One of the worst things about The Dance of the Dragons is that neither Aegon nor Rhaenyra wanted or started the war, but they both wound up being the most vilified people of the war for the rest of time.

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One of the worst things about The Dance of the Dragons is that neither Aegon nor Rhaenyra wanted or started the war, but they both wound up being the most vilified people of the war for the rest of time.

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People really are missing the point of a character like Nettles. Being the a non-Valyrian dragonrider is what makes her different(in every positive definition of that word) and helps to serve a larger purpose in this story.
Valyrian blood is not special. Itâs not needed to do great things. No one is special because of what family they happen to be born into.
A non-Valyrian Nettles shows that we are more than the circumstances which we are born into. Our birth, our names, and our very blood does not define us. Our actions are what do. We can overcome so much and rise to become absolutely extraordinary with a little bit of determination, patience, and a dash of help along the way. Nettles exemplifies that to the fullest extent.
She's more than a Black Valryian. She doesnât have to be Valyrian. She shouldnât have to be Valyrian.
Sheâs a survivor. Sheâs a final girl. Sheâs a Black low-born girl likely without a drop of dragons blood that tames a wild dragon with patience that killed countless others who had dragons blood. She survived the Dance where others high and low alike fell and perished to become a firewitch to the Burned Men.
Her legacy is immortalized in the history books(and by the Burned Men cause they still worship her) as one of the last(if not the last) dragonrider(s) before Dany all without having any known Valyrian ancestry.
one thing i hate ab the hotd fandom is that back in my day u could just like joffrey and not get crucified for it because we had the brain capacity to understand that yes he is a terrible terrible person and a literal tyrant but heâs still a fucking compelling character. w hotd everyone is desperate for some moral high ground and itâs soooo annoying. let us like our fucked up characters in peace nobody here is perfect, thatâs literally the point of the dance. they all commit atrocities and comparing them like this just to shame each other and prove one side is better than the other is such a waste of time.
I want at least one woman at least ONE FEMALE CHARACTER in this show to have some rage. I want at least ONE character who is unapologetically ambitious and ruthless. I want one character to be so fucking angry they want to burn down the world. I want one female character to be vengeful and to express it. They've lost sons, grandsons, choices, youth, daughters, their bodily autonomy. I want one woman in this show to be angry and embrace it for longer than a minute and not instantly feel regret or remorse afterwards. be bitter. be angry. be hateful! I want to see it. I want to feel it.
and this season... I have not felt that rage!
Okay, I know that Iâm most likely gonna sound like a boomer, but hear me out:
Todayâs HotD fans are a perfect example to me of what is wrong with a large proportion of modern audiences and the way people consume pop culture and media in general.
Ever since the premiere of the Season 1, I am becoming convinced that going beyond black-and-white perspective is⊠well, beyond capabilities of a growing number of folks out there.
Like, to so many of them it is either Team Black or Team Green.
Either Rhaenyra or Alicent. Or either Rhaenyra or Aegon. Either Daemon or Aemond. Either the Targaryens & the Velaryons or the Hightowers. Et cetera.
And once someone leans more to one side of the story, they just seem to idealize their team and completely demonize the other. Once you love Rhaenyra, she becomes the perfect heir, progressive and feminist, and Alicent becomes a cruel, back-stabbing b*tch and servant of patriarchy. And vice versa, once you prefer Alicent, she is a 100% victim of her circumstances with no agency whatsoever and Rhaenyra becomes a spoiled b*tch who is unable to make anything good out of her opportunities.
And itâs just so beyond the point for me.
People, this is not some football match where you pick your team and wish all the worst to the other.
Itâs a fictional historical fantasy chronicle about a downfall of one of the greatest houses in the history of this universe. Nobody here is perfect to rule; in fact, every faction here is in one way or another bad and makes decisions that are just incompetent.
The whole point of George R.R. Martin writing about the Dance of Dragons story is to ask the question:
What happens when among all the heirs to choose from, none of them is good?
And letâs finally stick to that.

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My two cents on Daemon and Rhaenyra's Sexual encounter
I'm nobody but I have a lot of thoughts about what went down between daemon and rhaenyra and the motives on Daemon's end so I'm just gonna put it all down here because why not.
So I've come to the conclusion that Daemon's actions are not abusive (contrary to what the creators said), not about a quest for the throne, and not completely without malicious intent.
