love's labor lost, hearts and foulers
They decided they needed to spell out on the splash panel what is otherwise not stated until the first panel of the second page, or this:
Baloney becomes fooey becomes phooey.
Jughead’s latest first love walks in and out of her two panels. Hair color varies.
It is interesting the model for Jughead’s mom remained constant while Pop Tate was given more hair.
Move in some mist and then color it, one added detail for emotional resonance and then another.
Taking stock of suave Jughead, the fashion of 1951 versus 1959. “Beating time with” fall out of favor?
The comics code, or accompanying editorial philosophy, pulls up the neckline for Veronica’s gown. Regarding ideas on syzygy, I stopped at Carl Jung and never got around to Klaubenhoffer – sorry.
A changeover which does not match the premises for the story. The premise for the detail would have Betty dressing in flannel as opposed to the cashmere earlier in the original when she was in love with love and so affectionate toward Archie, a signal of her new disinterest in romantic pursuits, heartbroken by Jughead’s break-up.
