Pairing: Azriel/Eris/Reader | Rating: G | Word Count: 1121
Read here on AO3 | Neapolitan Bonds Master List
Summary: Your cycle showed up and you hid yourself away in your temporary chambers. Az and Eris are not having it.
A/N: HI!!!! Surprise. For my ACOTAR peeps who have put up with me not posting for forever and then when I did, it was stranger things. I am hoping this year is kinder to me.
Tags: I am hoping I got everyone) Â @myromanempiree @pit-and-the-pen @lilah-asteria @crazylokonugget @st4r-girl-official @thisblogisaboutabook @paleidiot @div94 @tele86 @chaos-on-stand-bi @bobbyisbored @ysmtttty @romantasyreader28 @azrielsshadows42 @stargirlrchive @scarsandallaz @paintedbyshadows @dream-alittlebiggerdarling @acourtofbatboydreams @ninthcircleofprythian @secret-third-thing @theicarustoyourcertainty2 @hieragalbatorixdottir @daycourtofficial @prythianpages
You knew your cycle would come eventually. It was only a matter of time before you dealt with it while visiting with your mates. It came the second day of your stay. You didnât bother to tell them, just declined to sleep in their bed and stayed in your chambers across the hall. They didnât like it, but they didnât argue and gave you your space.Â
The next day, you ended up staying in bed all morning with nausea and a headache. You only got up to use the bathing room and change into a soft green sweater and leggings. Near noon, you requested a servant to retrieve the Healer and have something blander brought in from the kitchens. You should have known theyâd also tell your mates you werenât well. You got back into bed, pressing your fingers to your forehead to try and will away the ache in your skull. Â
You heard the knob turn and the door was thrown open. You sat up wincing to see Eris wide eyed with panic standing in the doorway. Azriel was right behind him, shadows slinking along the carpet. Eris in his more courtly blue coat and Azriel in (from what you could see) a soft black tunic.Â
You huffed through your nose, wincing. âWhat?â
âIsabelle said you were ill and asked for a healer.â Erisâs eyes raked over you but he still didnât approach.Â
âI asked for a healer but Iâm not ill. Iâm fine.â Neither of them responded or moved. âIâm not contagious.â
âYou donât know that,â Azriel muttered.Â
âI do know that, just go away.â
You really didnât want to explain it to them. Nor were you in the mood for any more questions. You laid back on your pillows, head throbbing and stomach rolling again.Â
âBoys. Move.â A female's stern voice came from behind your mates.Â
You opened an eye and a curly red headed female was beside you. Edith was a younger healer- a few decades older than Eris, but the best in Autumn. She held up a purple vial.Â
âYouâll want to drink this for the nausea.â She helped you sit up. You downed it quickly- wincing at the taste. She had handed you another vial from her white apron. âThis should ease your pain for a few hours.â
âOnly a few?â It was Eris who asked with a glare, based on his tone.Â
Edith ignored him. The other vial tasted a little better.Â
âDrink you some tea,â she added and held up two extra vials. âIâm going to leave these here. If you still feel unwell by nightfall, take them.âÂ
âThank you,â you said softly, already feeling the tension in your eyes ease.Â
âYou did not answer my question, Edith.âÂ
âYou know as well as I potions only do so much. Think with your mind, not your mating bond.â She walked over to him. Even being over a head shorter, she still looked him up and down, her curly hair swaying as her head moved while she did so. âYou could put those hands to use and help your mate instead of fussing at me.â
Eris and Az stepped aside and watched her leave, confusion etched in their faces. It wasnât until a shadow swirled around Azrielâs head that his expression changed.Â
âOh.â His wings tucked in tighter.Â
âOh?â Eris turned to him.Â
âItâs um,â Az peered around at you, looking for permission to continue.Â
âIâm on my cycle,â you rolled your eyes. âI wasnât going to bother you both about it.âÂ
âOh.â Erisâs face scrunched up.Â
You furrowed your brows. âIf you both are disgusted then leave.âÂ
âIâm not disgusted,â Eris replied quickly, clearly offended at the implication. âI only have brothers and a male mate for a decade. I forgot it was something that happened.â
âI wish that was me,â you laughed but it sounded hollow.Â
âIs it always this bad?â Az asked.Â
âNo,â you laid back, putting your arm over your eyes to block out the light. âMaybe? I never remember.âÂ
You heard soft steps on the carpet. You pulled back your arm and Eris was beside you. Heâd shed his coat and was now only in his loose white shirt. He sat on the bed beside you and brushed his fingers along your forehead.Â
âDo you want me to help?â
âHow?â You were getting sleepy with the pain in your head gone.Â
âWarm hands.â
He put his palm against your forehead, a pleasant warmth radiating from it. You hummed and closed your eyes. After a moment he went back to rubbing his fingers above one of your brows.Â
You yawned but didnât open your eyes. âIs it strange if I ask for you to put your hand on my stomach?âÂ
âNo. Move over for me.âÂ
You moved to lay on your side in the middle of the bed. You felt the covers lift and Eris curled his body against your own. You sighed once he slipped his hand under the band of your leggings and rested it on your lower stomach.Â
âWhy have I never thought to ask you to do this before?â You whispered. âYouâre doing this every time.â
âGladly.â
After a moment, you heard the door knob turn again.Â
âAz?â You opened your eyes and sat up a little. âAz, donât go.â
He was at the door, hand on the knob still. He tucked his wings in tight and looked back at you.Â
âThere isnât much I can help you with, baby.âÂ
You pouted. âYou can still cuddle.â
âThat bed is not big enough for the three of us.â
âPlease?â You felt Eris let out a soft laugh behind you. âJust for a little bit?â
Even in the dim lighting you could tell Az rolled his eyes. There was silence for a moment, and he sighed. You grinned when he let go of the door knob and walked over to you. You laid your head back down and he lifted the covers to climb into the bed. You put your arm around him when he scooted in close.Â
âIf my wings get a cramp I will hold you responsible,â he said with no bite in his tone. You hummed and he kissed the top of your hair. âHappy?â
âVery.â
You donât know how long the three of you laid there, but with your nausea gone, you were suddenly very hungry. Az and Eris agreed to have something brought in but only if you moved to their chambers. You also had to promise to never try and hide from them again. You agreed. If anything, it was the easiest trade youâd ever negotiated and very much worth the extra apple tart Az had the shadows sneak out of the kitchens.Â
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A muted shade of green â§ Chapter 8: It's a natural progression
genre: will ever write something not angsty?
word count: 6793
pairing: reader x spencer reid
description: you and spencer finally give into the tension that's been growing between you, but what happens now?
a muted shade of green masterlist
previous chapter // next chapter
I decided to give you all a pause from Abigail because we're now turning into an Abigail Hater Club HAHAH
This is the third time youâre saying this, but youâll keep saying it until Spencer hears you. âI am not relocating.â
âY/N, if she found out where you are, we need you to be somewhere else,â Spencer groans, but you have no mercy on him; not this time. Not after everything.Â
His hair is pointing everywhere, surely from the way your stubbornness is making him tug at it like he needs the sting on his scalped to remind him to focus. Itâs been almost thirty minutes of you two arguing, and this isnât exactly the conversation you wanted to have when you first woke up that morning. In fact, you could have lived your entire life without having this conversation and you would probably have been a very, very happy woman. Alas, things never really seem to go your way even when they are going right. And right now, you are far, far away from things going right.Â
âI am not going to relocate!â You say again, exasperation getting to you the more he insists. Now, your hands are flying around you and itâs like you two have switched places for a secondâ while he seems tense and immobile, you are gesticulating like crazy, trying to make a point with your entire body; you are not leaving. âIâm done relocating! Iâm done being am active case that doesnât move on! Iâm done being thrown around like a doll! Maybe thatâs her end game, Spenceâ have you thought of that?! That she gets some sort of⌠of⌠sadistic satisfaction from seeing me squirm away every single time!â You cry out, brows furrowed in frustration. Nothing is making sense to you, and your anger only grows. Why is he so okay with sending you away like it means nothing to you? Why is he not using that big, beautiful brain of his to find other solutions than just rid of you? âI canât keep running! I canât keep stopping my life anymore, Spence, I canât! IââÂ
An odd sense of coldness comes down on you, like a wave crashing against the walls of your stomach, spreading through your veins, cooling down your stressed out brain. It takes you a little while, but you finally understand. You understand his hesitation, his silence, and you understand it as an answer. âIâll go home,â You mumble, looking down at your hands. They laid lifeless on your lap, almost like they are now tired from all the talking through them. âYeah, Iâ I think thatâs the best idea. Itâll be relocating, right? Iâll g back home. You must be tired of me here, anyways, andââ
âDonât.âÂ
The ice in his voice startles you enough to have you scoffing. âExcuse me?âÂ
âDonât make this about something that it isnât,â His voice is in that whisper-scream pitch that youâve heard him using with other people. Never you, though. Spencer never got this aggravated with you before, not even when you kept leaving your tea bags inside your empty mugs until they were dry. This, the way he is talking right now, is beyond annoyance. This is anger. Spence is angry at you and that doesnât make you feel any better. âIâm trying to keep you safe.âÂ
âThe give up already,â You whisper back, slowly getting up from where youâre sitting. âBecause Iâm not going anywhere that is not my own apartment across the street.âÂ
The package is still sitting on his counter, and you hate that you can feel it burning deep in your soul. At first, he didnât want you looking at it, trying to keep you away, but you donât like when you Spencer keeps secrets and you just push away his hand that is reaching for you. This sounds a bit insane, now that you think back to it, but when you first see the book cover, so familiar you can quote some of its content, you laugh. Itâs a daring move, but an effective oneâ Kill Me If You Can, by James Patterson and Marshall Karp, is all about the chase. And all about the run. âThat fucking bitch,â You whisper to yourself, grabbing the book and opening it to the cover page, where her inscription would obviously beâ Dear Y/N, Check-mate. What now? XOXO Cat.
Youâve never hurt a book before, but you have half a mind to rip that one to shreds with your bare hands.Â
âNo, no, no, you are relocating and thatâs the end of it.âÂ
To Spencer, you are the sweetest of the sweetsâ sugar pours out of your lips and he had the pleasure to taste it. No way he will risk losing that now, not before he can have a chance to douse himself in them. But every time you cuss, every time you frown, he swears that sugar gets the slightest hint of bitterness, and every time he blushes because of it, every time he lets out a sharp exhale with his eyes fixated on you, he canât help but wonder how well that bitterness would mix in with your sugar.Â
Right now, though, you are about to get downright rotten.Â
âWho the fuck do you think you are, Spencer Reid?â His full name sounds wrong when you feel this pissed off. âYouâre not my dad!âÂ
âNo, Iâm not your dad, Iâm your boyfriend, and Iâm trying to keep you safe!â This time he screams; he truly, really screams, neck veins popping out and face reddening with the strength of his words. Spencer revels yet another side of himself to you. âIâve lost enough, okay?! Iâve lost enough⌠First Maeve, then Gideon, and, a-and, and now youâ I canât lose you! You canât die, you canât die on me, and itâs like you keep trying to! You refuse to cooperate, you-you are the most stubborn woman Iâve ever met, and youâll drive me insane! So please, donât⌠donât let me lose youâŚâÂ
The way his voice dies out shouldâve been enough to get you to quiet down, but tensions are high and now you feel like youâve just been hit with a brick to the face.
