#jeff astrof

So let’s talk about the cast which is headed by Courtney Cox (also a producer), Greg Kinnear respectively as Pat and Terry Phelps, all of whom I’ve lived for a while. I’m a more recent fan of Gus Birney, who was great on Dickenson as Jane, (the young hot widow) as their daughter Gaynor, and Dylan Gage who plays their son, Jake.

This is the story of Phelps family that moves from Brooklyn to Shining Vale, Connecticut in the aftermath of the mother Pat’s affair with a contractor. Terry found the house and purchased it without the any of the rest of the family’s input. This does create suspicions especially in regards to the real estate agent Robyn Court, who is played by Sherilyn Fenn (always a joy to see). Also delightful to see Merrin Dungey as Pat’s editor/friend who balances these rolls in funny ways. And then the alway delightful Judith Light shows up as Pat’s mother, who has her own history with mental illness and creates more interesting mirrors between Pat and Gaynor. 

But I’ve been neglecting the series other star, Mira Sorvino! Sorvino plays multiple characters over the seasons starting with Rosemary, who’s a ghost, a demon or figment of Pat’s imagination who “helps” write her long awaited second novel. Her first was an erotic romp with the goal of self definition. The second novel, which is released early in the second season is very different, though still have some filthy bits because that’s Pat’s “brand”. 

The house is TARDIS like in that they keep finding new rooms that were otherwise hidden, most notably a tiki bar that becomes an important location for many scenes, as well as a harbinger of the kinds of substance abuses. It also hints at the building’s secret history as an insane asylum in the 19th century. This history was only partially unraveled in the two seasons that were made.

In addition to liking the cast, I like the series creators Jeff Astrof and Sharon Horgan. Astor created the two season true crime parody sitcom Trial and Error which I still wish had more time. Horgan co-created and started in Catastrophe and Bad Sisters, both of which I’ve written about here. I kind of want to divide the qualities of the series between the two creators, though I know that it is at best misleading. The series has a melange of horror films reference that was like the  melange of true crime narratives that Astor worked with in Trial and Error. All the things about the dysfunctional married couple and parental relationships with children I associate with Horgan’s work. (Not to mention her treatment of Pat’s alcohol abuse is similar to that of her character’s on Catastrophe)

The references to other horror films are direct, and what I saw of how they add up to something intriguingly different. First as the title and concept of a parent-writer loosing their mind over their latest writing project and the history of their new home suggests, there are plenty of references to The Shining. At least in the first season. The second season, in which Pat’s menopause is reversed by new neighbor Ruth’s (also played by Mira Sorvino) herbal tea, is more inspired by Rosemary’s Baby. There are also liberal references to The Omen and The Exorcist, among other films. And plenty of opportunity to wonder how “real” what we are seeing, especially in the second season where there is an increase in cartoonish-ness. Over the course of the season multiple people get hit by a bus and explode while the bus doesn’t stop. It gets funnier every time. Going in the opposite direction from funny to startling is a gag involving a mysterious Walkman. Three members of it find it at random times, put it on, each hearing a different song, but all doing the same dance. I will forever wonder where they were going with this.