#jay kim

The last of our contestants (because my game literally will die if I accept anymore!)

Jay Kim by @frostedshore

Therese Wright by @rollo-rolls

LaDorian Hunter by @lalasimmer

COOPER FLAGG - MAVERICKS: by Jay Kim.

Now, it’s not wrong, I absolutely played these songs a bunch, but I wouldn’t say they were my FAVORITE songs this year. They just came out very early in the year and were able to add up plays before anything else. So that got me thinking, what were my FAVORITE songs this year? Not the ones that I played the most, but what had the most impact, whether it just be an earworm or the meaning of the song. So why not write and list them out! I like analyzing my thoughts too much.

I’ll keep my choices to just one song per artist. It'll be however many songs I wanna add. Details don’t really matter, it’s my list, I add whatever I want. Expect a VERY long posts and a lot of links to songs if you want to check them out. (DO IT. I swear I have good music taste.)

1) First off, I gotta start with DO BETTER by Ab-Soul off of his latest album HERBERT. Ab-Soul has been in my top 5 rappers probably for the past decade and my second favorite of TDE other than Kendrick. HERBERT was his most personal album to date, and nothing shows that better than DO BETTER. A lot of his album is inspired by the events that happened in his life during the pandemic including one of his best friends dying and his own failed suicide attempt and his subsequent trip to rehab. You can easily hear all the pain and survivor's guilt he has, but also the determination to turn around and come out stronger. The instrumentation is both extremely haunting and calming. I always come out of this feeling inspired to deal with my own issues. The line "I gotta do better, I gotta do better, I guided you better. There's nothing they can do that I can't do better. Better yet, there's nothing I can do that I can't do better. Yeah, I'm better," never stops giving me chills.

2) I've been slowly getting into EDM these past couple years. And one big part of my learning of the genre is Skrillex, who came back and surprise dropped TWO albums in TWO days. And both were really good albums that showed multiple different styles of EDM. Whether you prefer more dark and grungy beats like the songs in Quest For Fire, or if you rather have more bright, poppy sounds in Don't Get Too Close, there will be something for you in these two albums. The song that most stood out to me though was a good mix of the two with the opener for Quest For Fire, Leave Me Like This. The standout part of this song is the earworm of a vocal hook, which gives a wonderful strong melodic element to the song. Combined with the synths creates a strong hypnotic pre-drop section for the song. Of course the drop contains the more grungy parts of the song, especially the growly bass the introduces the drop of the song. But my favorite part of this section tis the repeated, pitched up "left, right, left" chant helps keep the rhythmic center in the song as the drums get more complex in the drop. Even if you don't enjoy EDM music, I'd listen to Skrillex's new releases because you get such a different arrangement of sounds and really see his versatility.

3) Anyone who knows me knows that I have been horribly addicted to hyperpop these past three years and it is definitely unhealthy to my ear drums. And 100 gecs has absolutely been in my top 3 hyperpop artists since they came out. So when they announced they were releasing an album this year, it was instantly one of my most anticipated albums of this year. And they absolutely delivered with 10000 Gecs. They continue to create inventive music with the same brashness, humor, and insanity that drew me to them in the first place. And I'd say this album is just slightly less abrasive to new fans than their past album. Nothing anywhere near as crazy as Money Machine, but all of the tracks contain the unique brand of energy and mix of hip-hop, rock, and pop, with and added element of ska on some songs like I Got My Tooth Removed and Frog On The Floor. But my favorite has to go to the opener of this album, Dumbest Girl Alive. Right away with the first 15 seconds, you can tell they're back on their bullshit with the opening guitar riff and gunshot impacts. And as soon as the drums come in, you get their wonderful blown out sound where I can't help but turn up my speakers to the max. But the obvious standout of this track is Laura Les's performance of this track. A super catchy melody, an earworm of a recurring phrase, "I'm the dumbest girl alive," and multiple quotable lines create a great verse. Plus the bouncy bass continuing with it creates such a wonderful short track that makes me just want to keep repeating it over and over again.

4) The more music I listen to, the more I am drawn to the weird, more eclectic styles of music. Especially with hip-hop, with so much getting made, only the really unique stuff sticks out to me now. Luckily that's the exact type of music Danny Brown and JPEGMAFIA make and together they made one of the best hip-hop albums of this year with Scaring The Hoes. And this music will, in fact, scare the hoes.

JPEGMAFIA and Danny Brown are already well known in the Abstract Hip-hop genre, each being strongly characterized by their unique self-production and unique delivery respectively. Both of them have their own unique strength and coming together, they create a landscape of sounds and tracks that you will not hear on any other hip-hop album this year. As has become pretty evident, I'm a sucker for intros. And this album is no different because the intro, Lean Beef Patty, is easily my favorite from this album and was also in my top 5 songs played this year. Even though this song is just 2 minutes, it contains my favorite things about both artists. A sped up sample almost drowned out by the rest of the production, a signature of JPEGMAFIA production. Brash, bold lyrics from JPEGMAFIA such as "Fuck y'all niggas, I feel like Papa John," and "Fuck Elon Musk, eight dollars too much," which honestly just became the slogan for the year. Finally Danny Brown's energy and delivery give an exciting final verse to this song. And wonderful way to start one of the best albums of the year.

5) A group that came out of nowhere for me was grouptherapy. grouptherapy. is a music group consisting of Jadagrace, TJOnline, and SWIM. Their new album "i was mature for my age, but i was still a child" popped up randomly in my Spotify and I was surprised by the quality of there sounds, their charisma, and their chemistry. Each artist clearly has their own style that fits well with the other two and they all trade off so well in each of their tracks, which is essential to a good group dynamic.

