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On November 15, 1949, in the village of Dmytrivka, Sumy region, Mykola Mykhailovych Bondarenko was born — a Ukrainian graphic artist and author of the artistic album of engravings "Ukraine – 1933: A Cookbook. Human Memory". Mykola Bondarenko created over a hundred works on the Holodomor theme, which were included in the abovementioned book. In this work, the artist offered an unusual perspective on the Holodomor, depicting it with images of plants and animals that people had to consume to survive. These illustrations, rendered in clear black-and-white lines on a dark background, are accompanied by brief descriptions and "recipes"— narratives about how those plants or animals were cooked for eating. "I understood that the Holodomor theme should not be depicted 'head on' (starving people, skeletons, and the like), but through the food of that time. And I wondered: how was that foliage or root prepared? Did they just eat it as is? I asked people to recall how they cooked that food. Thus, these sorrowful recipes appeared, giving rise to the title Cookbook," Bondarenko recalled. In addition to engravings, the book contains testimonies collected by the artist and lists of villagers from Pisky who died during the Holodomor. They were preserved thanks to the miraculous survival of metric books documenting deaths in 1933. It also includes testimonies of fellow villagers, which Bondarenko began recording in the late 1980s during the Soviet era. Mykola Bondarenko is also the author of numerous artistic projects, including the regional Memorial to the Holodomor Victims of the 1932–1933 in Pisky, a monument in the village of Chernecha Sloboda (Buryn district), a stele to Taras Shevchenko, a memorial to the Heroes of the Heavenly Hundred and local defenders of Ukraine’s independence, and a monument to the Destroyed Churches (in Buryn town). Suddenly, the artist passed away on June 3, 2023, leaving a rich creative legacy. His works are housed in the Kimura Goro Museum on Oshima Island (Japan), the Ukrainian Orthodox Church Museum in the USA (Bound Brook), S. Petliura Library of the Ukrainian Diaspora in Paris, As well as in the museums of the Sumy region, and numerous private collections across Europe and America. —Holodomor Museum
“I imagine the feelings of two people meeting after many years. In the past they spent some time together, and therefore they think they are linked by the same experience, the same recollections. The same recollections? That's where the misunderstanding starts: they don't, have the same recollections; each of them retains two or three small scenes from the past, but each has his own; their recollections are not similar; they don't intersect.” ― Milan Kundera, Ignorance
And then what, you with your words In the enemy's language, Do you know how to make a peaceful road Through human memory? And what of angry ghosts of history? Then what?
Joy Harjo, Exile of Memory
(Human) Memory!Sans
So uhh.. I procrastinated and accidentally drew something I liked, and I want you to have it:
[Skele-version]
Some dialogue samples under the cut:

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Human Memory and Academic Writing
Human Memory and Academic Writing
I do not trust my memories, and neither should you. I just published an excerpt from my Master’s Thesis about Source Monitoring Errors– the instances where the brain makes a “wrong call” and misattributes a fictional memory as a true one. The brain stores information surprisingly well, but it is terrible at distinguishing where it comes from. As a result, it often confuses fact with fiction,…
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Desire awakens interest; interest employs attention; and attention brings use, development and memory.
-Via: William walker Atkinson, Memory how to develop ,train and use it. (Via Booksndnotes)
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