stars of closed circuit tv
Keep the old woman, dump the cowboy kid. They move it to the deli, better to get in view of the "Fresh Ham" on sale.
Had not swapped in new iteration of the cover yet.
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@jhsharman
stars of closed circuit tv
Keep the old woman, dump the cowboy kid. They move it to the deli, better to get in view of the "Fresh Ham" on sale.
Had not swapped in new iteration of the cover yet.

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"The Devil Printer", "The Dance Flaw"
We are here over a year past the last appearance of Cheryl. Interestingly, had Kathleen Webb wanted to drop in a character name she would have gone with "Gloria Gudlucks", though I don't know what Betty would say instead of "that red-headed witch". Rich Margopoulos, writer of the last trailing off stories with the Blossoms -- focused a bit more on class antagonisms via athletic competitiom from Pembroke Academy than on the vixen seductress and bad boy attraction angle -- still had her in his head to pull out for plot referencing detail-- and that and this are where you can spot her between 1985 and 1995.
About a year later, and if you want to decide this is Cheryl whom Moose is asking for a date -- kind of working counterways on how comics dot org's indexers decide every unnamed red haired girl is Cheryl -- this where the artist Stan Goldberg has a girl named Cheryl to draw and he knew of a Cheryl.
The Stand Up
No Stuttering allowed. No time for Goom-byes.
Beatnik out. Or maybe coffee.
"Expresso".
"Sad Fad"
The next panel shows Veronica saying “groovy”, which as you know is very punk rock.
Reporter: "Are you a Mod or a Rocker?" Ringo Starr: "Uh, no, I'm a Mocker." (Repeating an answer from Paul McCartney).
"Happy New Year"
A bit confused as they drop the allusion to the "divine source" and the "creator". They remove Moses in favor of America's 16th President but keep Jesus.

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Pocketful of Dreams
"Topsy Turvy"
"Leg Work"
"Bargain Buy"
"Those Nifty Fifties"
Can have a principal in his sixties but not in his seventies. (Or is it seventies and eighties?)

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"The Freedom Fighters"
A new issue number one, though not a whole lot to differentiate from the old series. Clearly they wanted to ditch 'Archie’s Girls’ and offer up a “best friends forever” focus even as they continue to circle around the “fighting over Archie” dynamic. But they were doing so and could have done so while continuing the numbering of the series started in 1950. If that is what they wanted.
Nonetheless, issue one brought in a few stories clearly meant for an element of worldly concerns and at least a smidgen of character depth or development. Because it was issue one. So here, after Betty has a bad date with an obnoxious conceited college boy -- noticeable last second re-lettering job notwithstanding
and Betty and Veronica commiserate. I am thinking the first version perhaps betrays a passivity – a neediness for the boy’s approval which is unbecoming – and the second one decides to throw in a more gender equal “goose for the gander” element in lusting over pizza delivery boys.
"A New Broom"
Sabrina accidentally turns her Riverdale friends into frogs, and only the teachings of the Bible are powerful enough to convince her Aunt to reverse this black magic.
"The Expensive Suit"
"Chants of a Lifetime"
Maybe not going to make fun of a name or maybe not wanting to get confused with the principal?
what's the idea?

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Reggie Rejection Files, 14
what we got
Reggie wanting Veronica, Betty wanting Archie, and I guess they have each in this 50s / 60s relationship.
The beach moves in as perhaps most common backdrop of covers in 60s. Would not really think for the 50s.