graham Pollard. 530J. Thomas Beard, -1632. The theatre of Gods judgements: wherein is represented the admirable justice of God against all notorious sinners, great and small, specially [sic] against the most…