I think to truly understand it all and how it fits into the story you have to understand a few key things:
Daemon has psychogenic erectile dysfunction ( more on that later)
Daemon has an unending desire to upset Viscerys but he actually does love him
Daemon cares about Rhaenyra deeply and always has
Daemon is sexually attracted to Rhaenyra
Daemon is impulsive and manipulative but he's not a complete idiot
When you combine all of those character points for Daemon his behavior this episode makes a lot more sense to me.
(if you know me from other fandoms you know I'm long winded so proceed at your own discretion lol )
House of The Dragon 1x07
High Tide Incident Analysis
Something that I have noticed in regard to the childrenâs fight at Driftmark, is how both hardcore stans of the Greens and the Blacks refer to this event while defending their side, refusing to consider the other characters perspective. This type of mindset I feel hinders the complex aspect of the characters themselves, as Iâve seen some hardcore supporters claim that Aemond deserved to lose his eye or Luke deserve to die because he took Aemondâs eye. I wanted to unpack this scene and Iâm not going to sugar-coat the childrenâs actions because, they were all at fault and played a part in the escalation, that ultimately caused an accident that resulted in the loss of an eye. This analysis will examine my interpretation of the characters possible intent, motivations and feelings in order to understand each characterâs viewpoint and how it got to the point of no return.
 Aemond Claims Vhagar
Before I dissect the actual fight scene, I feel like it is important to examine Aemondâs state of mind when he successfully claims Vhagar. Aemond has been obsessed with having his own dragon, the fact that he doesnât have one bothers him, as this insecurity is utilised against him in the Dragonpit when Aegon, Jace and Luke play a prank on him.
I feel like I have to address the prank, as Aemond apologists utilize this to demonize Rhaenyraâs children, when at no point does he state to his mother that they always pick on him or that he is tired of being picked on, indicating a prolonged bullying experience. I would like to point out this is the first and only incident that the viewer is aware of Rhaenyraâs children picking on Aemond. Viserys even alludes to Aegon being the ring leader being the oldest, while the younger boys follow him. Thatâs not a far stretch to consider, as they could look up to Aegon and see him as an admirable cool older boy. While on the flip side, Aemond is also shown knocking out Jacaerysâ wooden sword out of his hand during the training yard scene for no reason. Was it to get back at him after the prank, if so Aemond is clearly no push over and also likes to pick on his younger cousin.
Of course, itâs not fun being the laughing stock at the end of the day they are children, but I feel like there is more to Aemondâs mindset other than the prank and it involves his upbringing. Viserys is an absent father, and it falls to Alicent being the parental figure present in his life. Her clear dislike towards Rhaenyra is reflected in her parenting style, as I believe she instilled her belief into him, that he is better than Rhaenyraâs children, because they are bastards, and he is more Targaryen than his nephews. I feel like this distinction contributed to a sense of self-entitlement, only the biggest obstacle that bothers him about their differences is that their dragons hatched, while he simply doesnât have one. This is a bruise to his ego, something considered a symbol of house Targaryen, yet Rhaenyraâs bastard children have dragons, when he the legitimate second son of the King, doesnât even have one.
Aemondâs obsession in getting a dragon to validate his Targaryen lineage and self-importance over Rhaenyraâs children, especially after the prank, contributes to his decision to claim Vhagar on the same night as her previous riderâs funeral. He does not think or care about the repercussions his actions will have to those that it affects such as Rhaena and Baela. When Aemond manages to successfully bond and claim Vhagar as his mount, he receives a sense of validation and a huge ego boost. He now has claimed the largest dragon in Westeros, how could he not let it get to his head. This validation feeds his self-entitlement and superiority complex, as he now perceives himself above Rhaena, Baela, Jace and Luke, which is reflected during the confrontation. I also want to point out that Iâm not simply hating on Aemondâs character, but Iâm merely trying to dissect his different layers, as I enjoy the aspect in understanding all of the characters complex natures.
Confrontation
When the other children confront him, he is still riding the high of having just claimed the largest and fiercest dragon. He doesnât shy away or is hesitant to engage with them head on, instead he is arrogant, which supports the idea of his self-entitled beliefs. Aemond chooses to use his words as a weapon with the intent to hurt and provoke Rhaena and the other children. He possibly went into this situation already anticipating a fight, as he chooses to face the confrontation, wanting to prove his self-worth to himself and utilize his newfound position of power after having claimed the largest dragon, to either defeat or intimidate his cousins, further validating his position over them.