âYouâre my what?!âÂ
This is news to you, though it doesnât seem to be news to him. Youâve been dreaming of hearing that word slipping from his mouth, you wonât lie, but not like this. Not in a fight, and your first fight at that.Â
Spencer seems shocked at your surprise, and you two go quiet for the first time in what feels like hours.Â
âAm⌠Am I not?â You are still in awe of how Spencer can go from zero to a hundred in a matter of seconds. A second ago, he looked like he was about to rip his hair out of his head and now he was back tohis normal bright, wide eyes and fidgeting hands. Whiplash isnât enough to describe how youâre feeling, staring at him with your mouth hanging open, willing for words to come out but failing every single time. âOh god, Iâm not. Iâm sorry, I just assumed that after last night weââ
âWait, stop, stop, stop!â You shriek, hands going up to cover your face. âI need a second to think!â
âNo, you donât, Iâm sorry, Iâm so sorry, just forget everything I said, I justââ
âI might not have an eidetic memory, but I donât think I can ever forget what you just said,â You breathe out, hands shaking as you pushed your hair back and away from your face. âSpence⌠you thought we were dating?â
This has him paralysed. âThatâs what you want to talk about? Right now? After everything I said?â
âI want to talk about everything,â You do, you really do; but you need to get this out of your chest right now. You need to start clean. âBut we need to talk about this first⌠because I need to know how to act when we get to the rest of it.âÂ
âWhat do you mean?âÂ
âSpence, we kissed,â You whisper, hands sliding down your face with a frustrated groan. âAnd I thought that maybe⌠I donât know, I thought we were going somewhere good, you know? Somewhere at all! But then we got to the room and you just pushed me away!âÂ
âI didnât want you to feel like you had to do anything you didnât want to!â Spencer defending himself like this feels like youâre living in an alternate reality. To be honest, even if you had had the chance to talk to him like you initially intended to, you werenât really sure what youâd do after. It wasnât a situation in which you could predict an outcome, not when it comes to Spencerâ he is too good in hiding form the world. Too good in hiding from you. âY/N, I swear, thatâs all! I wanted more, I always want more when it comes to you but I donât want to get greedy and scare you off.â
âWhat about the next morning?â If you donât sit down, you think your legs will buckle under you. So you sink onto the couch, head on your hands trying to keep you from looking at him with hopeful eyes. Spencer doesnât want to pressure you and you donât want to pressure himâ and just like that you two fall in a cursed, never-ending dance. In a game where both are in defence, no one wins. One of you has to either take a risk or go home crying. And youâre oh so tired of going home crying⌠âThe next morning you didnât kiss me or, or, or talked to me! I woke up and you werenât even in bed!âÂ
âI wanted to make you breakfast in bed,â This is getting more and more ridiculous by the second. Had you really jumped the gun here? âBut when I got out of the shower, you were already freaking out about Abigail!â
âWhatâ But what about after?!â
âAfter we talked about Abigail, I got a call from work and you were almost pushing me out of the door yourself!â This time around, you donât ask anymore questions, not when you can see how exasperated Spencer is getting. âYou saidââÂ
âNow is not the time to quote me,â You say as softly as you can. Though sometimes it can sting, having your words thrown back at you, you canât help but smile every time he does it. The secret is in knowing Spencer isnât trying to hurt you, but simply attempting to logically solve whatever issue he has to face. What he doesnât seem to understand though, is that sometimes, the issues of the heart, arenât logical to begin with.Â
âIâm just trying to⌠I donât know what Iâm trying to do, but this is all a bit misunderstanding,â He shuffles closer to you with that look in his eyes that youâve seen before in the mirror, your own familiar desperation glaring back at you with that lost, confused glint of what will happen next? âPlease, I donât⌠I donât have much experience but Iâ I donât want to lose you. Y/N, please⌠help me.âÂ
âSpence, what do you mean?âÂ
âHelp me,â He whispers again, worry sketched on his face like it belongs there. His breathing is shallow, and you notice the way his hands wrangle each other in his lap. If anything, heâs trying, and failing, to hide from you for the the first time. As gently as possible, you reach up with a small smile playing on your lips, and you press your thumb to the lines between his brows, soothing them in a back and forth motion. âHelp me, I donât know what to do.âÂ
The way he chuckles in that coy way he does whenever he feels like heâs out of his league is what pushes you forward, the carefulness of your actions clashing with the eagerness in your kiss. Youâve been waiting for this all day, and everything inside you melts when you feel his hands reaching up hold you close, cradling your face as if youâre the most precious thing he has ever touched. There is a slight shake to them when his lips move over yours and you canât help but smile, laying your smaller hands over hisâ I got you, you want to tell him. Iâll help you.Â
âY/NâŚâ His words hit you with a puff of air, lips brushing against each other every time he speaks. If Spencer pulls back an inch, you follow; if you try to put some distance, he follows. The wall between you two that had been shaken before was now completely shattered, bulldozed by his hands sliding down your neck, your sides, tugging on your waist until youâre as close as you can possibly be. Until youâre on his lap, surrounded his arms, overtaken by him and him only. âDonât go home.âÂ
âIâm not going anywhere,â You promise, laying your head on his shoulder like youâve done many other times before. âIâm not relocating.âÂ
âY/NââÂ
âWhoâs Maeve?âÂ
His body tenses underneath you horribly, and you hate that itâs all because of you. âIââÂ
âYou donât have to tell me now if you donât want to,â You say, pushing his hair away from his panicked eyes. âI just want you to know I heard you. I heard you talking about Maeve and Gideon and me, and I think if we want to start⌠whatever this is⌠we need to lay our cards down,â Itâs a risky move, if anything. Not only are you asking him about his past, you will also allow him to ask about yours, and that is only fair.
âBut what is this?â He asks, eyes sharp on yours while you play with his hair to try and distract yourself from the reality of it all. âWhat are we?âÂ
âI mean, you said you were my boyfriend, right?â You donât want to be the one to make a decision this big, but then again, it shouldnât be all him.
âThen what are you?â He mumbled, eyes threatening to shut the more your fingers run through his hair. âAre you my girl?âÂ
A move you donât really expect from Spencer, but that is welcome nonetheless. The way you two look at each other, like teenagers all giggly about confessing, is equal parts pathetic and hilarious. But itâs the way you two chose to go about it and that is all that matters. Until you remember that this is reality, and youâre not a teenager anymoreâ there are higher stakes at play here that have to be addressed. There is heartbreak in the end. Pain. Hurt. Fear. Thatâs what you had before, waiting for you in the end of a very dark tunnel, and youâre scared thatâs what will be waiting for you this time around, too. Not because of Spencer, but because of you.
âJoshua McMannon,â You mumble, slowly climbing out of his lap and sitting on the other side of the couch. Like a barrier, you bring your legs up, hugging your knees close to your chest in an action that Spencer will surely read rightâ separation, space. It happens whenever you talk about Josh, the wave of shame and embarrassment that paralyses you inside-out. The self-loathing. âHe was uh, a big shot new player in the stock market, worked for some big firm I forgot the name. We met in a bar, I think. I know this sounds crazy but I blank on a lot of memories that include him, itâsâ itâs hard to think back.â
âY/NââÂ
âNo Spence, I canât ask about you your past without telling you about mine, thatâs not how it works,â You say with such a tone of finality that he doesnât even try to fight you on it. âSo please, just⌠listen to me. The entire thing, because it makes me look dumb and foolish, I know it does, but I want to be honest with you, I donât want this coming back later to haunt us, okay? So just⌠donât judge me to harshly. Please.âÂ
His silence is enough to encourage you to keep on going.Â
âYou know a bit about it and there isnât much more to tell, to be very honest,â There are some undertones of anxiety in your voice, and you know he hears it. You know he wants to move, pull you back to him, comfort you, anything. But he respects the shield youâve put up and he listens, just like you asked. âHe was one of those guys that love the chase, you know? Likes showing off, too, so I was always uh, well dressed and all that jazz. Josh hates when Iâ no. Sorry. Josh hated when I looked sloppy. He worked hard to play hard, according to him, so he wanted to show things off. Expensive restaurants every day, expensive clubs every night⌠expensive girlfriend all around.â
âNo,â Spencer quickly blurts out one of the many words heâs surely holding in. âNo, Y/N, youâre not something to show off, youâre not a thing!âÂ
âYouâre sweet,â You chuckle. âBut I was a thing to Josh. Something he owned, remember? And I fell for it, Spence. I was so, so stupid and desperate that I said nothing, I just went along and played into his fantasy until I couldnât anymore. So I started talking back. Saying âno.â You know what happens next, I guess. You know his type. I didnât.âÂ
Gulping, you look down at your hands embarrassedly. Spencer wouldâve clocked Josh on the dot. He wouldâve known who he was and what heâd do in a second. You, on the other hand, hadnât been so smart. Probably still arenât. Probably never will be. Itâs hard, not putting yourself down when youâre telling the smartest man you know about such idiotic mistakes.
âY/N, donât even think about it,â Spencer hisses and all restraint is gone. He is sliding down the couch to sit close to you, and his hands sneak under your knee and give a gentle tug. Heâs trying to respect your need for your own space, but he needs to make sure youâre listening to him. âYouâre not dumb. You are not stupid. You are a kind woman with a heart too big for assholes like him, and I wonât have you thinking this was your fault. Sweetheart, this is all his fault. You had nothing to do with that, you⌠you were just in love.âÂ
âI wasnât, though,â You whisper, shaking your head slowly. âI really liked him. Like, a lot. But I didnât love him.âÂ
âIt doesnât matter, sweet girl,â He gently put your legs over his, hands holding onto your calves like itâs his lifeline. âThere is no scenario in which this is your fault. None. Do you hear me?âÂ
âI hear you,â Youâre not lyingâ you hear him, you truly do. But believing him is a whole other thing, and youâre not sure if youâre there yet. âIâve been hearing you, Spence. Every time you explain something new or you tell me some more fun facts, I hear you. Itâs just that this time around itâs a little bit harder to process, thatâs all.âÂ
âThis is a fact like all the other facts Iâve told you,â With one more pull, you get closer and closer to his body until you can feel the press of those perfect lips against your forehead. âItâs irrefutableâ none of this is your fault, angel. None of it.âÂ
Nodding, you relax onto his hold, head resting on his shoulder when you deliver the final blow. âHim hitting me wasnât my fault, I know that much. I ran after that. It sounds a bit drastic, but I had never been in the position before and Josh is someone with a lot of influence back in New York. I would have never survived in there and I wouldâve been scared all the time.âÂ
âHe touched you?â The way he says it, voice sharp like a knife, makes you look up at him with squinted eyes. âWhere?â
âWhat does it matter?â
âWhere did he hurt you?âÂ
Chuckling, you grab his hand and lean your cheek onto it. âRight here,â You whisper, turning a little to drop a kiss on his palm.
