A little commotion for the dress 🩷🫶🏿 #iza

seen from Japan

seen from Canada

seen from China
seen from Ireland

seen from France
seen from United States
seen from China
seen from United States
seen from China
seen from China

seen from United States
seen from United States
seen from United States
seen from United States
seen from United Kingdom
seen from Maldives

seen from United States
seen from Japan
seen from Ireland

seen from Türkiye
A little commotion for the dress 🩷🫶🏿 #iza

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
IZA Photographed by Hick Duarte for Glamour Brasil, May 2024
ALL MY VILLAINOUS FELLAS!
I finally fixed and uploaded my FLUG shimeji to Shimeji.org!!!
Here is the link to download the zip file! (Or just look up *flug *villainous ir otherwise).
Community-uploaded shimeji. Browse, preview, and download user submissions.
Again, I've been super busy
(and lazy-)
and I figured I'd finally share something with you guys to apologize as well. Ppl on pinterest are loving him so I got him working publicly!
Stay tuned! Love ya!
Remember to check out my etsy shop...
AssortmentOfStars
(Spelled exactly like that, no spaces)
And make sure to share my Tumblr as well! Thx!
I am also making one for my persona teehee~ ☆☆☆ ( with a template )
Music Roundup: June 2026
Sometimes I remember to post these lol. I continue my quest to listen to one new-to-me album every week.
Theme for June: Pride month! It's LGBTQ+ Artists
Peace Beyond Passion by Meshell Ndegeocello. A fascinating and groovy queer album from the 90s that mixes R&B, jazz, hip-hop, spoken word elements, and neo-soul and feels like it encompasses a lot of different things and is doing a lot of different things in a really interesting sonic journey. Meshell Ndegeocello is bisexual.
Dona de Mim and AFRODHIT by IZA. Brazilian pop-R&B; I would have said with hip-hop influences but apparently it's better classified as Afrobeats. She sings in Portuguese and the music is energetic and funky, easy to dance to. The title song "Dona de Mim" is one I knew and liked already, but I was unfamiliar with the rest of her discography! IZA is demisexual.
In Pusuit of the Sun 逐日 by RUI HO. Electronica with hip beats and a lot of different musical influences: it's a bit synthwave-y, a bit club music-y, melodic but high-energy with trap-like high-hats and pulsing rhythms. Really fun and unique. RUI HO is trans.
Omnigenesis by ZITH. REALLY cool and compelling synthwave, mixing spacey bright sounds with glitch/dubstep/house electronica beats. ZITH is trans, according to the person who recc'ed them on a list of trans synthwave artists, I can't find any independent verification of this but the music is great.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
forester & just a normal flower person tied to a tree by an iron chain with mushrooms growing around them don't worry about it haha come closer :)
@clawsforalarm 🧡
Bankruptcy is very, very good
On THURSDAY (June 20) I'm live onstage in LOS ANGELES for a recording of the GO FACT YOURSELF podcast. On FRIDAY (June 21) I'm doing an ONLINE READING for the LOCUS AWARDS at 16hPT. On SATURDAY (June 22) I'll be in OAKLAND, CA for a panel and a keynote at the LOCUS AWARDS.
There's a truly comforting sociopathy snuggled inside capitalism ideology: if markets are systems for identifying and rewarding virtue, ability and value, then anyone who's failing in the system is actually unworthy, not unlucky; and that means the winners are not just lucky (and certainly not merely selfish), but actually the best and they owe nothing to their social inferiors apart from what their own charitable impulses dictate.
It's an economic wrapper around the old theological doctrine of providence, whereby God shows you whom he favors by giving them wealth and station, and marks out the wicked by miring them in poverty. And like the religious belief in providence, the capitalist belief in meritocracy is essential to resolving cognitive dissonance: it lets the fed winners feel morally justified in stepping over the starving losers.
The debate over merit and luck has been with us for millennia, and even the hereditary absolute monarchs of the Bronze Age had to find a way to resolve it. For the rulers of antiquity, the way to square that circle was jubilee.
Bronze Age jubilees were periodic celebrations in which all debts were canceled. Different kingdoms had different schedules for jubilees, but imagine some mix of "every x years" and "every time a new ruler takes the throne" and "every time something really portentous happens." To modern sensibilities, the idea that we would simply wipe away all debts every now and again is almost inconceivable. Why would any society practice jubilee? More importantly, how could a ruler get the wealthy creditor class to countenance a jubilee, rather than seeking a revolutionary overthrow?
The best answers to this question can be found in the scholarship of historian Michael Hudson, who has written extensively on the subject. Hudson doesn't just write for a scholarly audience, he's also a fantastic communicator with a real commitment to bringing his research to lay audiences:
https://michael-hudson.com/
Hudson's most famous saying is "debts that can't be paid, won't be paid." It's in this dense little nugget that we can find the answer the the riddle of jubilee:
https://pluralistic.net/2021/09/29/jubilance/#debt
Let's start with a simple model of debt and credit in an agricultural society. In agricultural societies, everything exists downstream of farming, which is the core activity of the civilization. If the farmers succeed, everyone can eat, and that means they can do all the other things, all the not-farming work of your society.
To farm successfully, you need credit. Farmers enter the growing season in need of inputs: seed, fertilizer, labor; they need still more labor during the harvest. Without some way to acquire these inputs before the farmer has a crop that can pay for them, there can be no crop.
No wonder, then, that the earliest "money" we have a record of is ancient Babylonian credit ledgers that record the debts of farmers who borrow against the next crop to pay for the materials and labor they'll need to grow it. Debt, not barter, is the true origin of money. The fairy tale that coin money arose spontaneously to help bartering marketgoers facilitate trade has no historical evidence, while Babylonian ledgers can be seen in person in museums all over the world.
Farming requires an enormous amount of skill, but even the most skillful farmer is a prisoner of luck. No matter how good you are at farming, no matter how hard you work, no matter how carefully you plan, you can still lose a harvest to blight, drought, storms or vermin.
So over time, every farmer loses a crop. When that happens, the farmer can't pay off their debts and must roll them over and pay them off with future harvests. That means that over time, the share of each harvest the farmer has claim to goes down. Thanks to compounding interest, no bumper crop can erase the debts of the bad harvests.
That means that, over time, "farmer" becomes a synonym for "debtor." Farmers' productive output is increasingly claimed by the rich and powerful. No matter how badly everyone needs food, the whims of the hereditary creditor class come to dictate the country's agricultural priorities. More ornamental flowers for the tables of the wealthy, fewer staple crops for the masses. "Creditor" and "debtor" no longer describe economic relations – they become hereditary castes.
That's where jubilee comes in. Without some way to interrupt this cycle of spiraling debt, society becomes so destabilized that the system collapses:
https://pluralistic.net/2022/07/08/jubilant/#construire-des-passerelles
In other words: debts that can't be paid, won't be paid. Either you wipe away the farmers' debts to the creditor class, or your society collapses, and with it, the political relations that made those debts payable.