Rhaena calls him out by choosing to remind Aemond that Vhagar was her motherâs dragon, the same person they just held a funeral for earlier in the day. She is responding out of anger at the lack of respect Aemond demonstrated by claiming Vhagar on the night of Laenaâs funeral. Aemond disregards her grief by stating sheâs dead and confirming Vhagar has a new rider, only further upsetting an already heartbroken Rhaena and by extension Baela.
Rhaena angrily states that Vhagar was hers to claim, while from a viewerâs perspective, we know dragons are not a family heirloom passed down to family members and it is ultimately up to the dragon to choose who they bond with, as they are not possessions. But sticking to this idea and criticizing Rhaena for her reaction, hinders the viewer in understanding Rhaenaâs perspective. She also doesnât have a dragon and is desperate to finally have one of her own. Her intentions on hoping to claim her motherâs dragon could be a result of her desire to finally have a dragon of her own (just like Aemond) and it just so happens that the opportunity presented itself being her motherâs dragon. It could also be that she did want Vhagar because of the connection to her late mother, there is nothing wrong in that, as viewers need to be mindful, she is still a child, who has the opportunity to learn about dragons and change her beliefs about them.
Rhaena is a little girl still mourning the death of her beloved mother. She is not in the mindset of claiming any dragon, as she probably was intending to properly grieve her mother. Allowing time to heal the rawness of losing a parent, before acting on her own desires to try and claim Vhagar. We will never know if Vhagar wouldâve bonded with her or not because that opportunity was taken from her, which contributed to her anger towards Aemond. Â
Aemondâs response is to completely dismiss her feelings and basically point the finger at her and claim it is her own fault for not being quick enough to claim Vhagar. This highlightâs his superiority complex and arrogance, as the underlying insinuation is that he was the smarter one to act quick enough, regardless of Rhaenaâs emotional turmoil at the loss of her mother.
He continues by mocking her by referring to the pig prank, something that she had no part in and uses it to belittle her, as he now has the justification in putting himself above her. Instead of being mindful to avoid the subject regarding Raenaâs lack of a dragon, he uses it against her, knowing it would hurt and upset her, because he was once in the same position as her not that long ago. He tilts his head in a nonchalant manner when he smugly suggests a pig would suit Rhaena. This shift in character illustrates his superiority, as he feels enjoyment by intentionally taunting her, through the use of targeting the same insecurity he himself struggled with against her. Â
 Fight Sequence
Rhaena lashes out and lunges at him, he throws her to the ground, as Baela steps in and punches him, but it had little effect as he quickly recovers. Obviously, from a viewerâs perspective the girlsâ actions were wrong, but we have to be mindful that they are children who are acting out based on their emotions. They do not have the ability to think of the consequences of their actions.
Baelaâs actions are a result of anger, after listening to Aemondâs utter disregard for her late mother on the night of her funeral and then mocking her sisterâs lack of a dragon, followed by throwing her to the ground.
Aemond punches her back in retaliation and Green hardcore stans argue he had every right to because he was defending himself, without taking into account the differences in the childrenâs background. Aemond is training to be a warrior, while the girls are not and are expected to learn feminine etiquette and household duties. The one who poses the biggest threat out of the two in that exchange is Aemond, he is better skilled and it is a testament, when he manages to overpower all four of the children.
After punching Baela, he proceeds to threaten her, stating he would feed her to his dragon should she decide to attack him again. I doubt Aemond had intentions on murdering Baela in such a manner and his character gave the impression that he was just running his mouth, without serious intentions to actually follow through with his threat.
This dialogue illustrates his confidence from the power trip, as he most likely just wanted to scare Baela in attempts to prevent her from attacking him again, knowing he wouldnât hold himself back just because sheâs a girl. This emphasizes his cold personality and hints towards his ruthless nature, as he doesnât distinguish those that are weaker and would attack regardless of the opponentâs strength. Â
This prompts Jace to step in, as Baela cowers on the ground while Aemond yells at her. Jace punches Aemond in the face, only further escalating the situation, as he feels the need to protect Baela.
Jace continues trying to hit Aemond, as he dodges the attack and ends up kicking him. This can be seen as a call back to Ser Cristonâs teachings during Aegonâs match against Jace, where he instructed Aegon to use his feet. This highlights the differences in the skill level between Aemond and Jace, as he and Aegon received closer attention to hone their fighting abilities.
Despite being the significantly weaker opponent Luke intervenes once Jace is kicked to the ground and only manages to grab onto Aemondâs left arm with both of his hands, allowing him to freely swing a direct punch into his face which resulted in a broken nose, as he falls to the ground and crying out in pain. At this point in time, this is where a de-escalation shouldâve occurred, where someone shouldâve yelled at the ongoing fight to stop or threaten to get an adult, but the kids are now rushing with adrenaline and acting on emotions of anger.
