Jean-Auguste-Dominique Ingres (French, 1780-1867) La Source, began in 1820 and finished in 1856 Musée d'Orsay, Paris


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Jean-Auguste-Dominique Ingres (French, 1780-1867) La Source, began in 1820 and finished in 1856 Musée d'Orsay, Paris

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Attributed to Jean-Auguste-Dominique Ingres (French, 1780-1867)
Hand Study, N/D
Oil on canvas
Henri Lehmann painted Franz Liszt in 1839, when the pianist was already a sensation across Europe. Audiences fainted at his concerts, collected locks of his hair and treated him more like a modern celebrity than a classical musician. None of that frenzy appears here. Liszt stands with his arms crossed, dressed in black, meeting the viewer's gaze without a hint of performance. Lehmann strips away the spectacle and leaves only the person behind it. The restraint is what makes the portrait memorable. Quelle: meisterdrucke.com
Jean-Auguste Dominique Ingres (1780–1867)
La Baigneuse Valpinçon, 1808
Preparation de la coronation, par Jean-Louis-Victor (Hector) ,Viger du Vigneau ; Le Sacre de Napoléon (02/12/1804) par Jacques-Louis David.

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Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres
Jean Auguste Dominique Ingres - "The Source", 1820-1856