âOh, sweetheart,â Everything about him screams comfort, from how his thumb gently caresses your face to the way his lips pull downwards in disscontempt. You know that by now, heâs making a mental note to run Joshâ name through Garcia, but that is something you will deal with later. Despite their good intentions, that is not a door you want to open any time soon. âIââÂ
âYou will do nothing about it, Spencer Reid,â You say with as a teasing warning. You donât know that, but Spencer wonders how can you smile while telling him about such terrible memories; how could you withstand pain so well without telling anyone about it before. âWhatever happened happened and itâs done. I just wanted to be honest and give you the full picture before⌠we make decisions.âÂ
âAnd what do you think this will accomplish, huh? That it will change my mind? Make me regret it?â
âI donât know Spence,â You groan. âIâm just⌠trying to be honest.â
âAnd I appreciate that, Y/N,â This time, he kisses you on the lips, but itâs too fast and too light to satisfy the yearning inside of you. âBut nothing will make me change my mind. Much less that asshole. I want you. Iâve wanted you since I met you, Iââ
His pause lingers in the air with a something heavy over it. This time, you shuffle on his lap to try and get a better look of his face, legs holding you up on each side of him. Itâs such an intimate position to be in, you straddling him with his hands dragging from your waist to your thighs then back up again; your hands playing with the little curls by the nape of his neck; his lips, opening and closing and opening again in what feels like failed attempt after failed attempt to tell you something.Â
âIâ I think Iâve wanted you since Maeve died.âÂ
There is a lot to unpack in this sentence, but you keep your expression clean of any reaction. He doesnât need you gasping and fawning over him⌠he just needs you to listen.
âAnd I know it sounds messed up and weird, but like, the metaphorical you, you know? The you you are but disembodied andâ and now Iâm not making any sense, but I mean it.âÂ
âI know you meant it,â You whisper, nails gently scrapping his scalp. âItâs okay, you can not make sense, Iâll figure it out. Iâm good with puzzles.âÂ
âYou are terrible with puzzles, angel,â He chuckles and your shoulders relax a little. âIâve seen you trying to put together that Pride and Prejudice poster puzzle⌠I think youâre just good with me.âÂ
âHm, I think so to,â You smile. âWhy donât we start from the beginning then? Tell me your story.âÂ
Nodding, Spencer tugged you a bit closer and you like itâ this tugging habit of his, the need to have you pressed against him winning against his need to keep the germs at bay. In a very simplistic way, it makes you feel special.Â
âMaeve⌠I loved Maeve,â He admits, eyes looking into yours with an insecurity that is misplacedâ though you are not above feeling the poke of jealousy down deep in your gut, you are mature enough to know when you are being an absolute idiot, and you smile at him. âI love Maeve, but I am no longer in love with Maeve. I mean, sheâs dead, soâŚâ Spencer clears his throat for a second, and when heâs readyâ only when heâs readyâ he continues.Â
There is real pain in his voice as he tells you the entire thing, and there is real pain in your voice as you call him name oh so carefully. The tears in his eyes are few, but they are there, and you thumb them away as gently as you can. In your hands is the shell of the man you know, his words slowing down as his brain surely relieves memories he wishes to delete.Â
âSpencer,â You call, his eyes shut so tight you think he might just hurt himself if he continues like this. âSpence, Iâm so sorry that happened.âÂ
âIt was my fault,â He whispered as if he is in a confessionary. âDiane Turner. That was the name of the girl that killed her. We were trying to negotiate with her and⌠and I failed.âÂ
âSpencer, no,â Oh how the tables have turned. âThe girl was going to kill Maeve no matter what, and Iâm sorry that it came to this. Iâm sorryââ You canât even say it, confused with your anger and how it makes your hands shake.Â
She blindfolded him.Â
She read his letters, his fears, and she made them real.Â
That is enough to have you wishing you had shot her yourself.Â
âSweetheart,â He chuckles sadly, bigger hands coming to encage yours in a futile attempt to extinguish your anger. Bringing your knuckles to his lips, he kisses each and every single one of them, and for a moment you think he knowsâ he knows youâd be someone youâre not, for him. Someone who hurts other people. And you think heâd hate himself if that ever happened. âIt was a long time agoâŚâÂ
âBut it wasnât your faultâŚâ You move until you embrace him, body covering his like a blanket willing to keep him from the cruel, cruel world around you two. âNo matter how long ago it was.â
âI guess thatâs just something we both have to learn,â His voice is muffled by your sweater, and you pull back a little. When he offers you his pinky finger, you donât need any explanation, wrapping yours around it with a giggle. âSomething weâll help each other learn.âÂ
âItâs a deal,â You whisper, leaning forward and dropping a slow kiss to his lips. âSealed with a kiss.âÂ
âDoes this mean that now youâre actually my girlfriend?â He asks after a while and you laugh, loud enough to burst the bubble you two created.Â
âIf you want me to be, yes.â
âI want you to be, in case you havenât noticed by now,â God, you love when he jokes, the casual tone of his voice making you both relax. âBut I also want to be your boyfriend.â
âHm, you want an awful lot, donât you?â Pushing his hair back, you smile impossibly wide. âGood think I want a lot, too.â
The way he kisses you makes you believe that you truly are the only girl in the world, even if just his world. âNow you have to tell all the guys that hit on you that you are taken.âÂ
âSpence, what guys?!â You snort, eyes wide when you try to move and sit next to him. He is quick to catch you, though, and place you back on his lap.Â
âJust because you donât notice people flirting with you doesnât mean they donât!âÂ
âOkay, wait a second, I noticeââ
âIâve been flirting with you for months!â He says in that way that makes his voice go a tone higher, his smile so wide and bright that you canât help but laugh.Â
âMaybe youâre bad at flirting?âÂ
âEven Garcia noticed,â Spencer points out and you groan, knowing that if you admit defeat he will forever gloat. âBut thatâs okay. We got there in the end.â
âWe did⌠which is why Iâm not relocating.âÂ
âY/N, this is for your safety.âÂ
âIâm safer closer to you,â You whisper. âSpence, I wonât be safe with god knows how many strangers surrounding me in a location I have no clue how to navigate. Here, I have you and Iâm in a familiar placeâ I know the closest subway, bus stations, taxi points. I know the owner of the cafe down the street, I know your neighbours, hell, I even have Abigail! Isolating me is not safe. Please.âÂ
For a moment, you wait. Youâre unsure if you got through to him, his eyes looking at you so intently that itâs a little embarrassing. Everyone knows his brain works differentlyâ it works faster, better, more precisely. Whenever Spence zones out like this, itâs not because of lack of attention, but simply because heâs thinking⌠and what a wonderful thing it is to see him think; to see those theories taking form in his beautiful head, to see those honey coloured eyes working out probabilities that youâd never even get close to understand. Heâs a special one, and you love that about him. Because you love him.
And as much as everything between you two is new, this feeling is quite old.Â
This growing warmth in your chest, expanding like rivers of gold adoration through your veins.Â
Itâs not surprising that you love Spencer.Â
Itâs only natural, considering how much he loves you.Â
How you know it?Â
âYeah, okay. Iâd feel more comfortable with you here with me, anyways.â
Well, itâs obvious.Â
âAnd youâre right, you know?â He continues, speeding through his words as if heâs trying to convince you and him both. âYou know this area well. Cat has managed to get through us easily, and I donât know what Iâd do if she found you and I was the one to send you all alone to strange place where you canât ask for helpâŚâ
âThat wonât happen,â You promise, shaking your head at the terrifying thought. âSo does that mean Iâll stay here or go home?âÂ
The reason you enjoy asking Spencer obvious questions is because sometimes, times like this, you get to see his personality shinning like a beacon in a dark night. His sassiness is so refreshing that you canât help but giggle every time he lets it out. âDonât be ridiculous,â He mumbled, rolling his eyes like the little know-it-all he is. âYouâre obviously staying here. Youâre my girlfriend, youâll stay where I can protect you. Which is also something we have to talk about.âÂ
âNooo,â You are so tired of talking about things at this point. âCanât we talk about it tomorrow? Please, I just want to spend one nice evening with my boyfriend without discussing the fact that his psychopathic stalker wants to kill me.âÂ
âY/N, that is not funny!â He gasps when you chuckle. âSweetheart, I just want you safe. I think it would be important for us to have a plan if someone ever breaks into my apartment, for example. You should know where my gun is andââ
âWoah, woah, woah, no way!â You shriek, climbing off of his lap and standing right in front of him. The though of having to use a gun makes you nauseous. âI donât want to know where your gun is, and I donât want to even think about the possibility of having to actually point it at someone!â
âOkay,â Spencer says softly, getting up too and coming to hug you. Despite people thinking that Spencer is not quite adept to human touch, he has gotten quite good at comforting you, knowing exactly how to hold you and how to talk you down of your rising panic. âThatâs okay, itâs okay. Weâll talk about it another day, we donât have to overwhelm you right now, itâs alright, my angel.â
For a moment, the two of you just⌠stand there, swaying from side to side while he whispered sweet nothings into your ear. âCan we just be normal for a night and watch a movie?â You finally ask, looking up at his smile because right now, thatâs the only thing that matters to youâ him.Â
âYeah, letâs watch a movie.â
For a few hours, life is perfect.Â
For a few hours, you get to kiss him like youâve been meaning to. Touch him like youâve been meaning to. You get to run your hands through his unruly hair, pushing it back and feeling its softness slip between your fingers like the finest silk that ever was. He touches you, too, albeit a bit more reservedly. His fingers find the sliver of skin on your hip, thumb caressing back and forth, sending shivers up and down your spine. His lips brushed against your cheeks, your neck, your collarbones.
For a few hours, you laugh and smile and chat. You memorise more fun facts to put on your little notebook later, now secure on the left bedside table, right next to where you lay every night. He tells you how the movie doesnât make logical sense and how they have physics all wrong. He points at the screen and his voice gets higher and higher with his passion for correcting fiction and you canât help but shut him up with a languid kiss.Â
For a few hours, you two are just a couple. This is just a date. And this are just good.
