#flawseer reply

BLISTER: "Amber is NOT a gemstone you shambling brain vacancy!" BLAZE: "Uhm, I think I know a little more about treasure than you do, vulture butt!" BLISTER: "It’s NOT a gemstone! Amber is fossilized tree sap! TREE SAP!!" BLAZE: "Silly Blisterface. Trees don’t make stones, they make fruits. Even I know that!" BLISTER: "UGHhhhhHHHJFBWBCWUWbdfwbW" (sound of things hitting walls)

BLAZE: "And she’s supposed to be the smart one in the family. Can you believe that? Ha ha ha."

Asked by @angaram

BLAZE: “Ha ha. Very funny. I know you think I’m a dummy who doesn’t know how mirrors work, you silly little thingy, but I know ALL about them! It's not the mirror that makes you fat, it's the girl inside it. Everyone knows that mirrors are windows to a special room where a ghost lives. The ghost makes itself look like you, but also gets jealous when you’re too pretty and makes up weird flaws about you, like making your tail look wide or giving you weird markings around your eyes. Mama told me all about it back when she was still alive. She also said the ghost would eat me if I looked at gold too much, and that’s why I should stop asking her to unlock the treasure chamber. Silly mama, how can the ghost get me if there is glass in the way? Still, one day I stared at her through the big mirror in my room, and I pulled out a smaller claw mirror and smashed it over the table between us. I think that jealous ugly camel got the message.”

Asked by @sunbitternb

GLACIER: "Let me be clear and firm. I do not have a lot of free time to be thinking about birds. There is always some matter or another requiring my attention. ... But then sometimes, after retiring to my chambers for the evening, I watch the snow petrels fly by the window. It helps me wind down before I sleep. Ah, and ice cream. Yes, I admit I allow myself to indulge from time to time. I would say my favorite flavor is... Hm... ... ... Yes. That rich and tangy taste."

GLACIER: "Tiger shark blood. Let freshly from the innards, dripped onto a bed of virgin snow."

