Three Goblin Art
"I'm Dorothy Gale from Kansas"

let's talk about Bridgerton tea, my ask is open
I'd rather be in outer space 🛸

Andulka
Today's Document
Peter Solarz
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tannertan36
we're not kids anymore.
trying on a metaphor
Sweet Seals For You, Always
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@matriarchy-au

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(Aunty) Eunice Napanangka Jack, Kuruyultu, 2016 ℅ Dr JM Field
@bush_medijina: Weekend vibes, Bush Medijina style. Slow mornings, beautiful rituals, and a little extra self-care inspired by Country. What's on your weekend agenda?
Ancient art Australia: Kimberley rock Art
Wandjina Cave painting aboriginal australia

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Aunty Reo, 2018, large format photograph
The title for this series, E taria ana taku tinana ki te whai i te awa / My Body Will Follow the River, is taken from a whakataukī [proverb] from Ngahuia’s iwi that talks about the importance of the sea, and how we, like our ancestral rivers, will always flow into the sea. In this region of Northland there are ongoing projects to clean up and restore the health of the rivers, and this photograph of Aunty Reo emphasises the connection of people, land and waterways.
Picture the creative serpent, scoring deep into – scouring down through – the slippery underground of the mudflats, leaving in its wake the thunder of tunnels collapsing to form deep sunken valleys. The sea water following in the serpent’s wake, swarming in a frenzy of tidal waves, soon changed colour from ocean blue to the yellow of mud. The water filled the swirling tracks to form the mighty bending rivers spread across the vast plains of the Gulf country. The serpent traveled over the marine plains, over the salt flats, through the salt dunes, past the mangrove forests and crawled inland. Then it went back to the sea. And it came out at another spot along the coastline … When it finished creating the many rivers in its wake, it created one last river, no larger or smaller than the others, a river which offers no apologies for its discontent with people who do not know it. This is where the giant serpent continues to live deep down under the ground in a vast network of limestone aquifers. They say its being is porous; it permeates everything. It is all around in the atmosphere and is attached to the lives of the river people like skin.
Alexis Wright, Carpentaria, 2006
Leah Umbagai, b. 1974, Gyorn Gyorn, ochre on canvas
The original Gyorn Gyorn, or Gwion Gwion, rock paintings are some of the earliest figurative paintings ever made. Most are estimated to be around 12,000 years old, although debated numbers range from 46,000 to 3,000 years for some!
These paintings are spread over 50,000 square kilometers in the northern Kimberley wilderness. There are some 100,000 Gyorn Gyorn art sites in total with millions of figures.
JUDY WATSON NAPANGARDI
Aunty Venus Rabbitt recounts the day she met Mundagarra, the legendary Dreaming creature also known as the Rainbow Serpent.

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ERUB ARTS
Created by the Torres Strait artists of Erub Erwer Meta (Darnley Island Arts Centre), these pieces are the result of a series of cross cultural workshops with Melbourne based artist Kate Rohde, who worked directly with the artists in 2013 and 2014. The works use reclaimed abandoned fishing nets supplied by Ghostnets Australia; an environmental initiative in Northern Australia which works with indigenous rangers and communities.
ASIAN CIVILIZATION MUSEUM, SINGAPORE Ghost Nets of the Ocean- These vivid woven models, hanging suspended and significantly lit all through the exhibition. It is an astounding marine-themed presentation made by indigenous and non-indigenous craftsmen from Erin Arts on Darnley Island, Torres Strait, Australia. (Fish, turtles, squid and jellyfish produced using sea flotsam and jetsam, including rendering angling nets and reused plastics).
Art trade with @irawhiti I drew a Taniwha in my Paakantyi art style. Really loved doing this. If any other Indigenous artists would like to trade, I’d be more than happy. This was healing for my soul. Thanks, cousin 💚
the beths | future me hates me

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WURIUPRANILI // TIWI SOLAR GODDESS
“She is a solar goddess of the Tiwi people in Australia, whose stringybark torch is the Sun. When she wakes each morning in the east, she lights a small fire, which mankind sees as the first glow of dawn. She then decorates her face and body with red ochre. Often, the pigment is blown into the air where it stains the clouds, resulting in a red sunrise. As Wuriupranili prepares herself for her journey across the sky, the birds break into song, waking the men and women. Finally, she lights her stringybark torch from the campfire, then travels across the sky to her evening camp in the west. When she disappears below the western horizon, she puts out her torch and redecorates her body with ochre, causing brilliantly-coloured sunsets. As night settles, she returns to her eastern morning camp via a tunnel.”
Goddesses around the world - Australia
Continuing my journey through beautiful cultures around the world. Next continent is Asia!