Brenda L. Croft, b. 1964
Self–portrait on country (Wave Hill), 24 June 2014
Australia (2014)
Inkjet print on archival paper
[Source]
The artist is revisiting a major site in the Australian Aboriginal civil rights movement. UQ Art Museum has an interview:
Q: The 1966 Wave Hill Walk-Off marked the birth of the national land rights movement, contributing to the establishment of the 1976 Aboriginal Land Rights Act (Northern Territory). Can you tell us about your personal connection to this history, and how it influenced your decision to develop Still in my mind: Gurindji location, experience and visuality?
A: I am connected to Gurindji/Malgnin/Mudburra peoples through my father Joseph’s side. He was born on Victoria River Downs c. 1926. He and my grandmother, Bessie, were taken to Kahlin Aboriginal Compound in 1927 and from there he was removed from her care in 1930 and taken to Pine Creek Boys Home, then to the Bungalow/Half-Caste Children’s Home in 1931.
My father lost contact with my grandmother in the early 1940s, when women and children were evacuated from Darwin following the Japanese bombing of the city; he thought she had died. It was not until 1968 that he learnt she was alive through correspondence with the Northern Territory Chief Protector of Aborigines. In 1974 our family travelled to Darwin to be reunited with her, shortly before her death later that year.
My father always knew he was Gurindji/Mudburra and my brothers and I were brought up with a strong sense of pride in our Indigenous heritage, instilled by both parents. We discovered our other cultural connections after returning to country. The Gurindji Walk-Off from Wave Hill was an event of great pride for our family.