#kb20

Here’s my new kink bingo card! I won’t be paying full attention to it until I’m done school in the summer, but if I get a new laptop I might work on some squares as a way to procrastinate college work ngl.

Feel free to send in requests!

Requests:

Sam x Reader

Impregnation [SQUARE CHANGED] (Alpha!Sam x Omega!Reader) - can i request the abo dynamics square with alpha sam and an omega reader, in a very established relationship, with one or two kids already, with a heavy breeding kink and lots of cum play?

Free space (Masseur!Sam x Reader) - could you do maybe Sam x Fem Reader with teasing and maybe have it as Sam being a masseuse? Or just like some kind of oily massage ;)

Dean x Reader

Fear kink - Can I request the fear kink square with dean? And if it’s not too much maybe a size kink added to it?

Dean x Reader x Sam

Cowgirl - the Winchester brothers are like in a competition to see how fast or creatively they can get the reader off. They are sitting down and they tell the reader to ride one of them then switch. They keep having the reader switch off until the end.

Lucifer x Reader

Three artists I looked at who work with video, sound and performance go by the names of Mika Rottenberg, Maya Deren and Carolee Schneemann. All of which are female video artists whom I admire and take inspiration from in my own ideas about performance in video. 

The first artist I looked at was Mika Rottenberg and her video titled, ‘Tropical Breeze’ (2004). Mika Rottenberg is a contemporary Argentine-Israelii video artist, best known for her surreal video installation work that often deals with the subject of female labour. In the film, ‘Tropical Breeze’ a body builder drives a converted truck that functions as a shop, packaging her sweat. In the back of the truck, another woman pedals a makeshift device, picking up tissues and using gum to stick them to a clothesline, transferring them to the body builder woman, who uses it to collect her sweat for packaging and later for sale. 

For context of the film, Rottenberg says in an interview,"Every product contains part of the lives of the people who were involved in its production. It is very basic, but I find it beautiful because I like the idea of measuring the value of something not by its 'use value' but by the processes that were in its making - the amount of 'life' that was put into it." Although the context is very provocative, I found the physical & visual attributes of the performance-based video much more interesting and relatable to my own work.

The element that interests me the most in Rottenbergs’ film is the colour combination and repetition throughout. The sounds made by the movements of the characters/performers in the video is repeated throughout. I was also drawn to the ‘Tropical Breeze’ video for it’s set design and general aesthetic. The artist has used the sounds of the body builder woman wiping away her sweat and the clipping/mechanical sound of the make shift device repeated over and over, to emphasise the concept of labour throughout the video. I find Rottenbergs use of sound interesting & unique in this respect. Although, I am most drawn to the use of colour and set design. Like Rottenberg, I also have used a very consierate colour pallet in previous work and I also enjoy drawing on subjects in relation to female-identifying persons/bodies. 

Below, a still from ‘Tropical Breeze’ (2004), Mika Rottenberg.