#headless bliss

Readers demanded more queer content, more specific to their needs. Now there's more choice. If you don't like a queer webcomic, you can find another one without any hassle!

How has the landscape of posting webcomics online generally changed for you? Has your audience changed?

Posting for three different webcomics means discovering what it's like to have a different audience for each, though some webcomics are similar enough that the audience remains largely the same. Generally though, I've had very positive experiences with most of my audience! They've been caring, and understanding enough that I've never felt rushed, or judged for taking time off when needed.

Go Get A Roomie! has concluded and you're now onto your newest slice-of-life work, Little Tiny Things, which updates Tuesdays and Thursdays. How do you stay motivated with posting your comics regularly?

I do it because I love doing it! Not that it's always easy to maintain the same schedule, but I like knowing that the story advances at a "fast" enough pace. I want readers to discover more of what I want to show them!

In addition to LTT and GGAR, you are also the creator of Headless Bliss, a surreal comic that bends towards horror. It's very different from your slice-of-life work. How does Headless Bliss fit into your creative process and identity as an artist?

Go Get a Roomie! had a few surreal elements when a character dreamed, or told stories, and I had a lot of fun with those moments because it was so different from the slice-of-life, 4-paneled, jokes I wrote for GGAR. It meant I could explore more, narration-wise and tool-wise. But it wasn't enough, I had ideas for another story that was way more psychedelic, because I've always loved those kinds of stories too (comics like Sandman have inspired me a lot), and so Headless Bliss was born. I loved having two comics of two different vibes to jump from one to the other.

Go Get A Roomie! has been successfully crowdfunded into three books, with the fourth and final volume currently underway. What do you think are the benefits of transforming webcomics to print? What are the challenges?

Webcomics online are neat because they're accessible for so many people, for free! But having them on print means more people can enjoy them, and I'm one of those who prefer reading on print than on screen. Crowdfundings are a great way to make a little more money from your hard work, but they're also a challenge because of all the extra work that needs to be done! Preparing the book, the rewards, sure, but also managing everything else surrounding the printing and the shipping of the materials promised, and on time too! Thankfully, having Hiveworks as a partner in crime means being able to share some of all that work, it's an immense help!

Outside of comics, what do you do to refuel your inspiration?

I try to not work too much! Give myself time to do something else, to go outside, breathe a little, you know? All that is told within stories has to come from somewhere, and that somewhere is you living things.

Any advice for comic artists who find themselves stuck in a rut?

Take a break and try not to feel too guilty about it. It's okay not to be at your best all the time!

What is something you're looking forward to?

Right at this moment, settling down in my new home, to be able to work once more on comics in a nice and welcoming environment. Once that's done, I'd like to try out the more "traditional" path to publishing and start a new comic for a publishing house! While still continuing webcomics because I love doing it :)