But the higher you climb, the better it gets, the harder youâll fall. This might just be what Cat wantsâ you, in perpetual anxiety, always looking over your shoulder, always scared of losing the little you were able to build in your new life. From what Spence and his team have told you about her, Catâs main skills are all mental; manipulation, gaslighting, coercing. Is this how youâre going to end? Terrified with ever step you take, antsy at your boyfriendâs house while watching a movie, giving up on your bookshop so that strangers donât have such an easy access to your life?Â
For a few hours, you didnât have to worry about that.Â
For a few hours only⌠because once the second movie is done, you two are forced to pull apart thanks to the incessant knocking on Spencerâs door. âIf this is Abigail again,â Spencer warns as he gets up, lips all swollen from kissing and making out. âI will arrest her.âÂ
âOn what grounds, agent?â You hug a pillow close to you, completely ignorant to your current messy hair and blushed face.Â
âCockblocking,â Itâs so rare to hear such a word coming from someone like Spence that you canât help but burst out laughing. âJJ?â
The name has your smile slipping a little. Why is JJ here? Did something happen? The moment Spencer opens the door, sheâs marching inside, her beautiful blonde hair floating in the air as if she is some sort of magical being. âSpence, what the fuck?!â She cried out, completely oblivious to your presence in the couch. âWhy are you not picking up your phone? Iâve been callingâ Hotch mentioned something about you not taking Y/N to a secondary location, are you insane?! You canât take care of her all by yourself, sheâllââ
You clear your throat as loud as you can, smiling sadly at her when she turns around with a shocked expression. âHi, JJ.â
âY/N, Iâmâ Iâm so sorry, I didnât know you were hereâŚâ
âShe is,â Spencer suddenly sounds quiet, eyes cast down as if heâs a child whoâs been caught red-handed doing something wrong. But then he raises his head, chin high and chest puffing out a little. âAnd sheâll stay here with me. Y/N doesnât want to be moved to a secondary location, and considering we donât know who Catâs secondary is, I wouldnât say itâs wise for us to do so. Sheâll be alone in an unknown place. I⌠I would prefer if sheâs here. With me. And officer Kaper.â
JJâs eyes go wide and you can understand her surprise to hear her usually shy and quiet co-worker being so adamant. Hell, even you are a little bit surprised. âWhat you prefer?! Spence, this is not about what you prefer! This is aboutâ oh my god, you two were making out.âÂ
Her observation is so dry that you almost choke on air. âWhat?!â His voice is a dead give away. Or maybe itâs the way you wince, looking away from her, that gives you two away. âJJ, this is noneââÂ
âYou are having an interpersonal relationship with a victim under our protection in an active case,â Itâs the way she describes you as a victim, as if thatâs the only thing you are to her, that makes you exhale harshly. âYes, Spencer, this is my business.âÂ
âUhm, technicallyââ
âY/N, Iâm sorry, but not now,â She speaks to you like a mother, and from what Spence has told you about her, you know that she has two wonderful boys. Two kids for her to mother. You, however, are not one of them.Â
Slowly rising up from the couch, your voice is shaky when you speak, but your proud of yourself regardlessâ confrontation is not your best suit, some might say itâs your worst suit, but there is no escape this time around. Not if you want to stay with Spencer. âIâm sorry, JJ, but yes, now. Iâm the one this is all happening to. Iâm not a passive participant in all of this and I do get to make choices, even if those choices are against your recommendation. I chose to stay here. Not Spence.â
âWhy here? Why notââ
âI know the area!â You basically squeak, frowning deeply at her. The JJ you know is sweet and soft-spoken. This JJ is⌠well, not that. This JJ is someone who gets the job done. This JJ sees you as a job. And that hurts. âCat knows you guys, she has shown us again and again that she is one step aheadâ look at what happened to Officer Kaper. He has a family! His wife and kids were there andâ fuck, JJ, if something happens here, I know where to go! I know where to run to, I know the back alleys, I know the people⌠I canât handle you guys taking me away from everything I know again. I canât, Iâm sorry, I just canât, Iââ
âHey, hey, itâs okay, youâre not going anywhere,â In a second, Spencer is by your side, arms pulling you into his chest. âYouâre stay here, sweetheart.âÂ
âSpenceââ
âJJ, do you think Iâm stupid?â The question shocks the words out of both of you. âI calculated the odds, okay? I know the risks. I know the pros and cons. But do you know what else I know? I know that when we thought Maeve was safe, her stalker was in her apartment. We put her under protective custody, and Diane still got to her. She couldâve been with me, I couldâve saved her!â
JJ doesnât speak, and neither do you. You are frozen in place. Spencer had told you about Maeve just hours ago, described the entire thing, told you all the details of what happened back then⌠but he never touched on the now. On how he feels now. On how he remembers the whole thing now. On how it still affected him now. You can feel the anxiety on the way his breath shudders. The anger in his words, the regret, the fucking guilt As gently as you can, you circle his waist and squeeze. There is a part of you that hates doing this in front of someone else, giving them a part of this reality in which only you and Spencer exist; but he need to know youâre still here. Next to him, where he can keep you safe.
âMaeve wasnât your fault, Spencer,â JJ whispers, and you see in her a glimpse of the woman youâve met before. âIt wasnât your faultâŚâÂ
âBut this is!â He shouts back, stopping himself from lurching forward thanks to your body glued to his. Instead, he cradles your head closer, shuts his eyes tights, and let out the most pitiful exhale youâve ever heard. âThis is my fault⌠Y/N wouldnât be in this position if it wasnât for me.âÂ
âSpenceââ You canât even deny it. Logically, it is his fault this is happeningâ Cat is after you simply because sheâs after him. That is undeniable, and you lose yourself in the endless search of what to tell him, how to comfort him. This is your Spence. Your boyfriend. And you donât want this type of phantasmagoric guilt hovering over his head over the course of your relationship. This is how things end before they begin.Â
âI wonât let her take Y/N away from me,â When he looks at JJ again, you gasp. His eyes shine with a determination youâve never seen before, jaw tense and hands holding you to him like he means in. This time around, you know he means is. âNot now, not ever.âÂ
Summary: The first time Lockhart Obliviates someone in front of Quirrell
Notes: This completes the Greece Holiday Trilogy. <Part One | Part Two>
Gilderoy had already planned how to Obliviate Quirinus, if necessary.
It was unfortunate, because he quite adored Quirinus. But some things required protection more than sentiment.
The elderly witch was English, and had retired to Greece for the climate, she told them.
Mrs. Cromwell (no relation) was quite taken with Gilderoy, as they always were.
At the moment, she was engrossed in grilling Quirinus.
Interesting. Gilderoy never had an interview partner with him before, so this was something to note for next time. Provided there was a next time.
âThese are curse burns, aren't they, dear?â she said, picking up Quirinus's hands.
Quirinus glanced at Gilderoy, who shrugged behind the old woman's back. Best to keep her talking.
âYes, maâam. A dark wizard cursed a b-book that I happened upon,â he answered slowly. âI unbound the curse.â
âAye, that was a bad one,â she agreed. âAnd Dumbledore left you to it, did he?â
âHe didn't know,â Quirinus replied. âMy own fault, really. I thought I could handle it.â
The old woman laughed and reached over the table to pat Quirinusâs unmarred cheek.
âAh, the fatal flaw. Keep at it, and you too can live alone in your old age,â she said.
Gilderoy walked back in front of her and smiled.
âThe pretty one,â she said. âI wondered where you'd gone. Let dear old Cora have a look at you.â
âI was admiring your collection," Gilderoy said, presenting his best angle. âWhat a marvellous library you have. I've never seen so many titles on gorgons in my life.â
âIt's my speciality,â Mrs. Cromwell said. âWhy you're here, no doubt, Mr. Lockhart.â
Gilderoy brightened at being recognised.
âIndeed, it is. Professor Quirrell encountered your gorgon colony during his research. Of course we had to locate you right away. That's a tremendous feat.â
The kettle began to boil, and the witch crossed the tiny kitchen to fetch it. Gilderoy heard her knees pop as she stood.
âI like to think so,â Mrs. Cromwell said. She returned with a ceramic pot, tea steeping inside. âAnd what is it you want to know, Mr. Lockhart?â
âWhy, simply everything,â Gilderoy said. âSpare us no detail. It's incredible what youâve accomplished.â
He would be doing her a favour, really. Shrivelled old woman, out in the middle of nowhere, no one to hear her tale. But at last, the world would know.
âDo you mind if I take notes?â Quirinus asked.
âScholar are you, dear?â
Don't hesitate, Gilderoy thought at him as hard as he could. She's too clever. Don'tâŚ
Quirinus hesitated, head cocked. Then he found a faint smile, and Gilderoy relaxed.
âI'm afraid so. Magizoology. I'm always looking for a new angle. Academia is a bit cutthroat these days,â Quirinus said. âThat's how I came to be Mr. Lockhart's research assistant, in fact.â
âBetter than teaching,â she agreed.
âYes, maâam.â The smile appeared again, which she returned.
Quirinus was a natural. So polite. Almost boyish. A promising venture, indeed.
âPlease, Mrs. Cromwell, start at the beginning and omit nothing,â Gilderoy said. âWe're positively riveted.â
She looked up at Gilderoy, one eye green like a cat's, the other milky. He smiled at her again.
Mrs. Cromwell returned it, then began to speak.
It took three hours to explain the background and creation of the gorgon colony. Swift compared to other interviewees.
âWere you in academia as well, Mrs. Cromwell?â Quirinus asked once she concluded and took a drink of her latest tea.
âI was. The world grew tired of my barmy hypotheses on breeding gorgons. So I left and came here to practise it instead of hypothesising.â
âBreed?â Gilderoy turned around from another shelf of her belongings and tilted his head. âAren't they all female?â
Mrs. Cromwell shifted her eyes to Quirinus. "Professor Quirrell, my Magizoology friend, do you care to answer."
Another test.
Gilderoy grew more impressed by the hour. Lucky stroke heâd not tried this one alone.
âSex reversal,â Quirinus said. âHagrid has a text on it in his hut from when he was a student.â He glanced at the old woman. âProfessor Cromwell's hypothesis was that increasing the habitat temperature might eventually cause at least one gorgon to change sex for reproductive purposes.â
âBut that would take a lifetime,â Gilderoy said.
âIt did,â she said. âBut it worked.â
âDo you have any other petrifying creatures you've worked with?â he asked.
âCockatrices. They breed faster than gorgons or basilisks, and they're smaller too. Easier to handle.â
Gilderoy nodded and walked behind Quirinus to read over his shoulder, but couldn't make out anything.
Muggle shorthand. The nerve.
Quirinus started to ask her another question, and Gilderoy drew his wand.
âHow many genââ Quirinus began.
Gilderoy raised his wand over his head.
âObliviate!â
There was a crackling sound, and Mrs. Cromwell froze in place, blinking. Gilderoy held the thread of it: the colony, the cockatrices.
Quirinus froze as well, spine straighter than a rail spike.
Gilderoy kept his wand aloft, breathing fast. He had told Quirinus nothing beforehand. If he objected now, there would be no second chance.
Quirinus made no move for his wand, instead slowly turning around in his chair to face Gilderoy, both hands kept in sight.
He said nothing for a moment, then nodded at Gilderoyâs arm.
âYour wand is still raised,â he noted quietly.
âI know.â
âWell.â Quirinus sighed. âWhat are you going to do? You could've done the same to me already, and you haven't.â
Gilderoy got his breath under control.
âI'm waiting,â he said. âI must know I can trust you first, Quirinus.â
Quirinus took longer than Gilderoy liked. It didn't encourage him to let down his wand.
âYou told me nothing of this in advance, gave yourself the element of surprise, had a wand at my back, and you want me to trust you?â Quirinus said, one eyebrow raised.
It was Gilderoy's turn to sigh and he lowered his wand this time. The window of time to adjust Mrs. Cromwellâs memories was closing rapidly, and Quirinus posed the smaller risk for now.
He sat down across from Mrs. Cromwell, leaving his back open to Quirinus for several seconds.
Gilderoy brandished his wand a second time and leant across the table.
âYou, Mrs. Cora Cromwell, are deeply involved in the breeding of cockatrices...â
g | fem buddie | first dates/didn't know they were dating
Summary:
"Brush the flour of your cheek and go put on a nice dress," Eddie's voice filters through Buck's subconscious.
She'd been so distracted by her baking that she hadn't even heard Eddie come in the loft.
Femslash February 2026 Day 12 - wine and dine/dough
Read on AO3
"Brush the flour of your cheek and go put on a nice dress," Eddie's voice filters through Buck's subconscious.
She'd been so distracted by her baking that she hadn't even heard Eddie come in the loft.
"Eddie, the dough still needs a little more kneading then I can set it to rest. But I'll need to bake it in a couple of hours."
