the beths | future me hates me
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the beths | future me hates me

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WURIUPRANILI // TIWI SOLAR GODDESS
āShe is a solar goddess of the Tiwi people in Australia, whose stringybark torch is the Sun. When she wakes each morning in the east, she lights a small fire, which mankind sees as the first glow of dawn. She then decorates her face and body with red ochre. Often, the pigment is blown into the air where it stains the clouds, resulting in a red sunrise. As Wuriupranili prepares herself for her journey across the sky, the birds break into song, waking the men and women. Finally, she lights her stringybark torch from the campfire, then travels across the sky to her evening camp in the west. When she disappears below the western horizon, she puts out her torch and redecorates her body with ochre, causing brilliantly-coloured sunsets. As night settles, she returns to her eastern morning camp via a tunnel.ā
Goddesses around the world - Australia
Continuing my journey through beautiful cultures around the world. Next continent is Asia!
This painting is my representation of Paakantyi Ancestor Being, Yuku. At the dawn of time, when Mother Earth was shrouded in darkness, a woman named Yuku shared life-sustaining light and heat with the world. It is said that Yuku would wake up, adorn herself in ceremonial paint, light her fire stick, and then dance across the sky. She would provide light and warmth as she danced. Plants thrived in her wake, and other Ancestors were brought out of their perpetual slumber. Yuku danced and gifted the world with light each day. When her ceremony ended, she remained in the sky as the Sun Goddess. The Paakantyi word for sun is Yuku. When we think of her, we are reminded of the sharing nature of the feminine aspect; life-giving, caring, and powerful beyond measure.
@bcuz-y š

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Alison Munti Riley // Kungka Kutjara (Two Women), 2023
Kungka Kutjara honours the journey of two sisters travelling across the desert, leaving significant landmarks in their wake.
Doreen Chapman, Biliby, 2024, acrylic on canvas
"[Doreen] Chapmanās paintings emerge from the artistās everyday life in the Pilbara region of Western Australia. Chapman has navigated the world as a deaf and non-verbal artist, finding expression through her vivid paintings. Her work depicts scenes of native flora and fauna alongside contemporary Indigenous life. Spanning from the red soil of Jigalong to the bustling streets of Port Hedland, her canvases resonate with a deep connection to Country and community and serve as a conduit for storytelling."
You know when you get so pissed off at your neighbors that you accidentally create the sun?
"Maggie paints about her childhood: the station where she grew up, went to school, and worked, the dam she visited for fishing and swimming, and the bush tucker she collected. Her mother is frequently referred to in the stories associated with her artwork, as are then Myroodah Station Manager Mick, and teacher Mary Lanigan. Maggie also fondly remembers the friends she grew up with on the station, with whom she would ārun amokā."
Artist Maggie Green at Spinifex Hill Studio
Dame Whina Cooper
Whina Cooper was renowned for her activism in fighting for MÄori land rights. She was born in northern Hokianga on 9 December 1895. By the 1930s, she was a significant leader in northern Hokianga, and set up MÄori land development schemes in the region with Apirana Ngata (an MP from 1905-1943).

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Pipiriki. Whanganui River, New Zealand, 1963
Photo: Ans Westra
Deborah Cheetham is Aboriginal Australian soprano, actor, composer and playwright. She is also an out lesbian.
Deborah is a strong believer in the power of the arts to tell Indigenous stories. "Our stories can be told through music, they can be told through film, dance ā you name it, and itās a powerful way to connect with the broader Australian public.
This is a means by which we can share our stories, our knowledge, the accumulated wisdom of more than a thousand generations."
Rebel Reid // "PÅkarekare Ana," from Holy Days (film)
āRain Songā - Kardajala Kirridarra
Kardajala Kirridarra, a Mudburra Aboriginal women's band

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Ripple Effect Band:
a group from Arnhem Land, Northern Territory, who sing in the languages of their people: NdjĆ©bbana, Burarra, Na-kara, and Kune ā sharing stories about their land, languages, and culture.
Two MÄori women, Aotearoa (New Zealand), early 20th century.
British Museum