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Still holding out for a remake. Maybe one day.
Happy lesbian awareness week, here's all the confirmed lesbians in the AZRE universe-
Reunion.
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Dear AD, Have you ever read the contracts you ask illustrators to sign ? If so, how do you feel about the rise of more and more predatory contracts asking for moral rights to be waived, exclusivity or never ending usages for very little money ? I understand these contracts are written by legal people and not ADs so what would be the best way to tell an AD that their contract is abusive and needs to be edited ?
Look, my first piece of advice would be to start on a much less confrontational footing. Even here.Ā āHave you ever read the contracts you ask illustrators to signā is a little insulting. Of course we read them! Many of us were in the room working with legal the entire time they were being drawn up.Ā
I donāt think itās helpful to look at contracts in terms ofĀ āabusiveā and āpredatoryā. No one sits in a legal department like a cartoon villain rubbing their hands together yelling BWAH HA HA ARTISTS WILL OWN NONE OF THEIR OWN WORK! And thinking that is the case honestly makes it much harder to deal with very legitimate contractual concerns with a level head.Ā
Legal departments exist to protect the companies that hired them. And the best protection, from the companyās POV, is to own all the rights. Thatās what a lawyer will counsel every time. What a good Art Director will do is explain to the company they work for that more rights = more pay and that asking for only the rights you actually need saves the company money. In some companies that works. In others it doesnāt. No one is forcing you to work for a company with a overreaching contract, but it is worth taking a moment and asking the AD if thereās something they can do to adjust the contract. Sometimes a legal dept. will not let an AD change the contract, but they will have a notes section where the AD can add things in to elaborate on the details (mine does). Sometimes the legal dept. will draw up a new contract. Sometimes thereās nothing they can do, but they can put in an email things to address your concerns, and the physical record of an email is as admissible in court as a contract modifier.Ā
Also remember, some companies have a perfectly legit reason to ask for things consideredĀ āpredatoryā like Work For Hire. If you are working on someone elseās IP or copyright (like most movies, comic books, games, toys, licensed books, etc) then you will not own the copyright to your own work regardless of what any contract says because your work is derivative of the original copyright. So every one of those contracts is going to be Work For Hire. (Thatās also the issue with fan art, by the way, and most artists donāt understand that either)
The point is, you donāt know until you ask ā and remember, almost no one asks. Iāve been an AD for almost 20 years and I can count on my fingers how many artists came back with questions about my companiesāĀ contracts. And thatās not because they werenātĀ overreaching ā itās because most artists donāt read the contract. I know a legit question about terms will be met with praise by most ADs, because it proves they have a savvy professional on their hands. That means youāre probably going to be a professional about getting the job done too.
A good rule of thumb is not to assume the worst before even asking. ADs are not the enemy, theyāre your collaborators. You can tell a lot by how they answer your questions. If they are dicks then run away. But there may be very good answers to your questions.
āAgent MoneyPenny
P.S. Pricing is a whole different issue and this post is already long. Only work for the companies that pay too little if you need the experience. Who needs the experience? Folks who may not have made the connections higher up the food chain yet, and doing the lower-paid work will get them there. Or maybe they donāt have the skill for the higher-paying work yet. But these low-paying gigs should only be a step up the ladder & you should move on as soon as possible. And another option is to skip this step entirely, and work on your skill and/or connections on your own time while you work a non-freelance-art job to pay the bills until youāre ready.

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Naughty Durge gets the cone.
He was already worthy.
Flat Fuck Friday
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