Three Goblin Art
almost home
Peter Solarz
Not today Justin
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Noah Kahan
Kaledo Art
izzy's playlists!
cherry valley forever
oozey mess
#extradirty
I'd rather be in outer space 🛸
macklin celebrini has autism
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occasionally subtle
RMH
Cosimo Galluzzi
PUT YOUR BEARD IN MY MOUTH
Sade Olutola
seen from United States
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@matriarchy-au
Aboriginal woman with her baby, in a canoe fishing with a line, c. 1805. (Mitchell Library, State Library of NSW)
"Fish was a staple food for people along the coast and harbour. Women made their fishing lines (carr-e-jun) by twisting together 2 strands of fibre from kurrajong trees, cabbage trees or flax plants. Sometimes animal fur or grass was used." [X]
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Uunguu Ranger Leonie's job description? Right-way fire, feral animal and weed control, visitor management, land and sea animal monitoring and looking after cultural sites.
Mary Ann Bugg (1834 – 1905) was a Worimi bushranger, one of several well-documented women bushrangers in mid-19th century Australia
Gloria Tamerre Petyarre (1938-2021) Anmatyerr people/ Australia
Bush Medicine (c1998) synthetic polymer paint on linen
collection: Murray Art Museum, Albury NSW
Anindilyakwa Land Council: Sue Bara tells us about dadikwakwa-kwa; shell-dolls.
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Willandra Lakes.
Danke, Sunshine15 (AU)!
Still need to weave ends in but i really like this1^_^
LISA FLANAGAN | ABORIGINAL AUSTRALIAN | UNKNOWN
Aiganakuchane - Akiko Yano (1982)
矢野顕子* – 愛がなくちゃね。
A mother eastern grey kangaroo and her joey, surrounded by burnt trees; survivors of a bushfire in Mallacoota, Australia, 2020 - by Jo-Anne McArthur (1976), Canadian
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Queensland Pearls - The Great Barrier Reef of Australia (1893)
105 year old artist, Loongkoonan 🫶🏼
APY Lands Art: The Living Story of the Seven Sisters
Across the vast deserts of South Australia, the APY Lands have become home to one of the most dynamic and internationally celebrated movements in contemporary Aboriginal art. Rich in colour, cultural authority, and spiritual depth, APY paintings often draw upon the great ancestral narratives of the Western Desert, especially the epic Seven Sisters Dreaming that stretches across Australia through an immense network of songlines.
Artists from communities such as Amata, Ernabella, Fregon, Indulkana, and Mimili transform ancient cultural knowledge into powerful contemporary works filled with sweeping landscapes, sacred sites, ancestral journeys, and vibrant fields of colour. Their paintings are not simply images of the desert but expressions of Country itself—recording relationships between people, place, ceremony, and law that have endured for countless generations.
Today, APY Lands Art is admired worldwide for its bold innovation, extraordinary colour palettes, and the strength of the cultural traditions that continue to inspire it. Through these remarkable works, viewers gain insight into one of the world's oldest living cultures and the enduring power of the Seven Sisters story across the Australian desert.
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Lizzie Marrkilyi Ellis is a Discovery Indigenous Fellow at the Australian Research Council Centre of Excellence for the Dynamics of Language at the Australian National University. She's also the author of Pictures from my Memory: My story as a Ngaatjatjarra woman (2016).
This is just about finished. It is my representation of MaRauaRa (meaning ‘two fingers beside’), the junction of the Darling (Paaka) and Murray (Millewa) Rivers. This is such an important site, not just because of it’s environmental and historic significance, but it’s cultural significance as well: Nearby is the largest prehistoric Aboriginal burial ground in NSW, which was used for 12,000 years until European contact. I want to record a lot of these sites through my art.
