Harmonic connections, within the field of intellectual activity,
emerge along the very edge where the word begins to define itself. A first bifurcation of the unity of being is felt in the awareness of a possible zone of dilation within the verb—an expansion that, in the aesthetic realm, would push the limits of definition outward.
Piercing the superficial, “physical” form of the word, treating it as a projection screen for an entire constellation of analogous events, opens the way to an intrusion into spaces situated near the verbal threshold, where meaning loosens and begins to resonate beyond its own perimeter.
The temporal condition of space, beyond decomposing the elements of matter, also enables an analysis of the word itself, transforming its meaning from something merely representational into something formative. Through the object of creation, the models of time and space may be inverted, depending on the new relationship established between the former system of object‑production and the new mechanized process.
By shortening distances, the human being becomes an active participant in one phase of this multifaceted creation, a phase that opens onto a wide range of operative possibilities residing within one’s own mental and physical system ...
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