Those involved in the main cast of Our Songs this month may earn up to 10 points total for writing, by the end of November 5 KST:
Completions of the two interviews included in the in-character prompt. (1 point each, up to 2 points total)
Up to two solo paras of 400+ words based on filming for episodes 5 & 6. (2 points each, up to 4 points total).Â
A thread of six posts (three per participant, including the starter) with another muse in the main cast based on the Our Songs episodes 5 and 6 schedule. This must be with a different muse than the thread you collected points for last month. (2 points)
A thread of six posts (three per participant, including the starter) with the guest muse your muse is writing for for this round based on the Our Songs episodes 4 and 5 schedule. (2 points). **Note: This should be the first priority and points may only be collected for the exact requirement listed. That said, should you have trouble completing this by the deadline with the guest muse, this requirement also be passed only for the sake of elimination consideration (not points) if you complete a second thread with another muse from the main cast by the deadline.
Please remember the number of the above tasks completed by each muse will factor into eliminations during blocks with eliminations.
Those guesting on Our Songs this month may earn up to 6 points total for writing, by the end of November 5 KST:
Completions of these interviews. (1 point each, up to 2 points total)
A solo para of 400+ words based on filming for episodes 5 & 6. (2 points).
A thread of six posts (three per participant, including the starter) with the muse your muse is paired with for Our Songs episodes 5 and 6 schedule. (2 points)Â
These do not count toward monthly limits or toward normal schedule points. All posts for this task block should be tagged with #fmdos3.
IN-âVERSE INFO
Following the performances on October 8, the competitors will go backstage to their dressing rooms for a little under an hour while the audience is instructed to vote for two songwriters whose performances they liked the best. These votes will be calculated and combined with online track votes based on a weighted formula, and then the competitors are brought back out. They are first told the cast members that got the most votes in the live voting and the online voting as follows:
- Live audience vote: Youngjoo
- Online vote: Taeyong
The final rankings are announced as follows to announce the safe competitors from fifth place to second:
5. Suji
4. Taeyong
3. Joohwan
2. Sun
Choi Jihoon congratulates the four safe competitors and dismisses them from the stage to bring the four remaining on stage (Youngjoo, Kami, Eunah, and Jaewon). The competitors currently on stage represent first place, sixth place, and the two competitors who will be eliminated and he reminds everyone of that. After building suspense, he announces Youngjoo as this roundâs winner and announces sheâs won a prize: sheâll be invited to perform a solo set on one night of the Topaz Music Festival, a popular music festival held at the venue they performed at this round that will take place in November. The festival is normally for non-idol singer-songwriter types, and this will be the first time an idol has been invited to perform. (admin note: If the mun would like to officially confirm this claim as a prize, please submit this form to the points shop blog to have it added to her career page! The mun may decide the exact date for the festival around their museâs schedule). Sheâs individually congratulated and then dismissed from the stage.
This leaves three competitors (Kami, Eunah, and Jaewon) and only one will be safe. After building the tension, it is announced that Jaewon has placed sixth and will be safe to go onto the next episode. This means Kami and Eunah have unfortunately been eliminated from the competition and the final overall ranking for the latest round is ultimately as follows:
On October 10, the idols will once again return to the ârecording studioâ set they first met at on their first day of filming. Competitors will once again be seated based on their rank (first place in seat one, second place in seat two, etc.). Basic pleasantries will be gone through on camera recounting the last round and reminding everyone of the rules and structure of the show before host Choi Jihoon will inform them of their third songwriting mission:
âAfter the first and second round, you should all have an idea of who you yourself are as a songwriter and who the rest of the cast are as songwriters. Youâve seen their versatility and the areas they excel in the most, both as a performer and songwriter, but a truly gifted songwriter can work for others as well as they can work for themselves, For this round, you will all be asked to write for another idol who will be performing a song you wrote. No one will be able to get through on an established image or popularity alone this round, as the songwriter behind each song will be kept anonymous until everyone has cast their final vote at the live performances. There will be no additional requirements this round, so put your all into shaping a song fitting of the artist who will be performing your song this round.â
The competitors are given time to react to the prompt before they are dismissed from the main set to their green rooms. In their individual green rooms, theyâre once again approached by a camera crew and given a form provided by production with basic information on the idol theyâll be writing for, although the exact identity of the idol is not revealed yet (admin note: please keep in mind muses shouldnât really be able to narrow down exactly who theyâre paired with from information on the forms since the form will be re-typed to remove the element of handwriting recognition and they are not informed the idols are limited to the three in-âverse companies). Theyâll react to the information and be expected to talk about their first thoughts. After this, each musician will film a talking head interview in a private room with a small team of cameras and producers where they are asked the following questions:
How are you feeling about the ranking you received last round? How do you feel about it in comparison to your rank for the first round?
What are your thoughts on the song youâll write this round based on the information youâve been given about the idol youâll be writing for?
How will you approach writing a song for someone else differently than youâve approached writing songs for yourself for the first two rounds?
What are your thoughts on your other competitors at this point in the competition?
From October 10 to October 17, all competitors are given time to begin to work on a song or potential songs based on the information theyâve been given. They will be filmed both through the stationary cameras installed in the studio in their company buildings and will also be instructed to continue to use their self-cam to record their creative process as well.
The guest cast members will be made aware at this time of their role in the show: having a song written for them by an assigned cast member to record and perform. They will not yet be made aware of which main cast member they are partnered with and are asked not to discuss their guesting with anyone.
