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Source: forbes.com
'Butter' by BTS, the bestselling album in Korea, has outsold the next 100 best-selling albums combined
https://t.co/5fkiUKcogA
BTS’s ‘Butter’ single album was the bestselling title in South Korea last month by an enormous margin.
K-pop star Taemin got his start in SHINee and now is breaking records with SuperM, but is also focused on taking the lead of his artistry with his latest solo album "Never Gonna Dance Again: Act 1" and singles "Criminal" and "2 Kids."
He’s been reinventing himself in the spotlight for over a decade now, and Taemin has hit the reset button once again with the release of last month’s Never Gonna Dance Again : Act 1. A K-pop star since he was a young teenager and debuted in boy band SHINee in 2008, Taemin’s latest – his third solo Korean LP – feels like a modern day fever dream fronted by the single “Criminal,” a throwback to the era when pop stars were gods among men, when Ziggy Stardust and Michael Jackson’s larger-than-life personas reigned.
A consummate performer, the 27-year-old (born Lee Tae-min but known mononymously) has used his solo work, a spinoff from his releases with groups SHINee and SuperM, to explore what it means to be an original amid the K-pop music scene where everything under the sun can be found, and every artist reinvents themselves regularly. Act 1, the first of two related albums, continues pushing Taemin’s identity as an avant-garde K-pop star who revels in theatrical performances based on exploring themes like fame and the representation of sexuality in art. In the music video for the rhythmic, creeping synth-dance track “Criminal,” BDSM elements shape the choreography and sinful trappings while Taemin dons leather – including a piratic eye patch – a far cry from the youthful star who began his career at 14-years-old with a R&B-pop ballad and a bowl cut.
The album is a new era for Taemin for many reasons, but primarily because he feels it is a moment where he’s really come into his own as a creative after years of being collaboratively led by others. “I just really wanted to emphasize my individual talent and showcase my character as an artist, my own individual style,” Taemin says about his leadership role in releasing the 9-track Act 1, which dropped on Sept. 7. “I kind of had my hands all over it.”
Taking a call with Forbes minutes after the SuperM single “One” was released worldwide on streaming platforms on Sept. 23 (24 in Asia), the moment was representative of how busy Taemin’s been over the last few weeks: the first part of the Never Gonna Dance Again series arrived ahead of SuperM’s Super One LP, out Sept. 25, and Taemin has been simultaneously promoting his own solo project and working with that group, using each opportunity to showcase different sides of his artistry. Bold and busy in a year when the cathartic escapism of entertainment is one of the few pleasures left to many people across the globe grappling with the fallout of the coronavirus pandemic and rising political tensions in many regions, Taemin says he’s grateful to be having these chances and sharing his artistic vision with the world while getting to reinvent himself as he carves out his creative path.

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BTS’s Touring Alternative May Be Just What The Music Industry Needs To Survive The Coronavirus Pandemic
Jul 3, 2020 • 10:10am EDT
by: Hugh McIntyre (contributor for Forbes | Hollywood & Entertainment)
At the moment, many in the music industry—including quite a few superstars—are trying to figure out what to do next when it comes to making money. With the way the business is currently structured, the vast majority of fans don’t buy albums, every stream only pay tiny fractions of a cent, and merchandise doesn’t bring in massive paydays, though it certainly helps. Most stars make a huge portion of their salaries by touring, which is next to impossible at the moment due to the coronavirus pandemic that has swept the world and upended seemingly every field.
One group has shown that there is still money to be made from performing live, even if nobody is actually in attendance. Now the question that remains to be answered is whether or not others can adapt the model that’s worked for one of the most popular figures on the planet, or if it only panned out because of one particularly devoted fan base.
Back in April, when the pandemic was still relatively new and most of the world had only been shut down for a few weeks, BTS launched an event called Bang Bang Con, which was an online-only festival of sorts. Fans everywhere were encouraged to tune in and view concert footage from old shows, and the best part what it was entirely free. At the time, it felt like a wonderful gift from the South Korean boy band, but it now seems like it was also a test to see if there was a great enough interest.
There was plenty of interest, as it turns out, as more than 50 million people watched for at least a while. A short time later, BTS and their team took things to the next level with another event, only this one required tickets.
In mid-June, BTS hosted another edition of the program, this time titled Bang Bang Con: The Live, where the septet performed live for those watching at home. The new staging required those who wanted to view the members sing and dance to pay for a pass, and while only a fraction of those who tuned in the first time ended up opening their wallets, it was still a massive success. The event broke records for the highest attendance for an online-only concert of its kind, as more than 750,000 people watched.
With tickets going for an average price of $26, Bang Bang Con: The Live might have brought in as much as $20 million, which is a sum few could have hoped for when looking at a concert that nobody actually enjoyed in person.
BTS has proven that there is a market for live online concerts during a time nobody can go to an arena or a stadium to see one of the biggest names in the world, which was an important question up until recently. It’s only a matter of time before more artists stage their own performances and ask their fans to pay for the privilege of an intimate show, but just because it worked for the South Korean stars, that doesn’t necessarily mean others will reap the same rewards.
In fact, it still remains to be seen if BTS’s success can be replicated, but for now, there is reason to be hopeful that the live industry isn’t completely dead and that some money can still be made, even if it’s nowhere near what top-tier touring acts would bring in if they would travel the world with a massive stage show.
source: @forbes.com
'Saturday Night Live cast' members — including Cecily Strong and Heidi Gardner — posted their praise for Harry Styles' comedic talent during his first time as SNL host on November 16.
We been knew....
No, slavery was not primarily an American phenomenon; it has existed worldwide. And, no, America didn’t invent slavery; that happened more than 9,000 years ago. Finally, slavery did not end in the world with the passage of the 13th Amendment; there are 40 million people enslaved even today.
If you think the title’s question is silly, you’re right. But here’s the problem: Increasing numbers of college students today would unhesitatingly respond, “Hell, yes!” to the query. Could it be because that is what they are being taught?
I first learned of this misconception about slavery about three years ago, when a professor published the results of 11 years of his quizzing his students at the start of each year on what they knew about American history and Western civilization.
By far the most shocking result to emerge from his years of polling is this: Students overwhelmingly believe that slavery “was an American problem . . . and they are very fuzzy about the history of slavery prior to the Colonial era. Their entire education about slavery was confined to America.”