PUT YOUR BEARD IN MY MOUTH
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@matriarchy-au
Manuwuri Forester is a Traditional Owner of the Great Barrier Reef and is passionate about creating a succession path for Indigenous women and girls to have an impact on the Reef. "Everyone says Country talks to you, Country heals you, Country makes you a stronger person. I believe that because it happened to me,” Manuwuri says.
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Yvonne Margarula, Senior Traditional Owner and leader of the Mirarr people
Jessica Mauboy | Vogue Australia | Georges Antoni | November 2021
Portrait of two Maori young women; one wears a kahu huruhuru (cloak with feathers), and a white feather in her hair; the other wears a flax cloak and a huia feather in her hair; Rotorua, New Zealand, late 19th century.
British Museum
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Aunty Katrina spoke about her name, Karlapina, which means fire, or lover of fire. Aunty Katrina shared ways she had brought her fire into all kinds of places – working as a journalist, working as an activist/truth-teller, working within social and emotional wellbeing and so on. The fire in Aunty Katrina’s belly was clear when she spoke about her care for children, whether from her own family or a little one in Palestine... words that were precious to Aunty Katrina included: “Love is everything.” “Love is as strong as death.” “Love is the umbilical cord.” [x]
IndigiLez
tamala shelton for queen victoria women's centre
Kaurna woman Katrina Karlapina Power created the artwork for the recent Kaurna-English dictionary's front cover.
She has been using the revived Kaurna language to bring back traditional birth and death ceremonies as well. "I see myself as a child of the Universe committed to humanity. I am willing to venture into neighbouring camps and allow others’ to hold dear that which is dear to them."
painted silk scarves, Eva Wanganeen (Australian Aboriginal)
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Where you from? What's your name? Who your mob? Sis, you run the game
Boonwurrung Ngargee Dance Program is an opportunity for Aboriginal and Torres Strait Islander girls and young women to connect to culture and Country, learn Boonwurrung language and stories and develop their cultural and creative expression through the teaching of First Nations dancers and artists.
Maria Josette Orsto, Kulama, 2010. Japanese-style woodcut. Museum of Contemporary Art, purchased with provided by the MCA Foundation, 2015. Image courtesy and © the artist
Kitty Kantilla (Kutuwalumi Purawarrumpatu), Kulama (Yam) Ceremony in Rain, 1999
Images from Tindale’s Aboriginal Tribes of Australia
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Grouper - Heavy Water / I’d Rather be Sleeping
Three Worrorra women with pronounced scarification on back, Sale River, Kimberley, Western Australia, 1938-39. This type of scarification was used to commemorate major life events like the birth of children, or the death of loved ones.