BLAZE: "NO!! Th-that's a joke! She meant blueberry!!" GLACIER: "Blueberry?? That's wretched."

~~~~~~~~

I still have more of these. Many, many, many more of these. I'll probably continue going through them in the following months. Everyone knows the best april fools jokes are the ones that run on into September, right?.

As for plans we had... Well, we went swimming together sometimes between classes, usually by ourselves. The idea was floated to bring in our respective families for it—like, his three siblings were going to be there and I would bring Tsunami and Anemone (and Pike would tag along uninvited)—but it never shook out that way. His sister didn’t really like me I think... bad memories with the war and I guess Mudwings and Seawings were enemies... He mentioned that Mudwings actually bathe a lot, but they do it in mud. I thought that was weird, but I wanted to try it. So he said he was going to take me to the Diamond Spray Delta during break and dunk me in some sludge puddle. I was... kind of looking forward to that, actually.” Turtle sighs wistfully. “I wonder what he is doing right now? I'm guessing he doesn't think about me anymore.”

by @digi-lord

TURTLE: “Uhh... Golly... I’m hoping I still have a few more years ahead of me before I’ll have to start thinking about having kids. I don’t even know if Kinkajou wants to stay... with uh... ... Also... Would I make a good father? That’s really what I’d be thinking about. I’ve never really had parents, so I wouldn’t know what to do. I would like to read a few more scrolls on the subject before even seriously considering the possibility. Or maybe they could have an optional class about it here at the academy? How to take care of dragonets without scarring them for life? I don’t know, that might be weird. Who would they even get to teach that class? Maybe Hope?”

by @mooglythegreatandgoogly

TURTLE: “Yeah, of course! That was one of the first things I did. Well, okay, I had to work up the courage first. I wasn’t sure if ‘indestructible scales’ really translated to ‘fireproof’; magic is fickle so you have to be careful with assuming things like that. So uh, I practiced. I started with a candle and slowly worked my way up to the pottery furnace in the arts-and-crafts cave. Sunny gave me a weird look when she caught me affectionately wrapped around that furnace and I have to see the counselor now, but at least it proved my hypothesis. So when I finally went and hugged her for the first time, Peril startled. But I think she liked it. I’m pretty sure she was crying.” PERIL: “I was NOT crying!” TURTLE: “You were SO crying! I heard your tears evaporate on your scales!” PERIL: “NO! My face just makes that sizzling noise sometimes. If there was any crying involved, it was probably because you had that stinky tuna breath again! Ugh!!” TURTLE: “Oh really? And I suppose my tuna breath was also why you were yelling ‘TURTLEEEE’ over and over and kept squeezing me for several minutes?” PERIL: “That was just because... you always look like this sopping puddle and... I thought I should like... hold you so you don’t, I don’t know... flow apart or something. ... Shut up!”

Personal values

Glory grew up in an environment that constantly devalued her as a person. While all of the Dragonets of Destiny suffered under their abusive upbringing, the others could at least find SOME solace in the fact that their lives supposedly mattered. They had a destiny. Glory did not have that. She was the errant Rainwing, the error of Webs, that inconvenient creature that was there because the Talons kind of needed her, but didn’t really want her all the same.

In the absence of external validation, one of two things will happen to us: Either we find some value within ourselves that helps us weather the harshness of life, or we sink into despair. This is the core struggle of Glory’s existence: She was born with nothing, told she is and will always be nothing, and claws and fights for any scrap of meaning she can give her own life.

Of all her peers, she is the most driven. She has to be, because her merit, her competence, her ability to accomplish things is how she defines her self-worth. Where Clay is placid, Sunny is carefree, Starflight is meandering, and Tsunami is flighty, Glory has iron discipline. The guardians refuse to see her worth, so she works twice as hard as everyone else to prove to them she has it. And more importantly: To prove to herself that she has it.

This mindset, while mentally and personally taxing, makes Glory very efficient, to a somewhat ruthless degree even. If she sets her eyes on a task, she does not waver or get distracted and it will generally be done. It’s a quality the others often find inspiring, if somewhat hard to imitate due to the intensity with which Glory pursues it.

While under the mountain, she actually studies as much and has an amount of knowledge comparable to Starflight. In a trivia contest, these two would be neck and neck. The reason why Starflight is known as “the” scrollworm among the group, and Glory is not, is because Starflight has a genuine passion for learning. He puts the work in because it’s how he relaxes, he loves it, talks about it all the time. Glory puts the work in, but it does not relax her, rather, it makes her more tense and tires her out. Yet she still does it because she has to, because the alternative is admitting that her tormentors are right about her, and that she is good for nothing. To her, this is unacceptable.

Glory works hard because it gives her life purpose. It’s something she can be proud of when no one else is.

In one particular sense, this is tragic. Of all the places this behavior could have been inspired from, it most closely aligns to Kestrel, who is equally driven and goal-oriented. That means in trying to escape from the psychological pit she was in, Glory subconsciously took on traits from her greatest abuser. As a testament to her own strength though, where her guardian was self-defeating and miserable, Glory did not let herself be ruled by fate, managed to transform these traits and eventually channel them into a successful life.

Physical constitution

