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先日、NHKのドキュメンタリー枠で放送された映画「ひろしま」を視聴。「ゴジラ」の前年、1953年に製作された作品だが、音楽は伊福部昭。というか、「ゴジラ」に使われたレクイエムが、この映画のメインテーマ。というか、全編、この音楽で押し切っている。伊福部さんについて、よく「楽曲の使いまわし」が指摘されるが、このレクイエムは、戦争犠牲者に対する伊福部さんの音楽表現なのだと改めて感じる。伊福部音楽が単なる「劇伴」とは一線を画すところ。ちなみに、ミニチュア造形は、成田亨と高山良策という布陣で、広島の惨状を再現した特殊効果も特撮ファンとしては見どころ。
原爆投下後の地獄絵図が延々とつづき、見ていてシンドイのだが、企画、製作はなんと日教組、監督は関川秀雄。当時「反米的」との理由で、限定公開という扱いだったそうだが、ゴジラの本多監督は、これを見ているのではないだろうか？新藤兼人の「原爆の子」（1952）と同様の原作だが、新藤版の方も音楽は伊福部昭。
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히로시마성의 봄(Hiroshima Castle in Spring) #히로시마 #히로시마여행 #히로시마성 #봄 #벚꽃 #hirishima #castle #spring #cherryblossom
広島お好み焼き。ちんちくりんトーランス店。２０１９年３月オープンなので初。トーランスミツワ周辺。札幌生ビール。Hiroshima okonomiyaki, Torrance California. Sapporo draft beer.
Happy birthday, Kirishima!!!
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上陸！⛩ * * #miyajima #hirishima #宮島 (厳島神社 宮島)
アンデルセンのモーニング（広島本店）
広島市
I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection.
Sarah Kay "Hiroshima" Every time she gets to this part I'm almost moved to tears at the thought of how genuine that moment it. It's almost embarrassing how moved and inspired I am by this. I have so many thoughts. Who wants be philosophical, theological, sociological, and spiritual with me?
