The shirt touches his neck and smoothes over his back. It slides down his sides. It even goes down below his belt— down into his pants. Lucky shirt.
The Shirt by Jane Kenyon collected in From Room To Room
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The shirt touches his neck and smoothes over his back. It slides down his sides. It even goes down below his belt— down into his pants. Lucky shirt.
The Shirt by Jane Kenyon collected in From Room To Room

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Mylène Demongeot in La battaglia di Maratona (The Giant of Marathon) dir. Jacques Tourneur & Mario Bava
Rick Owens • Emily Malan
That's what I find amazing but at the same time I understand why they buy the t-shirts because you can't escape it, I mean it's like Kim and Kanye, even though you might not want to even have an opinion on them there's no way you can escape them because it's constant brainwashing and if you look at how Dior employs so many influencers that wear all that stuff head to toe then you know it's impossible not to see it, it's just in your face constantly all the time so of course people buy the t-shirt because it's brainwashing, it's complete brainwashing and you know I guess some of us find it hard to escape, I think that's what it's about at the the end of a day people just give in and that's what you would call fashion victims.
Philippe Pourhashemi

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by Gustaf Tenggren from Opal Wheeler’s book Sing For Christmas published in 1943
The Habiliments (Apostrophe Books), March 2016. Find it on Goodreads. Find it at SPD.