[Radiolab from WNYC] Juicervose => via @Podcast_Addict
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[Radiolab from WNYC] Juicervose => via @Podcast_Addict

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These are the pieces of the history I am stepping into and the inheritance I will gain as I enter the teaching profession. We live in a world where there are clear hierarchical distinctions and power imbalances where (dis)abled bodies are recognized as Other. We must look toward the Eugenics movement for answers and according to Smith (2008), “Eugenics created bodies and minds as commodities to be cured, rehabilitated, or eliminated” (p. 425). In order to feel the necessity of curing, rehabilitating,and eliminating one must feel a certain level of disgust and fear of those (dis)abled bodies. This fear of the abnormal or Other has not disappeared and I often find it within myself. This fear is often a fear of not knowing how to communicate, how to relate, how to understand, and also how to teach those with whom I find so strikingly different. In my media analysis project I examined the podcast “Juicervose” by Radiolab, a podcast which follows a few families and their severely autistic sons. I have cut out a clip from the podcast, one which was not touched upon in my media analysis.
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Smith, P. (2008). Cartographies of eugenics and special education: A history of the (ab)normal. In S. Gabel & S. Danforth (Eds.), Disability and the politics of education: An international reader (pp. 417-432). New York: Peter Lang.
This clip describes a visit to a school in District 75 of NYC where there are a number of severely autistic and other similarly identified children. The children struggle to communicate to their teachers and caregivers. This clip is difficult to listen to, I can hear the frustration in the child’s voice and the discomfort of the radio hosts. Today, children are identified as having deficits through the tradition laid down by Eugenics: “The linkage between visible defects and subnormal intelligence proved critical to the development of eugenics methodology. Without this pairing detection was much more difficult” (Snyder & Mitchell, 2006, p. 80). Listening to this child trying to make himself heard and understood could indicate a lack of intellectual ability or a wealth of it. It is easy to assume that there is none because of his outward appearance and the sounds that he makes. This child seems (ab)normal, he is uncomfortable to be around. It is my fear that I will become a part of this tradition both as my role as a teacher and as a result of my fears and discomfort with those that are different.
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Abumrad, J. (Host). (2014, Sept. 18). Juicervose [audio podcast]. Retrieved from http://www.radiolab.org/story/juicervose/.
Snyder, S. L. & Mitchell, D. T. (2006). Cultural locations of disability (pp. 69-129). Chicago, IL: The University of Chicago Press.
prone
binge rewatching tv series crammed in via a metaphorical arm to mouth motion again and again and again series season episode the one more feeding another after an other mealing schedule eating brains through electric tubular consummation a fantasy kitchen of invisible air dishes that our imaginary friends help us pretend taste like snacks, sorta kinda perhaps a little bit enough anyway you don't have to get up off the couch very often
the latest hippest way to suck the thumb of one's thought process down to a shriveled raisin easy to gum, to swallow no teeth no chewing surely nothing so burly as mastication necesssary
just your voice juice or choice pureed into a soothing rhythm rocking perseveration better than a cool outfit inducing hypnotic new modes of consciousness
long complex narrative patterns of meaningless nothingness isolated rituals to save us from the poisonous diet comprised and aligned exclusively with scholastic-industrial sensibilities overloaded on tired rational toxic limiting dead numb non-feeling thinking
Radiolab - Juicervose

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WATCH/LISTEN/READ - 10/3/14
WATCH
If there were ever a foil to the Cleavers, it's the Pfefferman family. Jeffery Tambor stars as a transgender woman who finally decides to come out to her family at 70. As she attempts with the complex process of coming out to her adult children, we get to know them intimately. Sarah, a housewife in a sexless hetero marriage whose lesbian college romance is reignited in the pilot episode. Josh, a successful artist manager who falls in love easily and seems to perpetually crash back out. And Ali, the youngest, who is unemployed, eager to experiment with sex and gender, and "just can't seem to land." As the family tries to find the balance between disclosing their sexual and gender identities and keeping their secrets hidden, it becomes clear that the truest parts of themselves are transparent to the people closest to them. Everyone on the show has their own idiosyncratic shit to deal with, which is a huge breathe of validating air. Match that with beautiful indie-film video quality and an absolutely perfect soundtrack, and you get a show that makes you want to dig in to episode one and never let go. And you don't have to, because you can stream the entire first season on Amazon Prime.
LISTEN
"Juicervose" by Radiolab. You may have heard Ron Suskind's story when his New York Times article went viral a few months ago. His autistic son was able to overcome some of his symptoms by interacting with his family through the voices of Disney characters. Owen's story has a certain magic born straight from the Disney movies he loves - there's a hero who has to overcome a huge challenge, various villains or detractors who try to bring him down, his hopeful sidekicks who never give up on him, and, of course, a happy ending. Because of the importance audio plays in the story - from the references to repeated lines from Disney movies to Owen's speech development - it tells even better through podcast. If you feel so compelled, you can catch Suskind at Chicago Ideas Week on October 14.
READ
"Trial by Twitter," by Holly Millea. A tragic, distressing read that tells the detailed story a high school girl who was murdered by her friends and the important role Twitter played in their lives. Without taking a "technology is ruining our kids" stance, Millea uses tweets and Instagram photos to punctuate critical moments before and after the murder. Without implicating technology as the villain, she unveils its true purpose in this story - it offers a direct look into the minds and relationships of two teenage killers and their unfortunate friend.
Did Radiolab seriously make an episode where they said that autism steals children away and locks them up in their heads?
Like fuck, when I heard a snippet in the car I was sure I was just being biased because there's no way they would make an episode that ignorant and provably wrong. BUT NO THAT'S COMPLETELY WHAT IT WAS.
And they asked these horrendously leading questions to the autistic man. And they interviewed Simon Baron Cohen, who is one of the worst autism researchers when it comes to dehumanizing people with autism.
Radiolab is so bad at science, and I have no idea how that even works. A simple google can fix most of the mistakes they make.