Flying Heron ring, 5th century BCE
Sapphirin intaglio by Dexamenos of Chios.
In the collection of The State Hermitage Museum, St Petersburg.
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Flying Heron ring, 5th century BCE
Sapphirin intaglio by Dexamenos of Chios.
In the collection of The State Hermitage Museum, St Petersburg.

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A prince of the Ptolemaic dynasty represented as the god Hermes. Sardonyx cameo by an unknown artist, ca. 250 BCE. Now in the Cabinet des médailles, Bibliothèque nationale de France, Paris. Photo credit: © Marie-Lan Nguyen / Wikimedia Commons /Â
CC-BY 2.5
Akkadian cylinder seals at the Oriental Institute Museum (University of Chicago)
Unconcerned Youth brooch by Alexander Tenzo
Intaglio on ametrine, sapphires and diamonds, pink gold, platinum and silver, black rhodium.
The Little Prince brooch by Alexander Tenzo
Intaglio on morganite, cat's eye chrysoberyl, spessartine garnets, tourmaline, sapphire, chrysoprase, morganite and diamonds, set in yellow and white gold.

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'Human Being' necklaces by Boucheron: Rain, Flower, Light, Tattoo, and Checkers.
From the 2026 Carte Blanche collection.
The Toilet Of Venus pendant by Alexander Tenzo
Carved morganite intaglio, pink diamonds and white diamonds set in palladium and white gold.
Human Being: Tattoo necklace by Boucheron.
From the 2026 Carte Blanche collection.
'Victorian tattoos, carved into stone.
To create the illusion of a real tattoo, the ancient art of glyptics was used to carve sculptural forms into the reverse side of smoky quartzes, giving a bas-relief effect.
Since this engraving technique doesn’t allow for the use of color to bring out its finer details, these can only be revealed through subtle variations in depth. To achieve perfect symmetry across the repeated motifs, the artisan invented over 200 of their own tools to craft these pieces.
3,740 hours of work for the set.