Their new album has multiple standouts that show all of the groups' talents such as American Psycho and FUNKFEST. But my personal favorite off of this album is "club song :(" where Jadagrace takes the front stage in a mainly acoustic guitar song. Her voice is allowed to take a front seat and it creates a striking and kinda haunting melody. TJOnline joins in the latter half of the song to add some well added harmony to the song. This was the song that I kept coming back to from this project. Check this group out, cause they should have much more buzz than they have now.

6) Every once in a while, you'll be at a concert and you'll see an opening act that completely surprises you. And then afterwards, you slowly see them gaining more and more clout as they slowly grow to superstardom. That happened to me with Jordan Ward. I had the opportunity to see him perform and a JID x Smino concert as the opener and he absolutely impressed with his energy and singing.

I forgot about him until he released the deluxe version of him latest album FORWARD. I remembered his name and decided to listen finally and he has everything to be one of the next RnB stars. Since then, his album is one a bunch of top albums of the year lists and has even had a NPR tiny desk concert.

My favorite of his so far is MUSTARD. The guitar arpeggiating the chords, the slightly pitched up vocals, and live played drums on this track just work in the best way. 6lack also joins and adds a great second verse. Listen to him, he's gonna be up next soon and you'll want to see his rise.

7) Finally, there's the artist of the year for me, Underscores. I've known of them for a while, but only REALLY got into their music this year. I devoured their last two albums and have been playing them on repeat all year until she announced her new album Wallsocket. It was easily my most anticipated album this year and luckily it exceeded all expectations.

Underscores is a very hard artist to describe because she was one of the hyperpop classic artists but has evolved her sound beyond that. There is still some of that overblown hip-hop, dance pop sound around her music, but there is also more of what I'd say is folk rock in there now with this album. Either way, she still manages to produces some of the most unique soundscapes that I've heard this year.

All three of her singles that she released were in completely different areas. The rock focused "Cops and Robbers", the creepy, slow, and uncomfortable "You don't even know who I am", or the dance EDM focused "Locals (Girls like us)" had be so confused about what the sound of the album would be like. All it did was build up the hype and so I HAD to watch the livestream of the album on release day. And that is easily on of my favorite memories of the year, freaking out with the chat as we uncovered how good of an album this is.

While every song on this project is wonderful, the song the immediately attached itself to my brain was "Uncanny long arms". The song structure here is just hypnotizing to me. The quiet opening of the song going into the first chorus and the first "I can touch my toes" belt is forever into my mind. And the vocal stuttering and breakdown afterwards let me know this song was special immediately but it only gets better.

Jane Remover has a standout second verse on this song and her voice sounds angelic and just floats over the guitar. She had an amazing year in her own career and this song is a standout moment. Her turn on the chorus is even better with added instrumentation and the pure emotion you hear in her voice.

But easily the favorite part of this track to me is the outro, which to long underscores fans will be no surprise. The song being stripped down before jumping right into a bombastic, more rock version of "Kinko's field trip" brought me right back to 2021 and I damn near screamed hearing this on the live stream. Easily my favorite music moment and favorite song of this year. Listen to underscores everyone, you won't regret it.

HONORABLE MENTIONS

I don't have anywhere near as much to say about these songs, but I still want to bring them up because they're fun and were big parts of this year for me.

Stasis - leastfavorite!: Discovered her this year and she is another hyperpop artist that I think deserves more recognition. She released her first EP late last year so listen to it!

nothing2say - Jay Kim: Another artist I discovered this year but released an EP last year. Not really hyperpop, more midwest emo vibes with a little bit of brakence vibes with him. But another album that I'm excited to see grow after listening to them this year.

Damage Gets Done - Hozier: I shouldn't have to say this on this website, but Hozier is a pretty good artist. I listened to the new album he dropped this year and this duet was a standout to me and just couldn't get out of my head.

Maybe Man - AJR: As we now know, I'm a sucker for openers, and damn, is AJR good at them. They always make them fit the themes and sounds of the albums so well. "Maybe Man" is no exception. Probably would've made it onto the favorites list is it came out sooner.

Performed by: Class

Number: "Something Just Like This"

Choreographer: Jay Kim

Style: Lyrical Hip Hop

Teacher table. Nice to see Madam Pince out of the library.

Puffskein at Tonks’ table and Merula as well. Charlie and Ben hanging out is very nice.

Look at these dudes.

Barnaby in the back with Is.

Friends. Nice to see the characters interacting with each other.

SM The Ballad : Hot Times aka There Really Is So Much Happening Here (Live):

the way they put Jinho on the pedestal to try to hide the fact that he’s like 5′6″ MAX but didn’t extend the same courtesy to Jonghyun

but that’s just bc u can’t put Jonghyun in the back lmao

speaking of Jonghyun, the way he is visibly holding himself back here so he doesn’t casually outshine everyone else’s stage presence...we love a charity king!

the guy from TRAXX existing and also being in this group

the way they cut out his rap for the live performance

Jinho holding his own against Jonghyun and Khyuhyun at eighteen w little training lmao

the fact that Jinho is in this

me not being able to spell Kyuhyun’s name at all ever

the way Jinho dropped this absolute bop of a song and then *disappearing_peace_sign_guy.gif*

Jonghyun screaming at the end and then doing a restrained version of his move at the end of his high note in that Excuse Me Miss performance

the fact that this was in 2010

the way Kyuhyun is like the only person in this group left...truly the cockroaches of kpop, suju!

the fact that TRAXX is actually still around and signed to SM but SM literally forgot they existed and so did everyone else lmao