Eddie gives her a fond smirk, making a hand motion to proceed. Buck's heart clenches at Eddie's sweetness. she wishes it meant what it felt like it means, but she knows it doesn't. So, she pushes it down and pushes her feelings right into the dough, just like she's been doing since the break up with Tammy.
"You know you have a fridge and pantry and counter full of sweets and pastries and breads, right, Buck?" Eddie says, calling Buck on her shit lovingly.
"I'm aware!" She calls, finally getting to a stopping point.
She plops the dough into a free bowl and covers it with a damp cloth before fighting a little for space in the fridge.
"Promise I'll have you have back in time to bake it, okay?" Eddie assures.
"Okay, babe," Buck says, using the term in the friend way she does some time.
Eddie's eyes are sparkling.
Buck takes her apron off and tosses it onto the still-messy counter. That's a future Buck problem. "Wait here," she instructs, already heading toward the loft stairs. "Where's Chris by the way?" She calls, taking the steps two at a time and barely even getting winded.
"He's too cool for his mom," Eddie calls up as Buck goes to his closet, rifling through the barely-worn items she stored in the back. "Dropped him off at a friend's house on the way over. Figured I'd swing by since I was already out."
"Where are we going?" She calls as she finally pulls out a black sundress with little yellow sunflowers on it that used to belong to Maddie when she was a bit heavier. It only fits Buck's wide shoulders because the straps are adjustable.
She strips out of her ratty t-shirt and sweatpants she was baking in to switch into the dress. Checking herself in the mirror leads her to resolve to throw a cardigan on to hide her shoulders. She rifles through her usual suspects and pulls out a cream one with some cabling on the front panel she's pretty fond of before returning to the main floor. She gets a chance to examine Eddie and her outfit before the other woman glances up from her phone. Eddie's in a forest green dress and a leather jacket Buck's pretty sure she's never seen before. It looks goodâmaybe unfairly goodâon her best friend. Her ogling is cut short when Eddie's clever eyes meet hers.
"Oh," Eddie says, an indecipherable look on her gorgeous face. "I've never seen this before." Her hand reaches out and snatches up a little of the fabric in her left hand.
"Good?" Buck asks, suddenly insecure.
"It's beautiful," Eddie confirms, sounding almostâŚbreathless?
"Is it appropriate for wherever we're going?"
"It's perfect," Eddie confirms. "Now, hurry up. I'm driving."
âŚ
The restaurant is nice, through not so nice it needs a reservation. It's Greek, which Buck loves, and Eddie immediately orders a nice bottle of white wine for the table. The waiter offers to pour it for them, but Eddie politely declines, opting instead to pour them two generous glasses herself.
"To us," she says, holding her glass aloft.
Buck can't resist but return the gesture, tapping her own glass to Eddie's. "To us," she agrees.
The restaurant is intimate, low lights, a comfortable but small booth with a tea light candle on the table. They split appetizersâgrape leaves and spanikopitaâand drink wine and order the lambâeven if Eddie grimaces just a little at the priceâto be indulgent. It's good food and good company, maybe it's the best Buck has felt since her breakup with Tammy.
"You know, if I didn't know any better," Buck snorts, as she's forking in the last few bites of her lamb before she's too full, "I'd say you're trying to wine and dine me!"
Eddie falls silent, her face carefully neutral as she pushes some rice around on her own plate with her fork. "What if I am?"
Buck freezes. "I appreciate you trying to cheer me up, Eds," she tries, casting out for some reason to make this make sense. "but I'll be fine. No need toâŚdo any of this."
A determination sets over Eddie's features, her jaw straining and ticking where her short, dark hair hits it. "What if it isn't just for you? What if it's for me, too?"
"I'm sure it's no hardship to have a nice meal with your best friendâŚ" Buck tries to joke but is promptly cut off by Eddie.
"No, Buck. This isn'tâŚ" she's getting frustrated. "This isn't trying to cheer you up. I'm trying to woo you."
Buck blinks and blinks, pushing her curly hair out of her eyes to make sure she's seeing Eddie clearly, her face flushed pink at the confession.
"Woo me?" Buck repeats.
"Yes, Buck. I'm trying to doâŚromantic stuff. So that you'll fall in love with me instead."
"Oh, Eddie," Buck reaches a hand across the table to still where Eddie's fork is still scraping across the plate. It makes Eddie look up at her, beautiful honey brown eyes catching the flickering light of the candle and Buck's breath catches. "I'm already in love with you."
It's Eddie's turn for her breath to catch and Buck can't help the small sneak she takes at Eddie's cleavage she'd been trying not to stare at all night. But now that she knows it's for her, well. All bets are off.
"Can we," Eddie starts, soft and tentative, "can we get the check so we can get out of here? And I'm paying by the way. don't try to fight me on this one."
Buck puts her hands up in supplication. "Whatever gets us out of here the fastest. I have a girl I really need to kiss."
Eddie's cheeks are so cutely pink as she waves to the waiter for the check. Buck doesn't even care about getting home to the dough anymore.
summary: Lucy takes on a cat-sitting job for a stranger, hoping for a quiet week in a nice London flat, with free food, no bills, and enough time to finish an art commission.
But the cat is a menace, and the strangerâs friend is ridiculously charmingâand a huge distraction.
rating: T
words: 2,048
note: I visited home today, which meant I edited this chapter while being pestered by my own two cats, who are the most loveable, attention-seeking little creatures I've ever met. I'm starting to realise I may have taken more inspiration from them for Skull than I thoughtâŚ
Lucy awoke not to birds chirping, nor an alarm beeping, but a single cat screaming so loud she feared for the window panes.
As Skull paused to catch his breath, Lucy closed her eyes in relief, but the sudden, sharp noise of something clattering to the floor had her shooting out from under the covers. She cautiously peered over the back of the sofaâit was pulled out into a bed, which wasnât the comfiest, but it was preferable to sleeping in Georgeâsâto inspect the damage.
A picture frame lay face down on the floor. Skull looked down on it from his vantage point on the cabinet.
Lucyâs silently repeated mantra of please donât be shattered, please donât be shattered must have been heard by some higher entity, because when she slowly picked the frame up she found it still intact, glass and all. The picture within was of two teenage boys grinning with their arms around each other. They wore matching white polo shirts graffitied with messages and doodles in a rainbow of colours, the school leavers' tradition, and Lucy promptly realised what the thinking cloth reminded her of. One of the boys was clearly George, with a rounder face and wider eyes, but the other boy, dark-haired with a dazzlingly bright smile, Lucy didnât know.
âHeâs bloody lanky,â she murmured as she carefully put the frame back in its place. She shoo-ed Skull off the cabinet and coaxed him towards the sofa bed, hoping to distract him with the plush, kneadable duvet. He fell right into her trap, leaving Lucy feeling rather proud of herself and free to enter the kitchen without the possibility of Skull destroying everything.
Lucy popped the kettle on and peered in every cupboard in search of the tea, then stumbled upon a treasure troveâEnglish breakfast, Earl Grey, Green, oolong, matcha, chai, chamomile, Darjeeling, ginger, stacks upon stacks of colourful boxes, some describing flavours sheâd never heard of in her life, in flat bags, pyramid bags, loose leaf, sachetsâŚ
The kettle pinged to signify it was ready. Overwhelmed by choice and reminding herself she had a whole week to be adventurous, Lucy plucked a bog-standard English breakfast bag from a box and plonked it into a mug adorned with He-Manâs face, accompanied by the caption âA good cup of tea is the colour of He-Manâ.
As she reached for the kettle, the unmistakable sound of the front doorâs handle rattling echoed through the flat.
The door creaked open.
Skull scuttled into the kitchen, wide-eyed and fur stood on end, and she picked him up to soothe him. She crept across the room, every step increasing her heart rate, then froze when she heard footfall heading her way.
Someone turned the corner and entered the kitchen.
It all happened rather quickly, reallyâLucy had no choice but to act on instinct.
Skull screamed. Lucy held him out in front of her. Whatever words were about to come out of the intruderâs mouth were cut remarkably short as a flurry of paws and claws descended upon their face and torso.
The person stumbled backwards, pressing themself against the far wall, and when Lucy realised he looked oddly familiar she lowered the deadly feline in her hands.
âOh my Gââ He heaved, hand braced against his chest as he came down from his panic. âChrist. I think I almost had a heart attack.â
âWho are you?â Lucy demanded, raising Skull back up in the air between them, an unspoken but certain threat.
âWho are you?â the man replied, incredulous. âWhereâs George?â
Lucy narrowed her eyes. The man straightened and pushed away from the wall. Upon seeing his height and long limbs to their full extent, Lucy realised where she knew him from. âAre you his friend?â
âI like to think so,â he said, with a smile Lucy assumed was supposed to be charming. âAgain, apologies if Iâm being rude, but who are you? Why are you in Georgeâs flat?â
She gently wobbled Skull in the air, as if to prove her point. âIâm cat-sitting.â
The manâs face was blank for a moment, before lighting up in realisation. âAhh, I see. I couldâve sworn his trip was next week⌠Though Iâve never been one for calendars and keeping on top of schedules. Thatâs Georgeâs thing. Iâm Lockwood,â he added, holding out a hand.
âLucy.â Both of her hands were full of Skull, so she resorted to manoeuvring him to gently tap Lockwoodâs hand with a paw.
Lockwood flinched away. âPlease donât. He hates me.â
âSorry.â She gently lowered Skull to the floor with a frown. He had gone oddly quiet. âIs that why you couldnât look after him, then?â
âIndeed it is. Heâd claw my eyes out in my sleep, or piss in my shoes, or carry out some other dastardly act of torture,â he said, cautiously eyeing the mass circling Lucyâs legs. âThis is Georgeâs first trip away since taking him in. Skull can be a bitâŚâ he gestured vaguely. âSo he was a little concerned about finding the right person.â
Skull began to nibble on the hem of her sock. âI reckon Iâll be alright.â
âWhat a strange little creature,â Lockwood mused. He raised his eyebrows. âWell, sorry for disturbing you. And startling you.â
âSorry for shoving an angry cat in your face,â Lucy added sheepishly.
âWater under the bridge, Lucy.â Lockwood smiled again, and this time, Lucy was unnerved to realise she did find it rather charming. âIâll leave you both to it.â
He turned to head for the door.
Lucy's mouth opened before she could process her thoughts. âI just popped the kettle on, so youâre welcome to stay,â she called after him. âIf you want.â There was also the matter of the Swiss roll, which she really didnât want to go to waste. Ten in the morning was a reasonable time for cake, right?
Lockwood turned back around, smile widening.
âââ
After the sofa had been restored to its original form, and the small coffee table was relocated in front of it to store their tea and cake, Lockwood fished the TV remote from the depths of the cushions (so thatâs where it was hiding) in an act of familiarity that told Lucy he spent a lot of time here. He turned the TV on, then paused. It had been left on a documentary channel.
âDo you mind if we keep this on? Iâm quite fond of whales.â
Lucy huffed a laugh into her mug. âGo for it.â
Lockwood inhaled the steam from his teaâheâd gone for the Earl Greyâand sank back into the cushions.
Skull jumped up into the space between them. In the blink of an eye, he aggressively batted Lockwood with a paw before hopping over Lucyâs lap and wedging himself in the small space between her thigh and the arm of the sofa.