Jace gets up and proceeds to push Aemond to the ground. Jace, Baela and Rhaena take advantage of his helpless situation and jump him. All three continue to take out their anger on him and repeatedly hit him. They are all worked up from the emotional turmoil, as the girls mourn their mother and Jace cannot properly mourn Ser Harwin, someone he looked up to. All three are at fault, as they choose to physically react at the taunts aimed at them, instead of choosing to walk away from the situation.
Aemond manages to kick Jace away from him and grabs Rhaena proceeding to throw her towards her sister, who was on the opposite side of him. Luke runs at Aemond, as he quickly stops him by grabbing his neck. His free hand stumbles across a rock, as he stands up and holds the rock above Luke, posed in a striking position.
This is where things really enter the point of no return, as Aemond is the first one to introduce an object as a potential weapon into the fight. Of course, once again hardcore stans assert he had the rock for self-defense and is not the one in the wrong, as the other children had jumped him. I can to some extent agree with this conclusion, but we have to keep in mind that despite being outnumbered Aemond did gain the upper hand, without the need of a weapon. The introduction of the rock served as a dangerous element in escalating the fight, as he already restrained Luke by the throat with one hand.
Out of all the children there Luke is the smallest target, therefore physically he posed no threat to Aemond in this specific situation. He didnât have the strength to break free from his chokehold, while the rest of the children can only watch in horror as Aemond once again runs his mouth after gaining the upper hand. Aemond is at fault for continuing to verbally provoke his cousins, as he knows which buttons to push to get a reaction, further supporting the idea that he wanted to fight them all, to prove himself worthy as a Targaryen, that just claimed the largest dragon.
Aemond threatens Luke stating: âyou will die screaming in flames just as your father did, bastards.â I interpreted Aemondâs threat as being directed to not only Luke but to Jace as well, as he glances over at him while he spits out the word âbastardsâ in clear contempt for the two boys. I consider this line as an indicator to Aemondâs upbringing, as he upholds the notion on the importance of being a pure Targaryen, while he views his nephews as lesser than, due to the rumours regarding their parentage. This highlights his motherâs influence that shaped his belief and disdain for his nephews, that he willingly committed the highest of treasons by insulting the heir to the Irone Throne.
Luke struggles against his hold as he states his father is still alive. Aemond lowers the rock only to direct his attention towards Jace, as he mocks him on Lukeâs lack of awareness regarding the rumours. To me there are two interpretations on Aemondâs use of the title âLord Strongâ. One, is alluding to the deceased man himself, Ser Harwin Strong. The other is Aemond using the title to taunt Jace on his identity, by addressing him while using his rumoured fatherâs last name.
This insult triggers Jace to pull out his concealed dagger. Jace knew he had no chances on attacking Aemond with just his fists, while he has a rock in one hand. He is now clouded by his anger, wanting to hurt Aemond for insulting a man he considered an important role model in his life. He is also battling his inner conflicting thoughts on his own parentage, as he is at an age where he is aware of the rumours, which would only cause further confusions, as he tries to cope with the loss of his potential biological father.
Rhaena shouts his name and I believe there are two different interpretations on why she called out his name. The first one is she is concerned about his safety before he engages in a serious altercation with the addition of weapons and the second is that she called his name to hopefully make him regain his senses, prompting him to stop the fight. This is where both girls shouldâve shouted at the boys to stop, before someone ended up getting seriously injured. But also, we donât know if words wouldâve been enough, as the situation continued to snowball out of control.
Aemond punches Luke again in the face, which was completely unnecessary as he couldâve easily pushed him away. This portrays the influence of Ser Cristonâs training, as he still felt the need to hit Luke despite him being the weaker opponent that is at his mercy. Luke stumbles into an armed Jace, where he couldâve accidently hurt Luke, but luckily, he withdrew the dagger and quickly pushes him out of the way, to allow him to attack Aemond.
He swings the dagger, as Aemond jumps back and manages to successfully dodge the blade. Seeing an opening he goes on the attack and hits Jace on the head with the rock. I agree that Aemondâs reaction to hit Jace was in self-defence, but that argument is invalid when he proceeds to hold the rock aimed at a defenceless Jace. Aemond apologists love to absolve him of any wrongdoing and responsibility, something that I will not gloss over. He could have stopped the altercation from further spiralling out of control, by immediately dropping the rock, after disarming Jace and just state they should stop fighting, as it wasnât going to change what has happened.
