Rules: Choose your favorite works you created in the past year (fics, art, edits, etc.) and link them below to reflect on the amazing things you brought into the world in 2020. Tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

1) Right at the beginning of 2020 (*can we even count the January-February Era as part of 2020? It feels like a separate timeline lol)  I designed a homebrew D&D campaign around an extended-universe Watership Down world, where all player characters are rabbits. :3 I designed it over the winter and DM’d my first test game with my family! It was so, so fun, and I had high hopes of continuing to playtest it and refine the rules this year.... ah, the best laid schemes o’ Buns and Men gang aft agley. U_U

Some samples: 

2) I got a truly awesome commission from a client on FR to do some stained glass window designs for their D&D campaign’s pantheon of gods. I got 4/6 done with them before my computer staged a revolution amongst our household electronics and went into a coma, taking BF’s laptop, a backup disk, and for some reason the toaster, with it. Then after that, the 2020 vibe got really uhhhhhh, shall we say, intense, and even after I found solution for my computer trouble I basically had zero creative fluid in the tank, so this was the last serious art I did for most of the year. :(

 But! I do really like these pieces, and I will eventually get to the remaining two...... sometime. I don’t want to jinx it. >>;

3) Got into a SUPER JUICY and EXTREMELY DENSE long-form RP with @salmaganto​ over on the Tolkien Blog. It involves so much research into historical and logistical minutiae about running a Big Evil Fortress, surviving sieges, uh... managing thrall labor, transitioning between war and peace... It is absolutely my favorite shit lol, just,,, 100% gratuitous worldbuilding nonsense, with my favorite micro-rarepair ship (or rather, its platonic counterpart). Again, this level of creative output, especially dealing with some controversial topics and in-depth analysis of like, authoritarian regimes, lost a looooooooooootttttttt of its um, escapist appeal. I desperately want to pick it back up, but man, this year was a lot, and I’m still recovering.  _( :’| 」∠)＿ We’re all still recovering.

4) Did some nerdy fanart for two of my favorite actual-play shows:

5) Attended a Zoom life-drawing session hosted in Perth, and it was a blast! 

6) Okay so this is a weird one, but, I edited a font??? I’m disproportionately pleased with this niche accomplishment. I had ZERO working knowledge of font design programs, and I went with a free, super nuts-and-bolts shareware application, taught myself how to use the basic functions, and then muddled my way through editing one of my favorite fonts, HamletOrNot:

“Well, this font isn't really Blackletter, but it has a certain historical touch, so it is welcome on these pages. The typeface Hamlet was designed by Edward Johnston for a Shakespeare edition, Cranach Press, 1929. The award winning book Hamlet was considered “the most beautiful book of the year 1930”. HamletOrNot – digitized by Manfred Klein & CybaPee.“ 

If you hunt down the mysterious user “CybaPee”, you find typographer Petra Heidorn and her many, many preserved, historical fonts, which have been painstakingly digitized and made available for free on... well, pretty much every free font website ever, which made it a real pain to source. 

I love this font with my whole heart, and I very much wanted to use it for parts of my comic (you know, the one) but HamletOrNot has a couple of readability failings that made it a bad match for small dialogue, and worse for ME, SPECIFICALLY: it does not include most diacritic marks.  *cries in Tôlkíën* 

So I embarked on this fool’s quest to do some touchups and add the diacritics and special characters I’d need to spell all the crazy bullshit for the comic, because HOW HARD COULD IT BE, HAHA, TO ADD A FEW MARKS AND CLEAN UP A FEW TANGENTS?  HAHAHA. HAHA. .....Anyway, I think I actually started this process sometime in like, 2019, but I FINISHED IT IN 2020, and I’m proud of myself. 

I’m calling the modified font ArdaOrNot, and it looks something like this: 

7)  Oh yeah, about that comic (you know, the one): 

‘Ey, would you look at that! Progress! :D  Slow, agonizing, unoptimized progress! I was hoping I’d have the first six full color pages ready with lettering and everything by the end of 2020, but.... well, here we are. Wow, I am SO TIRED OF BEING SICK, I HAVE THINGS I WANT TO DO SO BAD HAHAHAA FUCK 

8) Another minor accomplishment that I’m disproportionately proud of, I made some new baller playlists and polished up a few old ones to a fine gleam.

Forging Arda-- Rivka Nipper 2013  Once upon a time (last winter during the holidays) I sat down to re-read the Silmarillion, and that night I had a dream about the origins of Sauron/Mairon the Maiar, and his time spent in the service of Aulë the Smith. I decided to work some of that dream material into a comic. I finished the first draft of these pages a month ago, but then I decided that the pages needed to be retouched and re-lettered before I posted them all together (I was learning and making things up as I went along, and the difference in style from the beginning of the comic to the end was pretty severe).  So here, at last, are the finalized pages, hand-lettered, in all their painstaking, flawed, and glorious detail. It's been a hell of a ride! Now all I have to do is tell the rest of the story.... *wobble*.   Enjoy!  

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Forging Arda-- Page 6   RivkaZ 2013

Mairon weighs his options, on the uneasy cusp of a decision he does not even realize he is making...  Last page of this arc! I hope you enjoyed it! I certainly learned a lot in the process of creating it. I will be switching styles after this page to something a little simpler so I can get through the pages at a more reasonable pace. Lots to do still! I'm not sure where this will end, but hopefully it will be an interesting journey!