âIâve never done anything to hurt him, honest,â Lockwood insisted. âHe knows Iâm friends with George, and Iâm here more often than my own home, yet he still treats me like Iâm someâŚâ he sipped his tea while he reached for a word. âFiend.â
âYou know George from school, then?â She took a bite of Swiss roll and almost failed to hold back a mortifying groan of pleasure; it was dangerously delicious.
Lockwood frowned, and Lucy nodded to the picture frame. He smiled in recognition. âAh. Yes, I do. He got the highest grades in our year group. I managed to beat him in history, though.â
âYou like history?â
âMy parents did. I listened to enough of their passionate ramblings to give me a partial PhD.â
The past tense didnât escape her notice; she quickly thought of something to back out of that line of conversation. âDo you know Holly, then? Holly Munro?â
Lockwood nodded as he balanced the plate of cake in his lap. He began to methodically unroll it, transforming the Swiss roll into a long Swiss snake, before ripping bites off bit by bit. âI do. Incredibly lovely woman. How do you know her?â
âSheâs my flatmate,â Lucy said as she watched Lockwood rip off a small chunk of his cake snake and daintily pop it in his mouth. She wearily eyed her own slice and the giant bite taken out of it.
âI see. Whatâs she up to nowadays?â
âShe writes for a fashion magazine.â The name escaped her, which came as no surprise. She had never considered spending her hard-earned money on a magazine that would try to tell her she couldnât wear Converse with every single outfit (Holly did that more than enough). âSheâs hoping to break into the design side of the industry, though. I donât know much about fashion, but she seems to have a good eye for it.â
âGood for her,â Lockwood said fondly. It surprised her to hear how sincerely he said it; she hid her expression by taking another bite of cake. âWhat do you do, if you donât mind me asking?â
Lucy hesitated. As nice as he seemed, Lockwood was still from Hollyâs hoity-toity southern school. The chances of him not taking her career seriously was worryingly highâbut damn it, for all intents and purposes, this was technically her flat for the week. She could chase him out with Skull if he turned out to be an arse.
She ran a reassuring hand through Skullâs fur as she responded. âI work part-time in a cafe to pay the bills, but I do art on the side. Hoping to eventually make that my full-time gig.â
âReally?â Lockwoodâs eyebrows shot up into his hairline, and Lucy steeled herself for the incoming ridicule. âWhat kind of art do you make?â
Lucyâs hand stilled on Skullâs head. Here, she could feel the gentle rumbling of his quiet purrs. âI mostly work with acrylic paint. On canvas, usually. Thatâs what all my commissions are in, anyway. I sketch all the time, though. Helps clear my head.â
Lockwoodâs eating slowed. âYou take commissions?â
She nodded, feeling the beginnings of heat in her face. âIâm working on one now, actually, for a friend of Hollyâs. I booked the week off to work on it while Iâm here. George is letting me use his room as a makeshift studio.â
Lockwoodâs gaze darted to the bedroom door.
âNo,â Lucy said immediately. Startled by her own sudden brashness, she sank further into the sofa. âI donât like people seeing my works-in-progress, if you donât mind.â
âOf course,â Lockwood said with a smile. âThough I am curious, whatâs the subject?â
âA really flashy portrait. I get the impression heâs a bit of a snob, soââ
âWait.â Lockwood paused. âDonât tell me his name is Kipps.â
Lucy narrowed her eyes and ate the last of her slice. âHow the hell did you figure that out?â
âHe also went to the same school as us. A couple of year groups above, in the same one as Holly. We both went to fencing club, and my God, did he hold a grudge against me. You jokingly prod a man in the backside onceâŚâ
Lucy snorted, startling Skull and sending him racing into the kitchen.
âShit,â she hissed, chasing after him. âSorry, he justâ he canât go inâ oh my God, stop squirming away!â
âItâs alright,â Lockwood called as she wrestled to keep Skull in her grasp. âI ought to get going now, anyway.â
When she finally succeeded in ushering Skull out of the kitchen, Lockwood was by the door, tugging on his long coat. âIt was lovely meeting you, Lucy. Sorry again for the intrusion.â
âNo worries, honestly.â
His slim fingers toyed with the hem of his coat. âAre you up to much this week?â
âNot really. Working on the commission, keeping this little menace in checkâŚ" She shrugged nonchalantly. "Youâre welcome to swing by and watch whale documentaries any time.â
Skull watched the swaying coat with sharp slit pupils. Lockwood eyed him cautiously. âSomething tells me he wouldnât be very happy about that.â
In a movement that was becoming all too familiar now, Lucy stooped to bundle Skull into her arms. He dug his claws into her skin as a silent warning, or perhaps to convey his displeasure at being taken away from his prey. âHeâll have to suck it up.â
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U2âs The Edge, the guitarist with a social and often funny side
âI wanted to be internationally successful from the start, and I wasn't ashamed of it.â
The Edge/U2
INTERVIEW: JOE BOSSO
Photo: In 2005, The Edge founded a charity called Music Rising to help local musicians who lost their instruments and equipment in the aftermath of Hurricane Katrina, which hit New Orleans. As part of the charity's efforts, U2 and Green Day teamed up to record a cover of The Skids' âSaints Are Comingâ. They also performed together at the Louisiana Superdome on September 25th, 2006. Those recordings have been released and the proceeds donated to those in need through Music Rising. The cover of this magazine features the artwork for âSaints Are Comingâ.
LâR: Mike Dirnt (b., Green Day), Adam Clayton (b., U2) Bono (vo./g, U2) Billie Joe Armstrong (vo./g. Green Day) Larry Mullen Jr (dr., U2) The Edge (g., U2) Tre Cool (dr., Green Day).
PHOTO BY KEVIN MAZUR/Wirelmage.com/MediaVast Japan
After refusing the green tea offered to him and ordering an extra-strong black coffee, The Edge sits back on the sofa and reflects on his own career. Contrary to the public image of a well-read, quiet man, The Edge is actually a sociable man who laughs a lot. He has a sharp sense of humour, and his quick, punchy responses give him a sense of intelligence. The interview with him was full of surprises in the best sense of the word, so much so that I had to check a few times to see if he was moderately drunk on Guinness (beer) instead of coffee. I don't know if The Edge is having a midlife crisis. âWhat am I doing here today?â The Edge asks curiously, stroking his salt-and-pepper beard as he looks out at the calm surface of the Hudson River and the opposite bank of New Jersey. We are in the spacious and luxurious M Studio, a penthouse in Manhattan. We are enjoying the sun shining between the overcast skies.
âYou have a distinctive Irish guitar sound, with monotones and high pitched tones. You were born in Wales but grew up in Ireland, did you listen to a lot of Celtic music?
The Edge (g./vo./keys.): I know what you mean and I certainly think so myself. From an early age, I would store away whatever I heard so that I could use it in some way. For me, the most important thing is how you listen to music. How you listen to it and how you want to listen to it. I don't want to sound clichĂŠ. So if I stand out as a guitarist, it's because I've always refused to follow the conventional path. I always want to add a new spin on what I play. It's a difficult thing to do, but I think that's what keeps me going.
âWhen did you realise you were good with echo pedals?
The Edge: When we got our first Memory Man echo machine, we were making some demos. We'd already been playing for a couple of years at that point, and we were looking for a way to add some colour to our sound somehow. We were trying to do more than just play together in a band. Within minutes, I was instantly drawn to the rhythmic possibilities of using echo, as well as the textural qualities of the echo itself. We were a three-piece band with a lead vocalist to begin with, so being able to create more rhythms really helped our sound.
âYou're a âless is more (simple is best)â type of guitarist, but have you ever thought âmore is moreâ? U2 has always been a three-chord kind of band, so why not ten or twenty-five chords?
The Edge: I get that a lot (laughs). I've never been one to just try and do this and that with the guitar. I'm not one to overcomplicate things. I'm always looking for the simplest way to express myself. Great songs, riffs, ideas⌠That's what's important to me. Anyone can do that, moving their hands quickly on the fretboard. It's like an Olympic guitar competition, it's pointless.
âOn âThe Flyâ from the âAchtung Babyâ album (1991), you jammed like crazy, but the exquisite playing you showed me on that crazy solo was amazing.
The Edge: (laughs and nods) That was definitely fun. But it was good because it was that song, it's not like it's always good. Like I said before, it's the sound. I'll do whatever it takes to make the sound I want to make. But I'm not trying to show off my skills at all. I'm not interested in that stuff, it's never even crossed my mind to think âI can do thisâ.
âWith âAchtungâ, I think the sound was more along the lines of âthe more flamboyant the betterâ. The guitars are complex, they go in and out of the song, in and out of focus⌠It's all a bit disjointed, but it's the disjointedness that works best. The guitars on âUntil the End of the Worldâ are a bit of a mess.
The Edge: That's definitely true. The song itself needed that kind of guitar. I always try to get the most out of the least amount of effort (laughs).
âSee, you're lazy and it's showing (laughs).
The Edge: Maybe so. No, I think you have to give the guitar a good complexity sometimes. I'm totally fine with that. But that complexity isn't always good, you have to choose the right moment. A lot of guitar players don't know when to put on the brakes.
âWhat about songwriting? Some of the hits like âBadâ (on 1984's âThe Unforgettable Fireâ), âOneâ (on 1991's âAchtung Babyâ) and âI Will Followâ (on 1980's âBoyâ) have one or two chords, maybe three at most.
The Edge: I love that kind of thing. The most powerful ideas are often the simplest. âOneâ is a one-chord progression with very few changes, but it's still a great song. If you add anything more to it, it'll just be messy, it doesn't get any better. The same can be said for âBadâ. It reminds me of something I made with Brian Eno [producer] at the time. We took this two-chord mantra [meaning a recurring theme] and made it repetitive. We kept repeating it until we couldn't take it anymore. When it got to that point, we changed the chords and it was dramatic. That's the kind of music I'm drawn to.
âI think U2 has become less sarcastic and cool since the last tour?
The Edge: Yeah, I think so. It was definitely there up until PopMart ('97-'98 tour).
âYeah, I don't want to remember the mullet again. It was almost a fashion crime at Live Aid.â
âNowadays there is a wholehearted rock attitude, and U2 has recently taken a more politically aggressive stance, right? At the New Jersey show, Bono (vo./g.) was performing with the same fearless attitude as back in '83.
The Edge: Yeah, that guy⌠I can't really pinpoint one reason for that. In Bono's case, and in all of us, we want this tour to mean something. We've been doing that for a long time, looking back on everything we've done. Even Zoo TV ('92-'93 tour) had a grand concept. There was a concept of what was going on in the world of media and digital technology and all that stuff that was going on in the world, and it was all mixed up in a blender. PopMart had the same concept of mixing all these things together and making it right. So when we were discussing this tour, the first thing that came to mind was, âWhat is the purpose?â âWhat is the agenda?â I think a tour has to have a purpose. The Elevation tour (2001 tour) was about U2 and the songs, so I guess it's fair to say that this tour continues to be about U2 and the music of U2. Bono does a lot of work outside the band, doesn't he? It's something he does personally, but it has some influence on the band in the end. What we're thinking about now is part of the band's activities. The biggest difference is that instead of holding up placards outside of these meetings, Bono is actually in the centre of them now, speaking out about what he knows about the issue, the statistics, etc., and taking it to the public. As a person, Bono has changed a lot. So we've taken that into the band and made it rockânâroll. Musically speaking, it's the songs that make the show come alive, every time. It's the songs that drive the show. Having said that, it would be strange to say that we didn't incorporate a lot of political elements into this show, considering what has happened around the world since the last tour. Our music reflects what's going on around us and on a personal level. Politics, spirituality, sexuality, fashion⌠It's a mix of all those things.
