A softer Dabihawks is brewing. My nervous system said, āLet the bird and the arsonist have one calm moment.ā So⦠fine. Those two idiots get to have a moment of tenderness.
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A softer Dabihawks is brewing. My nervous system said, āLet the bird and the arsonist have one calm moment.ā So⦠fine. Those two idiots get to have a moment of tenderness.

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Hard Truths You Need to Hear: Unhealthy Dependence.
Heads up: These will be raw takes, but this situation has been resolved for some time. The intensity is for emphasis and tongue-in-cheek humor, not drama or emotional escalation. This is just aggressive self-care from a tired adult juggling Pennlaw courses, work-related chaos, familial obligations, and a grand total of two self-care hours a day.
Continued beneath the break.
Is it weird that, for the most part, I no longer identify with the phrase, "writing is hard"?
There are some exceptions.
But since March last year, I've been consistent.
Since Vieras, the floodgates opened.
Even when I'm not uploading, I'm still writing.
It's like some nirvana of fucklessness and profound liberation.
Talking to a friend about this new fic.
You don't have to destroy him š
Anyway, 1.2k outline done.
Time to start chapter 1.
For the Safety of the PublicĀ is eventually going to make its way to a side blog! This is planned to be a collaborative piece with @autumnmobile12, who has domain expertise outside my own (Regulatory Compliance, IT, Corporate).
I just need to come up with an overarching blog title that can encompass my additions as well as the additions of current (and future) collaborators... and tweak the styling so it looks all corporate rot nā shit. Because if youāve been to my AO3, you know I live in my custom stylings at this point.
I do have a theme set up for this, too. I just need to reach a certain point before I start uploading it there. Youāll see. š¤
For now, in capstone veritas. I donāt have the full bandwidth just yet. But soon.

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so many ppl copy u and u don't even see it
I don't usually entertain these types of anon messages. I get a lot, across all platforms that allow it. This one is from New Years, as are all the most recent influx of sussy anons.
But this one genuinely made me laugh.
Initially, my response was just going to be: I'm not so insecure that I'm threatened by this idea. The ass is here to share. š
But then I got to thinking about it, and came to the conclusion that this is symptomatic of a much larger issue in fandom spaces.
So, let's talk about copying in fandom for a second.
By all means, yes, your OCs are yours and if you're inspired by another, you should definitely say something. But fanfic, especially plot concepts??
Unless someone is lifting something scene for scene, or directly from you without credit, this concept is ludicrous because there really are no original ideas.
South Park S06E07, The Simpsons Already Did It, tackled this better than I ever could, especially flying off the cuff. But I'll do my best.
Let me explain.
I know Iāve moved meta to my other blog, but this affects content tied to this account, so bear with me. A discourse as old as AO3 has resurfaced on my dash: authors marking dark, explicit, or violent content as āskippable.ā Hi, yes. Itās me. I do this with TORIMONOās explicit chapters. And I think thereās a conversation that isnāt being had: the craft of accessible fic. Because hereās the thing: On the surface, I agree with the criticism. A lot of the time, when I see āskippableā notes, the content inside the brackets feels like it carries less narrative weight. It feels like it was added to encourage viewership. The emotional depth isnāt there. And Iāll be honest: I see a lot of characters whose trauma doesnāt seem to inform their behavior, which feels more like a shiny badge than character building. But this all comes down to craft. And craft can be taught. Itās good that people want to support readers who choose not to engage with certain content, whatever their reasons. But this is where distinction also matters: calling a scene āskippableā signals it wasnāt important in the first place. Thatās just how many readers interpret it. So how do we make it accessible instead? Well, the first step is always admission. If you can look at the scene and say āmissing this would leave out this important information,ā and that information is qualifiable, then it is not skippable. Stop lying to yourself and your audience. So, then what? Make it optional. āBuT iSnT tHaT jUsT āsKiPpAbLeā WiTh FaNcIeR cLoThEs?ā I mean, sure, you can argue that about the wording. So letās talk Accessible Craft, and Iāll use TORIMONO as an example. Chapter 4 of Torimono, which is Explicit, is crucial to the narrative. It raises important questions, highlights the biological and neurobiological mechanisms I created, shows us character trauma, and uses clipped prose to recreate anxiety and dread. It is not filler. It is not an afterthought. It is not meaningless smut. So how is it āoptionalā? How is this accessible? By sitting down and systematically deconstructing the narrative into the key points that readers would miss if they chose not to read this chapter. This allowed me to do two things: 1. Draft a fade-to-black in the previous M-rated chapter. This fade-to-black highlights the biological mechanic. Readers miss the surrounding conversation, but the core mechanic is still present. 2. Seed the aftermath with context clues. The charactersā thoughts, conflicts, and navigation of the aftermath reveal what happened without having to ELI5. A reader who can see beyond the surface should be able to pick up what Iām putting down. And, as a bonus, these clues make the aftermath feel more believable. This does not replace reading the explicit chapter. But it does make the content optional. Think of it as DLC for a characterās backstory. Some people might choose to play it and get the experience firsthand; others might just read the Wiki summary. Both understand the story; those who played might understand it more deeply and resonate with it. But the wiki readers still get the gist. This is the conversation we need to be having. Everyone starts at a different place on any learning curve, and thatās wonderful! But itās also time to shift the conversation away from āskippable contentā to accessible content and consider what weāre actually trying to accomplish. TORIMONO starts out dubious, transactional, and deeply traumatic in ways the character cannot even name at the time. It gets better. But it has to start there. I just enable people to read between the lines.
You know, Minetas plea with Zen/AFO has me thinking.
These thoughts were met with some recent rumblings on Tumblr I wasn't even aware of because mostly I just do my thing. I go through life, trying to affect people as little as possible.
But, the Fumi/Shadow and Zen/Yoichi parallel.
It seems that the recent rumblings are because Mineta reminds Zen of Yoichi because he's largely considered a weakling.
I actually think it's because Fumikage and Shadow are what remind Zen of Yoichi. The plea is to please not separate them; they need each other. Zen has the powerful quirk, and Yoichi is helpless without him. Shadow is a quirk, yes, but it is also an entity (and I headcanon that Shadow is a twin absorbed in utero - the whole thing gives me Beyond: Two Souls vibes) that is vastly more powerful than Fumikage is on his own.
I think, combined with being affected by immature emotions - albeit because his brain is de-aging as well, Tomura's young mind, or both - it tugs specifically at his brother wound and he just can't. That tiniest hint of something - call it empathy, call it principal, it doesn't matter.