On October 18, all pairs will meet through either a filmed meeting at a coffee shop or through a filmed video call depending on what schedules allow. This meeting will be the reveal of their partnerâs identity and during this meeting, the main cast member should be prepared to show the song theyâve been working on and discuss together with their partner about the song and any changes that may need to be made to fit the idolâs voice, style, or preferences. It is up to the main cast member how much they change to accommodate their partner, although they will not be allowed to completely redo the song at this point.
The main cast member will have from October 18 through October 27 to finalize the song and get vocals recorded from the other idol on the track. The pairs may meet up over the course of this time as they wish to work on recording and finalizing, although each meeting should be filmed.
There will be no âdemoâ presentation for this episode in front of the other competitors due to the nature of the task. Final mastered versions of all songs are due to the production team by the end of October 27.
On November 1, the final version of each competitorâs song will be released onto the base TV website and voting will open for online audiences. They will be uploaded onto streaming sites a week later so as not to reveal the writersâ identities.
On November 7, all competitors and all of the special guests will go to the regular building with the performance set from first episode, where their songs will be performed and voted on. As with last episode, minor set and prop elements are permitted, but they should be easy for the staff to get on and off the stage. The respective companies will be responsible for the styling and performance preparation of the performer.Â
Once filming begins, the competitors will be informed they will be performing in a randomly generated order in order to maintain anonymity of the writers. The audience is asked to vote more on how well-written a song is for the idol than how amazing the performance is since the songwriters are the ones being evaluated. The performing order is revealed to be:
Wei - âPit-a-petâ (written by Jaewon)
Huiseon - âBaby Babyâ (written by Sun)
Aera - âDiverâ (written by Joohwan)
Duri - âHeavenâ (written by Youngjoo)
Charlie - âIljidoâ (written by Suji)
Minjung - âGirl, Interruptedâ (written by Taeyong)
As each guest idol is performing, the six songwriters and all five other guest performers will sit backstage in their individual dressing rooms while their reactions are filmed. Since they are in private, songwriters may react appropriately to the song they wrote. At the conclusion of each stage, each competitor will be given time to talk about their thoughts on the performance and song. In the final airing of the episode, only some competitorsâ comments will be aired per song.
During the break following all six song performances, each competitor will film another talking head interview (admin note: please wait to complete this interview until all songs have been chosen and listed above):
Talk about the song you wrote for this task. How do you feel it compares to the first two songs you wrote for the show?
How do you feel the idol you wrote for did in performing your song? In what ways do you feel the song benefited from not being performed by you?
Which of the other songs/performances caught your attention the most?
Which song do you expect got the most votes online and from the audience?
OUT OF âVERSE INFO
As usual, the rankings for the second round were determined by random generation for spots among who completed the most tasks. In this case, spots one through six were generated by those who had all tasks completed in the #fmdos2 tag on their museâs blog by the deadline. Two muses did not complete all of the tasks, so they took the eliminated spots. The only exception here is that the adminâs muse will not be eligible for the overall first place ranking unless they are the only muse who completes the most number of tasks. Proof shots of the name picker can be found here (note: admin is in EDT, while the deadline was in KST, so the names were drawn after the deadline).
The winners for separate live voting and online voting were determined using weighted selection based on the randomly generated overall rankings. Rank one got eight submissions into the generator, rank two got seven, rank three got six, etc. and the two eliminated muses got one submission each, and then names were drawn. Proof shots of the name picker for the live audience vote and online vote winners can be found here. A proof shot of the randomizer for performance order this round can be found here. Pairs were made simply by pairing the order of the main cast by seniority directly with the guest cast submissions by order of submission from earliest to latest. Only one switch was made to ensure all muses would be writing for a muse with a skill set or song availability significantly different from their own.
For this task block you will need to submit the following information: the song you would like to claim for your muse to create for this roundâs task (and a performance reference if one is available and agreed upon with the performing muse) and the creative claims on it. Please note that the song choice should ultimately be the decision of the mun of the main cast member. Muns may discuss what the performing muse is comfortable with, but the song choice should be based on what the muse would write with the information presented to them and not what the performing muse would necessarily want written for them.
The form link will be uploaded here at 12AM KST October 10/11AM EDT October 9, twenty-four hours after this post goes up. The form link can be found here. A reminder of the limits of creative claims on each muse for the show can be found here. If you think there is a mistake or if a song is released that leads to a necessary update, please contact the main.
Songs Claimed:
Heaven - Gaho
Iljido - Moonbyul
Girl, Interrupted - Miso (prod. 2xxx!)
Pit-a-pet - Yukika
Baby Baby - Suran
Diver - YooA
SONG LIMITATIONS/REQUIREMENTS
The simplified theme for this round is âWritten By, Not Forâ. Please read the prompt in the in-âverse info for full details on what this means.
For all rounds, a song must fit all general rules of music claims (i.e. matches muse position, is not too explicit, must be by an artist in the Korean music industry, etc.) and must receive admin approval.
For this round, these are the additional limitations and requirements on songs that can be chosen:
The song must be solo. This means it cannot be a collab or have a feature.
The song must be performed by the muse assigned by the show and the muse performing cannot have creative claims on a song.
In real life, the song must not be a title track according to Melon and cannot have an official MV. Special clips, live clips, and minimal production lyric videos are acceptable, but the song will have to be re-released on an album in the future to claim such videos as canon to the universe.
In real life, the song cannot have charted higher than a rank of 75 on Gaonâs Weekly Digital Chart at any point.
You may claim songs with choreography, but choreography creative claims are not available. As usual, songs with more emphasis on complex choreography should be reserved for muses with dance positions.
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