âOne of the cool things about the show was the changes you made to some of your hits. On âBullet the Blue Skyâ (from 1987's âThe Joshua Treeâ), Bono left the second half to you and you played a pretty bluesy solo on it, didn't you?
The Edge: We don't like to repeat the same thing, even on songs that people already know well. If you keep playing the same song in exactly the same way night after night, it's going to get old. I know people want to hear those songs exactly how they sound on CD, but I think the audience will be happy to see us challenging ourselves and having fun with the songs in that way.
âUnlike previous tours, you've played some older songs on this tour, haven't you? âThe Electric Companyâ (from âBOYâ) and âI Will Followâ are songs from years ago. Is that related to the fact that you were just inducted into the Rock and Roll Hall of Fame?
The Edge: (smiles and thinks for a moment) Many of the fans who come to our shows have been to our shows on the previous tours. So we don't want to do a set that lists our greatest hits. On the other hand, I want to mix a little bit of different songs and cover every era of U2. And now, old songs like âThe Electricâ and âGloriaâ (from 1981's âIrish Octoberâ) feel really modern.
âIt seems like the '80s are hot again!
The Edge: I hear that. But I'll never do that mullet (a hairstyle with long hair at the back that was popular in the 80s) again .
âWhy? You and Bono had a pretty persistent mullet period in '83-'84 or so, didn't you?
The Edge: (groans) You're certainly not wrong. We didn't invent the mullet, but I think we're responsible for popularising what it means.
âWhat does it mean?
The Edge: I don't know (laughs)! Nobody knows. Sure, Bono committed a terrible crime in the fashion world with his Live Aid haircut (shakes head). It's a shining moment in the mullet world. No, I don't think we need to bring back everything about the '80s.
âAre there any old songs that you couldn't play again?
The Edge: Some songs just fade away or lose momentum with repeated play. If we feel that way ourselves, then everyone listening will feel that way too. The reason we didn't play âSunday Bloody Sundayâ (from 1983's âWarâ) for a long time was because we felt we were at an impasse, so we shelved it for a while. I think you have to wait. Songs will come back when they come back.
âWhat is the one song that you can play over and over again, and it still feels the same as when you wrote it? I think you've played âPrideâ (from 1984's âThe Unforgettable Fireâ) on every U2 tour so far?
The Edge: âPrideâ is a good example. We actually didn't play it at the beginning of this tour, but we had the time to play it in the set. It's like they're asking us to play it. There's no such thing as a perfect song, but if you play a song too many times, you get bored of it. Like âWith or Without Youâ (from âThe Joshua Treeâ), sometimes we don't play a hit song because it doesn't fit the set.
âMaybe the problem is that U2 has too many good songs.
The Edge: That's a nice problem to have (laughs). If it's that kind of problem, it's always welcome. But you know what I mean? We have to be aware of it. We have to have a reason to play the songs. Of course the audience wants to hear the hits, but we want to play each song 100%. As I told Bono, âIt's not good to rehearse too much, because then you can't make mistakes.â I think people like U2 because we make mistakes on stage. It's a risk, but I don't think anyone would go to see a band that's perfect. I don't think people want to go to a show with a band where every night is exactly a repeat of the night before. We go on stage every night and do the best we can. Sometimes we overdo it and mess it up, but I think that's fine. We don't want to be professionals (laughs). I don't want to be in a band that's not interesting on stage, like wallpaper. If we mess up, that's fine, but we have to try.
âU2 have a reputation for their amazing live shows, but do you ever feel like the pressure is getting to you when you perform? Do you feel like you're fighting against your own glory?
The Edge: I'm fighting not just the glory, but everything. When I'm on stage, I'm pretty much on the edge. Stiff Little Fingers, Rory Gallagher, and The Clash were the first three shows I saw and I was blown away. I felt the same way when I saw (Bruce) Springsteen live for the first time. It was like the moment I woke up for the first time. It was cathartic, and that's what we want to do every time we play our show. We never want to forget what a live show means. Sure, some shows are better than others, but that's inevitable. But we try to make every show the best it can be.
âYou've been inducted into the Rock and Roll Hall of Fame, but what has been your most memorable moment so far? The outdoor concert in Red Rocks, Colorado (1983)? Coming out of a giant lemon on the PopMart tour? Or appearing on a big truck in the middle of Manhattan?
The Edge: (smiles) All those things in many ways. People forget this, but we've always played shows that were like a stage. Even when we were a new band in Dublin, we knew that rockânâroll was a show. We were very influenced by David Bowie. His songs are great and he's a great performer! We've come this far because we want to be like that. It's something we've always asked ourselves, how do you play a great show while keeping the friendly atmosphere of playing in a garage? But it's interesting you mentioned Red Rocks. When I watch the footage from that show, I'm amazed at the amount of mistakes we make on stage, as well as the huge change in fashion (laughs). Some of them were just too embarrassing. Of course, I was so nervous at the time, but⌠I felt like it was a really big show. Anyway, there were mistakes on stage and things that didn't go well, but we definitely took it seriously.
âWhat was the most embarrassing moment at Red Rocks?
The Edge: I think it was Bono waving the white flag. It's become an important symbol for us. But the flag was originally held by the audience, and it wasn't something Bono prepared and did on purpose. A lot of fans bring in flags and banners, and Bono just waved them.
âU2 are not afraid of being âbigâ, are they? The sound is âbigâ, the ideas are âbigâ, the approach to live performance is âbigâ⌠Did you ever feel that being âbigâ was a hindrance?
The Edge: No. We knew very early on that that was what we wanted to do. We wanted people to hear our music. When we were kids, we used to get really excited when our favourite bands came on the radio or appeared on âTop of the Popsâ. It was rare for our favorite bands to do that. When punk rock became popular in general, when the Sex Pistols and The Jam were on âTop of the Popsâ, it had an enormous impact. "Look at them! Our heroes are sitting next to the enemy artists!" So from the very beginning, we wanted to be a band with the potential to be a global success. We were on TV and on the radio, but we wanted to break out of the norm and be musically special, and we've never been ashamed of that. We had to do everything âbigâ to be able to do what we wanted to do. We were always on the cutting edge and we wanted everything (laughs).
âThe only way to make something pure and unique is to ignore your surroundingsâŚâ
âDid you ever feel like you were outsiders? Punk rock in the '70s was anti-rock, anti-âbigâ, wasn't it?
The Edge: It was against crappy music, but it wasn't really anti-rock stars. Punk rock is a response to all the boring, pretentious bands. It was a back-to-basics reminder of what rockânâroll was all about in the first place. That it has to be political and passionate. It's something that should play a social role in the community and it affects everyone's life. I'm quite influenced by it. I'm convinced that the worst thing that ever happened to rock in a musical sense was the progressive rock and jazz fusion era of the '70s. I just think the music has become so corrupted⌠It's as if there's no passion. There was a great deal of self-indulgence and self-reproach.
âWhich bands are you talking about?
The Edge: I don't even want to name names. But who knows what band I'm talking about? That ridiculous progressive stuff went way off the rails, and in the end that music never really led anywhere. It's like, where's the passion? You know, rockânâroll is not a career, it's not a hobby, it's a way of life. It's very basic. I'm not doing music so that we can get our kids through University without difficulty. Rockânâroll is what I have to do, that's all. In many ways, it's my raison d'etre. Great music can change people's lives, and I want to listen to that kind of music, and I want to make it myself. I don't want to make interesting wallpaper. I want to make something worthwhile.
âYou don't want to make a âproductâ.
The Edge: âProductâ⌠That's a word used by record companies. I don't think any band wants to make a product. But it's easy for bands to fall into the trap of trying to please the industry. But that's just fatal. The only way to make something pure and unique is to ignore your surroundings. Don't worry about what's popular now or what's going to be popular in the future. Of course, after you've made an album, it's perfectly reasonable to think about how your work will perform in the market and how to best perform it.
âBut the industry follows the music, not the other way around?
The Edge: Exactly. A lot of people forget that.
U2's first performance in Japan in 8 years, 20,000 people sing along
November 30th, Saitama Super Arena/REPORT BY YUKO KATO
Saitama Super Arena, which can accommodate 20,000 people, was full to capacity, with standing on the first floor and seats on the second floor, even up to the seats near the ceiling. As far as the naked eye could see, not a single empty seat could be found. The first U2 show in 8 years was greeted with such high expectations.
Behind the huge stage, probably the largest LCD screen in the world spread across the entire surface, and gently curving runways stretch from the left and right sides of the stage to almost the midpoint of the arena. At 19:45, the first song âCity of Blinding Lightsâ was played with the house lights on. Halfway through the show, the house lights go out and the members take to the stage for the second song, âVertigoâ. Bono, holding the Japanese flag, was dressed in black from head to toe, sunglasses too, and his familiar voice. He sings in that distinctive crouching position.
The LCD screen at the back creates different images for each song. For example, in the third song âElevationâ, several bright red bombs are displayed in an ominous manner, while in the fourth song âUntil the End of the Worldâ, yellow flashes are added to geometric patterns.
During âUntil the End of the Worldâ, Bono begins his MC speech in halting Japanese, saying, âBeautiful, Japan is beautifulâ.
The majority of the audience was men, probably older than usual. Behind me, these old guys are sighing and saying to each other, âThis is so coolâŚâ. I was moved by something else. On stage are four people who have not changed at all since the band was formed: Bono, The Edge, Larry, and Adam. There were no backing musicians. And this power. Of the three, The Edge occasionally went up and down the runway as if invited by Bono, but his movements were minimal. It was almost Bono's show. Then, on âNew Year's Dayâ, Edge makes a rare appearance. He skipped up and down the aisle, playing his signature high-tone, shimmering guitar, and danced around. However, his calm expression showed no signs of excitement, and he was cool as hell. Someone who saw the live the day before said, âA songlist!? I don't need it, I don't need it. It's all songs I already knowâ, but the 125-minute show, including encores, was a hit parade of representative songs from their third album âWARâ, which was their big breakthrough, to the present, and indeed, even if you don't know the titles, there are no songs that you don't know. It was 23 years ago that âNew Years Dayâ, which is on âWARâ, came out. Since then, U2 have always been at the forefront of the music industry. This show is their great history as it is. They don't just play the hit songs as they are, but sometimes improvise with other artists' choruses, which is fun. On âSunday Bloody Sundayâ, the song turned into the Clash's âRock the Casbahâ halfway through. The song is about terrorism, which was flourishing in Northern and Southern Ireland at the time of U2's debut, and weaves in remembrance of the innocent victims and anger at terrorism. The LCD shows the word âco-exist (ĺ ąĺ)â in large letters in response to the song. From this point on, the live show changed from simply being a musical performance to one that strongly emphasised U2's stance. And a message appears on the LCD screen. Fighter planes, burning war flames⌠Then, a part of the Universal Declaration of Human Rights is addressed to the audience, both in writing and in the voice of a black woman reading it out. The web address of a relief organisation called Hottokenai is then shown.