But unfortunately, he allows the position of having the power dictate his actions, as he enjoys having control over the situation. This hints to his sadistic nature by his decision to raise his arm, holding the rock aimed in a striking position towards a helpless Jace. He glances at the girls as Rhaena shakes her head, indicating for him to stop, before he went too far.
Luke crawls towards the discarded dagger, as he just witnessed Aemond hit his brother with the rock and acting on instinct to protect his brother, he intends to arm himself, knowing he was no match against Aemond. I wouldnât be surprised if Luke recalled Ser Cristonâs ruthless teachings on not allowing the opponent to get up, once theyâre knocked on the ground, further contributing to his fear for his brotherâs safety.
Aemond did himself no favours in stopping the unfortunate outcome, as Jace most likely felt that Aemond would seriously injure him or at worst kill him, after the numerous threats he dished out.
Aemond approaches Jace with his arm still raised, as Jace glances over to the side and notices Luke with the dagger. Trusting his brother to rescue him, Jace grabs a handful of dirt and throws it into Aemondâs face, successfully distracting him.
Aemond covers his face with his hand upon reflex and lowers his hand, as he turns his head towards Luke, while he swings his arm with the dagger and ends up accidently slashing his eye.
Luke was motivated by his desire to protect his brother and I doubt he had any malicious intentions to purposefully blind Aemond, which is also a ridiculous claim Aemond hardcore stans believe in. I interpreted his actions were to hurt Aemond with the intent of causing pain by probably cutting his hand or arm, but not to severely injure him, as he possibly just wanted to deter him from smashing his brotherâs face with a huge rock. He just didnât realize the severe repercussions that his actions would end up leading to, as he couldnât have predicted Aemond lowering his hand or turning his face towards him.
us vs. them (greens vs. blacks)
I think as soon as the time jump happens and we get to see the kids itâs pretty clear that this is no longer one family and hasnât been for a very long time. Even though the children all âtrainâ together (aegon joining in to bully his younger brother along with the strong boys) we get this sense that they arenât supposed to. Especially with how the costumes in that scene they basically said here are Alicentâs kids (white hair, and green robes) and here are Rhaenyraâs kids (plain-faced is a pretty good description lol). They play together, but they arenât supposed to, theyâre not all in red targ colors because they arenât all simply targs, they are their motherâs children before all that.Â
Then we have Alicent going to Aegon after finding out about the pig situation and she says âaemond is your brother, in the world we must defend our ownâ which very clearly draws the line. âWe arenât one family, they arenât like us, so protect your baby brother,â she basically tells him. And none of that really clicks for Aegon until driftmark.Â
Which like I kind of loved that scene of Aegon talking to Aemond about the fact that he has to marry their sister. It makes it very clear that they are decently close to each other. Standing to the side (in their green robes) watching their sister do her thing, Aegon complains about how weird she is, and Aemond talks about how if he was in his brotherâs shoes heâd do what their mom tells him to do. Aegon, rebellious teenage brother, with younger bro and mamaâs boy Aemond.
When Aegon wakes up from his drunken stupor he finds out that his brother has lost an eye. Thereâs no way heâd be able to look at his old playmates the same again, his brotherâs been mutilated. When Aemond says that it was Aegon who told him the strong boys were bastards, heâs shocked to hear his brotherâs lie, but he doesnât deny the lie. In that moment he realized his mother was right, they arenât one family, and sheâs the only one who would protect them out in the real world.Â
Which like imagine the pain of that realization and the reason why I kinda expected Aegon to have a way better relationship/marriage with his sister after he realizes this. I didnât expect them to be madly in love, but I did expect some kind of closeness or like one small scene of Helena rambling about some bug and heâs just sitting there nursing a hangover and nodding along (mirroring that scene of Alicent with child Helena), he doesnât really care but sheâs not an outsider, sheâs his sister (someone in need of protection from the outside world, like his brother was that night).
Then flashfoward to the scene of Aemondâs toast and the aftermath. Alicent literally calls that side of the family âthese peopleâ, these are strangers and her kids needed to keep up appearances in front of strangers. And that little fight after the toast, Aegon was so ready to fight their nephews, no questions asked. He wasnât going to let his brother stand alone, definetly not in front of âthese people.âÂ
Someone probably already talked about this, but I really like that. From the green dress moment that family stopped being one.Â