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would you like to see the forest?

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Philipp A. Urlich • "Trees in a landscape"
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Harold Harvey -Â Boys Loading Mangos onto a Cart, 1904, oil on canvas Harold C. Harvey (1874 - 1941) was a Cornish impressionist painter. He painted in oils and watercolours. Harvey was born in Penzance, Cornwall, the son of a bank manager. Harvey studied painting at the Penzance Art School under the Irish born painter, Norman Garstin. He then attending the Academie Julian in Paris between 1894 and 1896. He began his career exploring social realism and impressionism by painting local fishing and agricultural scenes. Harvey married Gertrude Bodinnar in 1911 in Newlyn. The couple had met when Gertrude posed for Harvey. She also became a painter, and was particularly interested in fabrics. Over the years, Harvey expanded his repertoire to include a wide range of subjects such as still lives, interiors, portraits, landscapes, religious themes, and the industrial landscape of Cornwall.
Les voltes de la Rambla. Girona
Started a new portrait, I was trying to capture the skin similar to Renoir's style. The character was trying to imagine a young, sweet version of Byzantine Empress Theodora who is depicted in mosaics from the 6th century. Maybe an unexpected combination but I love where it has led me!
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#Archeopittura, dialogo tra elementi e stili diversi. Il Perfetto equilibrio, l'armonia, la vibrazione, arte classica e pittura monocromatica.... stile! #contemporarycluster #giacomoguidi #visionidanzanti #contemporaryart #blur #icm #intentionalcamera #blur #motionblur #impressionis #experimentalphoto #art #arte #experiment #ontheroad #pitturamonocromatica #thenewyorkradicalpaintinggrop #gerardrichter #arteconceptual #josefhMarioni #marciahafif #philSims #jerryzeniuk #guterumberg #Art #roma #scultura #arteantica #arteclassica (presso Contemporary Cluster) https://www.instagram.com/p/B3Sp8pho6Cr/?igshid=9nk49qexvzqq
Camille Pissarro
Anna Ancher - Breakfast before the hunt, 1903, oil on canvas. Anna Ancher (née Brøndum; 1859 – 1935) was a Danish visual artist who worked with oil and pastel. Anna was born and raised in the remote fishing settlement of Skagen, the northernmost part of Denmark. Anna integrated the training and influences she had acquired while abroad with the local subjects and scenery of Skagen. Anna was masterful in observing natural light and made bold choices in colour. She experimented with the simplification of subjects and backgrounds, and the integration of shadows and reflected light. She drew and painted the local people in their homes, gardens and places of work. Her friendships and familiarity with the locals enabled an intamacy to shine through her works.