#horrorgems

it's a well written fic about spidergwen being trans and how the media in her world speculates about it.

Characters behave recognizably canonically: Good enough Not abandoned incomplete: Updated often, including today Engaging (Funny/cool/thoughtful/feels): Thoughtful and feels. Do I recommend it: Yes Curbstomp, Cuddles, Crack, Cyoot: None of the above. This is not self-indulgent but it's engaging. I'd call this "Concept" if I wanted to keep the alliteration, and this author--I'm a fan--seems to like concept and to be good at it.

Premise: We start with Burnscar in the asylum back when Labyrinth was still there, and Burnscar's trying to get better but she's so frustrated! Also, this Burnscar also has some memories from a woman who read Worm and Ward once. She knows things, but she's keeping that on the DL QT. Instead, she struggles despite the bad therapists and with the good ones, and makes progress with some of her new friends (to include Sveta).

In contemplating the essence of the black sheep, one sees it is not merely about being misunderstood or overlooked. It is about discovering beauty in shadows, in moments others dismiss. "The Gate II" embodies this essence—a sequel lingering in the shadow of its predecessor, waiting to be rediscovered.

The journey begins with a familiar sense of dread. Released in 1990, it followed "The Gate," a cornerstone of childhood horror. The first film left a mark with its eerie atmosphere and Steven Dorff's debut, but the sequel ventured into less chartered, more sinister waters.

Directed by Tibor Takács and penned by Michael Nankin, the film revisits a world steeped in the supernatural. This time, it’s not about old haunts but about exploring new depths. With a budget akin to its predecessor, the film continued the visual effects mastery that defined the series.

For me, this journey was not just watching from afar but delving into the heart of the story. Pamela Adlon's portrayal of Liz, a curious beacon in the occult, added intrigue. Alongside Lewis Tripp's return as Terry, grappling with demons amidst chaos, the cast painted a canvas of developing motivations and human vulnerabilities.

"The Gate II" took risks. It ventured into darker territories, exploring themes of loss and the consequences of unchecked desires. As Terry sought to reclaim what was lost, he unleashed forces beyond control. The demons that emerged mirrored our darker desires—twisted, unpredictable, haunting.

The film's R rating puzzled many, expecting overt horror but finding a nuanced exploration of human frailty. It was a reminder that horror isn’t always about gore or jump scares; sometimes, it’s about the horrors we create within.

Among the standout moments were Terry's nightmares, depicting his father's descent into darkness. These sequences resonated, not just for their visual impact, but for the emotional depth they brought to Terry’s journey. They blended horror with poignant storytelling.

As the narrative unfolded, each wish granted by the malevolent forces came at a price. It was a cautionary tale wrapped in a supernatural guise—a reminder that desires fulfilled carry unforeseen consequences. Mo and Jon's transformations into demons were vivid reminders of this truth, their struggles to reveal human nature's complexities.

In its climactic moments, "The Gate II" found redemption in sacrifice. Terry's last battle against the forces he unleashed was not just survival, but a reckoning with his choices. The closing scenes, with their practical effects and old-school charm, left a sense of nostalgia—a nod to an era of hands-on horror crafting.

Looking back, "The Gate II" is a testament to storytelling's enduring power. It reminds us that even in shadows, stories await voices long to be heard. As a fan, it’s not just about defending an underdog; it’s about celebrating narratives that dare to venture into the unknown.