For the encore, Bono skips down the aisle holding hands with two sexy girls. It breaks the atmosphere that was starting to become stiff⌠or rather, it's strange. After singing seven songs for three encores, Bono said âgood night Tokyo, god bless youâ and left the stage.
Translator's Note: When I got this magazine, I honestly thought it was gonna be an interview with both U2 and Green Day. Instead, I was disappointed to find that it was solely a U2 interview. But, well, I've already scanned it, and there's pics anyway, and I know a mutual of mine loves U2. So there's a silver lining, at least.
I honestly thought that The Edge being embarassed about his and Bono's mullet era was an exaggeration. Bono didn't look too bad with a mullet... right until I saw The Edge's mullet, and I completely understood why he hated it LMAO
author note: prologue for my 1000 followers events! Event explanation and poll to follow shortly, keep an eye out for it! (ŕšËá´Ë)ďť
Life has a way of throwing curveballs at you.
Some can be small inconveniences, like when you go to the supermarket only to find out that your favourite ice cream is no longer on sale. Or when you make a cup of tea, only to find out you have no milk.
Other times, the inconveniences can be a bit larger, like when an appliance breaks and you suddenly have to fork out for a replacement. Or when you lose your wallet and have to cancel all your credit cards.
Or for you, when you get hit by a fictional carriage and end up waking up in the world of your favourite mobile game.
Life is just full of curveballs.
You thought you were dreaming. No, you wished you were dreaming. Either way, being transported into the fictional world of your favourite game was not on your bingo card for this year.
The lid of the coffin you rested in suddenly burst into blue flames and slid away, hitting the stone floor with a dull thud. You squinted as your eyes were assaulted by the green glow of the lanterns that lit the room, and then you jumped when you heard a surprised cry in front of you.
âWhat?! You ainât supposed to be awake!â
You stared with wide eyes at the familiar furball in front of you. You blinked a couple of times, rubbing your eyes and thinking that youâd gone insane. â⌠Just gimme your uniform, andââ
âG-Grim?!â You shouted, your expression twisted in disbelief. âYeah, thatâs me! Wait, how do you knowââ Grim yelped in surprise as you all but fell out of the coffin, scrambling to your feet with a wild expression on your face. You span around, seeing the familiar sight of floating coffins and gothic interior. It took until Grim blew a puff of blue flames at your feet did you snap out of your shock. âNow listen here, humanââ
âDonât do that, you little rat.â You huffed, picking up Grim with ease and balancing him against your hip like you would a small child. Grim spluttered, taken by surprise by your casual attitude, flailing his little arms and preparing to blow another bout of flames. âH-hey, whadâdya think youâre doingââ
âShush, Iâm trying to think,â you scolded, shooting him a reproachful look as you added, âand donât even think about blowing any more fire at me. If a single hair on my head even gets singed, Iâll feed you to the lion.â
âWhat?! What lion?!â
You only gave a pointed look before you carried on your investigation. You left the coffin room, feeling your stomach twist and a tension buzzing against your skin. This couldnât be real, right? This must just be an incredibly realistic dream. With your free hand, you pinched your cheek, hard. Nope, still here.
âAh, Iâve found you at last. Splendid. I trust youâre one of this yearâs new students?â You looked up suddenly at the new voice, only to find yourself face to face with the infamous Night Raven College headmaster, Dire Crowley. âMy, were you ever eager to make your debut,â Crowley snarked, arms folded as he glowered at you, âand bringing a poorly trained familiar with you? That is a clear violation of the schoolâs rules.â
Oh no. Oh no no no. This was playing out exactly like the prologue of Twisted Wonderland. Out of the corner of your eye you saw Grim open his mouth to complain, and you quickly gave him a squeeze, effectively shutting him up with a disgruntled squeak. âYeah, yeah, weâre a package deal â sorry about that,â you waved him off, eager to get back to the matter at hand, âwhere am I? This must be some mistakeââ
âNo, no. Thereâs been no mistake. Your orientation has already begun. Let us return to the Mirror Chamber.â Crowley declared, and that sinking feeling in your stomach just got worse. This was proceeding exactly like the prologue.
It wasnât until you looked on at the chaos currently taking place in the Mirror Chamber, Grim having jumped out of your arms and begun rapidly spouting flames at everyone in sight, Riddle and Azul chasing after him whilst Kalim hopped around helplessly, sporting a freshly singed behind, that you realised that you had indeed been transported into Twisted Wonderland. Right in the place of the poor, often dumped upon and always in the wrong place at the wrong time main character. You felt your shoulders sag as the implications of your situation begun to hit you full force.
Hola, I'm back for more food. Can I request a poly sbg (again.) with a fem reader who is like Wonyoung from Ive (and she's an undercover singer and they all find out because they searched up her group name because they heard people *cough cough *Barron* talking about her (yummy)
Literally crazy I remember seeing this request from other creator!!! I might come back to this and add some small headcannons for each person. Iâm quite new to actually writing so this is probably gonna suck, Anyways!!! WARNINGS: bad grammar? Bad spelling? Cringe?
G/N = Group name
SBG Main Six x Singer Reader!
Aiden, Ashlyn, Ben, Logan, Taylor, Tyler, and Y/N sat around a table in the cafeteria, a crowded space. Y/N, known to them as a talented artist with a passion for music, was concealing her true identity as a K-pop star. The group often joked about how she could be famous one day, completely unaware of the truth. 'Seriously, Y/N,' Aiden said, his blonde hair glinting under the cafeteria lights. 'Youâve gotta stop with the 'someday' nonsense. Youâre already amazing at singing. Just admit it.' Y/N laughed, brushing a lock of hair behind her ear. 'Maybe someday, but not yet. I just want to enjoy my time here with you guys.' She smiled at the group. Suddenly, the deafening laughter from outside interrupted their reverie. It was Barron and his goons, making their usual rounds. Logan's worried expression deepened as he caught snippets of their conversation. âDid you hear about that undercover K-pop star? They say itâs that Y/N girl. Pfftttt can you believe it? A loser like that famous? Itâs hilarious,â Barron scoffed, his tone dripping with disdain as he flicked his hair back. 'Wait,' Ashlyn interjected, her slate green eyes narrowing in focus. âDid he just say⌠that Y/NâŚ. As in you Y/N?â Ashlyn points at Y/N âis a k-pop singer?â Logan and the rest of the group pause, before Logan speaks up. 'Heâs talking about Y/N? What makes him think that? I mean you are a really good singer Y/N I just feel like if you were a k-pop singer we would know.â Aiden, despite his already upbeat demeanor seems to perk up more at that. 'You? A K-pop singer? That doesnât surprise me. I mean you were always a good singer.' Taylor, ever the bubbly one, immediately perk up and looked at Y/N. 'Youâre a K-pop singer? Thatâs so cool! What songs have you released? Are you apart of a whole group or is it just you? Are you the lead singer?' Y/N use to being bombarded ďżźwith questions easily answered each one. âIâve released a couple of songs, Iâm apart of G/N, and Iâm the lead singer.â Ben picked up a pencil and started to write in his notebook. âI think we should keep an eye on Barron. He might try to use this against you, but if he does then weâll confront him and threaten to tell the coach. That should make him back down. He doesnât want to lose his spot on the team.â Tyler scoffed, his eyes alight with sarcasm. âRight, and while weâre at it, letâs just invite him to tea while weâre at it. Have you met Barron? He thrives on chaos.â Y/N looked at her friends, feeling a swell of gratitude. âThank you, all of you. I just donât want to deal with anymore fans and paparazzi then needed.â Just then, Aiden spoke up his eyes filled with some mischievous and excitement. âSo, if youâre a K-pop star, can you teach us a dance, Y/N? I could go for some moves! Just picture me on dance floor doing Body waves or finger guns!â Logan chuckled nervously, glancing at Barron and his group. âMaybe shouldnât focus on dance battles with them around?â And a light laughter bubbled up from the group at Aidenâs and Loganâs comment, Y/N felt a flicker of hope. Maybe fame wasnât as daunting when surrounded by people who truly cared, even in the face of people like Barron. This felt like her safe space, and she would do everything to protect it.
AIDEN: lierally your top fan. has all kinds of merchandise related to your group/you. He goes to pretty much all your games and you bet ya he gets a backstage pass as well. helps you do things like fix your outfit or do your eyeliner before your concerts. Bro will quite literally buy you so many accessories he thinks looks nice with your outfits and if anyone ever brings you or your group up he immediately goes 'yeah that's my S/O isn't she so cool!' Is offended for you whenever he hears someone doesn't like your music like what? His S/O that's crazy they make wonderful music!
ASHLYN: Ashlyn doesn't seem like the type to really like music in general unless itâs a quiet instrumental song, so she might if your songs have a calming beat listen to instrumental versions of your songs. As we know Ashlyn does dance so I feel like she would when she's not worrying about the phantom dimension watch and give input on your choreography as well as maybe show you a move or two she thinks fits good. Ashlyn would have a reaction to people bringing you or your group up around her she more like 'yeah that's my S/O.' Ashlyn probably wouldn't go to your concerts not that she doesn't support you it's just that her ears are sensitive and i don't think she could handle a concert even with her headphones.
BEN: As we know Ben loved to sing and still likes music and he gives vibes that he listens to just about everything so there's a good chance he'll like your music and even if he doesn't he'll still support you big time. 100% goes to your concerts and if your songs are appropriate enough brings Lily with him. Speaking of Lily you and her 100% write some mini songs together and sing/dance to them for Ben. And we saw Ben doing Ashlyn's hair he would do yours as well. Anyways back to concerts I feel like Ben would always have stuff for you with him like water, snacks, extra hair ties...etc.
LOGAN: Logan is also the kind of person to listen to calmer types of music so if you manage to fall into that category then he most likely likes your music and if you don't he'll still support you. He's the sweetest supporter and goes to some of your concerts. And when I say he goes to your concerts even if it embarrasses him he will wear merchandise to them. 100% has at least one small Keychain of some sort that relates to your group that he brings with him every where. Can and will name multiple of your songs. Wouldnt be much help in hair or makeup, but we've seen this boy dress he can help you absolutely slay your outfits. When people bring you up around him, he most definitely flushes at least a light red and ends up saying something like 'o-oh? Y/N yeah that's my S/O, isn't she so cool?'
TAYLOR: Another one that's just your biggest fan. Has a bunch of your merchandise and has no shame in wearing them out in public. She tries to go to as many of your concerts as she can and sometimes forces Tyler to go with her. She'll always do things like help with your hair, outfit, and makeup if you ever ask. Taylor 100% knows some of your songs by heart and will sing/dance to them with you. She'll watch you practice and loves to help you write songs as well as think of dances for them.
TYLER: Probably doesn't listen to your music often but he does support you and gives his honest opinion on if he likes your music. he can and will help you do your hair for shows or just in general. He won't admit it but if you look through his room he has at least a little bit of merchandise of you. Taylor ans Aiden tease him so much about it and he denies it as best as he can, but the blush on his cheeks says otherwises. If anyone ever brings you up he's the type of person to go 'oh your a fan? Name five songs' and though he claims to not like your music he can proudly named more than half the songs you've released.