Parasite Charles Band. 1982
Vasquez Rocks 10700 Escondido Canyon Rd, Agua Dulce, CA 91390, USA See in map
See in imdb
Bonus: also in this location
seen from China
seen from United States
seen from Türkiye
seen from Japan

seen from United States

seen from United States
seen from Romania
seen from China

seen from United States
seen from United States

seen from United States

seen from United States
seen from Thailand
seen from Israel
seen from Indonesia

seen from United States

seen from Germany
seen from Malaysia
seen from China

seen from Germany
Parasite Charles Band. 1982
Vasquez Rocks 10700 Escondido Canyon Rd, Agua Dulce, CA 91390, USA See in map
See in imdb
Bonus: also in this location

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Parasite (1982)
"That thing on your stomach..."
"A new strain of parasite. I deserve it, in a way. I created it."
"For the Merchants? Why?"
"I thought for the government. They're so mixed up with the Merchants now, they work for one another. This 'thing', as you call it, is growing. It's dormant now but it will soon grow larger... and kill me."
Tom of Finland Ā | James Davidson
Never realy been in to Goldie but this live performance is great, the musicians are on fire, especially the drummers. Goldie himself is just being the (usual) showman.
Goldie - Live @ Resident Advisor 2023
00:00 Saint Angel 05:53 Sense of Rage 10:06 Inner City Life 14:10 I Adore You
Electronics - Goldie Electronics/Guitar/MD - Matt Calvert Drums - Adam Betts Percussion/Drums - John Blease Electronics - James Davidson Bass Synth/Electronics - Dan Nicholls Vocals - Natalie Williams
Producers - Jerry Dobson, Sophie Misrahi Director of Photography - Jerry Dobson Camera Operators - Jerry Dobson, Sophie Misrahi, Fahad Akinsanya Editor - Sophie Misrahi Audio Engineer - Alex Fiennes Audio Mixing - Tom Gellisen Graphics - Andy Hayes Location - W1 Curates

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Egg and Soldiers by Cosmo Sheldrake from the album The Much Much How How and I - Director/Producer - May Kindred-Boothby
Orpheus and Eurydice
Excerpt from James Davidsonās bookĀ āGreek Myths: Origins of the Godsā ..Orpheus changed to a minor key and the pace picked up once more. The Argonauts were full of fear for what the music portended. Orpheus conjured up the sound of buzzing on his lyre, as his fingers ran up and down the instrument, and all the Argonauts ducked, thinking they were under attack from a swarm of bees. Orpheus was describing how Eurydice went one day to visit his half-brother, Aristaeus, king of beekeepers, and how Aristaeus was seized with lust for his sister-in-law, disdainful of the vows of marriage; how he fed her a spoonful of honey and kissed her sweet lips; how Eurydice fled, with Aristaeus chasing after her, seized with belated regretfulness, pleading with her to forgive his indiscretion and not to tell Orpheus what had happened. But Eurydice hid in the hollows of the roots of a tree by the banks of a slow-moving stream, home, as it happened, to a venomous snake who bit Eurydice's white ankle and killed her, sending her spirit down to Hades' halls.
Orpheus stopped, unable to continue, but the Argonauts begged him to go on. So he started up again in a more sombre mood, telling how he found his beloved Eurydice dead by the roots of a tree and how his brother asked in vain for his forgiveness. He played the song he had sung at the time, echoing his former lament, and the Argonauts wept like children as they heard Orpheus rehearse his sorrow. Tears ran down their battle-scarred cheeks, and the ship was filled with the sound of sobbing. The Argo itself was filled with grief. Its timbers creaked in sympathy and tears stained its oak prow.
But now Orpheus changed key again, adopting a tone of firm resolve as he sang of how he rejected the cards that fate had dealt him. He swore to travel to Hades and return with his beloved Eurydice. Only once did he hesitate, when he came to the entrance of the underworld at Taenarum and stared into the gloomy cavern, wondering if he would ever see the light of day again. But the musician was brave and stepped forward into the unknown, and all the while he played to himself, to keep his spirits up and to remind himself of the world of the living he had left behind.. (via theguardian)
239. Toad Road (Jason Banker, USA, 2012)