#gulnare

I would argue either Myrtha or Gamzatti from La Bayadere? Both have a lot of stage time and the choreography for their multiple variations is demanding. You could say Gamzatti is more difficult because she has a full pas de deux to prepare as well? Myrtha only dances by herself. But Myrtha's entrance with all the promenades and penches is also taxing, just in a different way. Personally, I'd rather do the supported adagio but that's just me.

Ultimately, I think these two roles are the most difficult soloists roles in the classical repertoire because their characters are the most emotionally involved in the ballet's plot. Perhaps it's because they're both villains? Both ballets need strong secondary characters to be successful. There's no fear or sense of desperation in Giselle Act II without an ice-cold Myrtha. Bayadere needs a strong conflict between the two female leads to drive the story forward.

Title: Feliberto Gonzáles with his horse 

Contributor: Duran, Denise Lavato, 

Date: [ca. 1915] 

Summary: Feliberto Gonzales stands beside a wooden building and holds his horse by a rope in Gulnare (Las Animas County), Colorado. He wears coveralls, a vest and a brimmed hat. 

Item Owned By: Auraria Library 

Notes: Content derived from inventory prepared by Dana EchoHawk.; Scanned image from loaned collection.; Title derived from inventory.; From inventory: "Feliberto Gonzáles, born July 31, 1885 in San Jose, Colorado (near Gulnare), died October 17, 1960 in Denver, Colorado.  He was the son of José Ramon Gonzáles and Leonides Parsons.  Feliberto married Aurelia Paiz on October 19, 1914 in Gulnare, Colorado.; Mode of access: World Wide Web.; Digitization sponsored by the Library Services and Technology Act and the Center for Colorado & the West at Auraria Library. 

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Misty Copeland as Gulnare in Le Corsaire

The Poetical Works of Lord Byron. With Explanatory Notes and a Life of the Author, By Thomas Moore. Illustrated with numerous fine steel engravings embracing the principle female characters, landscape and historical subjects. Complete in one volume with a copious general index. New York: Johnson, Fry and Company, 1867.

1. Title page

2. "Thou art not false, but thou art fickle"

3. "Leila"

4. "Gulnare"

5. "Medora"

6. "Angiolina"

7. "Olympia"