It doesn’t come up a lot in the books as a major obstacle, but logically, Glory would have grown up severely malnourished. Rainwings are photosynthetic and their bodies require sunlight for certain key functions. Being forced to grow up underground would mean Glory was deprived of vital nutrients and vitamins she needed, which is why she was chronically fatigued while in captivity.

To be honest, I don’t quite know how this didn’t make her end up like Chameleon, stuck with one color forever. Perhaps what little sunlight made it through that one hole in the ceiling was just barely enough to not permanently debilitate her.

In any case, I imagine these circumstances made her somewhat of a sickly child, rail thin and much more prone to illness than the others. Not that she would allow herself many opportunities for bed rest regardless, to avoid exasperated yells of “the Rainwing is sick again??”. You can kind of see how she ended up the most cynical of the group.

Fortunately, she managed to escape these unhealthy living conditions before any of those complications stuck for good. With regular exposure to sunlight from then on, she made a full recovery. This might also be part of why she becomes a bit kinder once she’s in the rainforest. It’s much less emotionally draining when you don’t have to fight your own body on the daily, on top of everything else.

Character flaws and growth

Despite her reliability and personal fortitude, Glory is not infallible. While her ability to stay laser-focussed on a task is in many ways admirable, it also gives her an affinity for working herself to exhaustion. She often forgets to tend to her own physical needs—like eating, drinking, or sleeping—and has to be reminded, or sometimes made, to take breaks to do these things. There is one example of this in her book, where someone tells her to take a nap because she’s been going without sleep for upwards of a day.

To her, being idle equates to being lazy, that dreaded label she is trying to avoid at all cost. Fatigue, sickness, injury? Mere obstacles that must be overcome. You can power through anything if you just grit your teeth enough. Getting this dragon to relax is a monumental undertaking. If you convinced her to take a vacation, you’d soon need one yourself after how difficult that would be.

I imagine this has lead to complications in the past, that Glory has collapsed before and someone like Clay had to find her and carry her to a watering hole so she could get rehydrated. Maybe this is why she has a closer bond with Clay than with the others; the confidant she can let her guard down in front of because he’s been with her when she was at her weakest. I also imagine this exacerbated her already negative relationship with the Guardians, Kestrel and Dune being angry that “the Rainwing is sleeping in the hallway again!”

Glory is also very distrustful and has a misanthropic (misdracopic?) streak. While she genuinely loves the others and treasures their friendship, she perceives herself as not as close to them as the rest are to each other (with maybe the exception of Clay). Due to the very specific flavor of abuse she received from the Guardians, she has developed a tendency to other herself. Glory does not consider herself a Dragonet of Destiny and perceives an immutable separation between her and the rest of her peers, though this perception is not mutual. This is exemplified in, when her friends learn of Kestrel’s plan to kill her and brainstorm ways to prevent it, she keeps insisting that this is not their problem, which just serves to confuse them.

I find it interesting in this context that Glory is the only one of the arc 1 protagonists who ends the arc physically separated from the others. It makes sense in context, but also serves as a bit of an extension of how she sees herself in the group.

It’s because of this perceived gap that Glory is haunted by a subconscious expectation—or perhaps even fear—that she will be abandoned if she stops being useful or becomes inconvenient. There is always a little voice in her head that parrots what the Guardians told her growing up—that she is worthless and undeserving of love. She usually pushes it back, but certain stimuli can bring her buried insecurities to the front, and as is common with long repressed feelings, it tends to make her lash out.

The most notable example of this happens just after the group escaped Scarlet and the Sky Palace. Clay approaches Peril and theorizes that she might be the missing Skywing from the prophecy, and that she would have a place in their group if she needs it. The statement is made with pure, altruistic intent. But Glory hears it and interprets it maliciously, that Clay intends to replace her. I imagine deeper down she knows this is nonsense and that Clay would never be this openly callous to her. But in the moment, it triggers her greatest fear and she reacts irrationally.

So in that state she concocts a weird, spiteful scheme with Tsunami to punish Clay for his “betrayal”, by making him think he caused Glory so much anguish that she ran away. It’s honestly kind of uncomfortable and possibly one of the grossest things she does to another person (who isn’t trying to kill them). Like, I understand all of it and it makes perfect sense for her to act like this in that moment. But perhaps the story makes a misstep here by never having Glory visibly apologize to Clay after the fact, even when the story sets up an opportunity for it later when she and Clay are alone.

For me it’s not an insurmountable problem because I can just imagine they talked about it on their way to the Mud Kingdom (I’ve thought about how that would go before. I might write it out some day). But I could understand if this moment of spite towards a benevolent presence in her life with no explicit reconciliation soured the character for some people. Maybe that’s why the graphic novel cut that scene entirely (you know, other than for brevity).

Glory, over the course of their journey, eventually does address and temper a lot of these personal shortcomings. In particular after she gets out of that suffocating cave and connects with her people she blossoms into a more empathetic and considerate person. Perhaps finding her calling, with all the responsibility and purpose she craved, allowed her to move on from constantly pushing herself to the brink and being stressed out.

Nightwings' folly

This is already well-documented, so I’m going to be brief here. Perhaps one of the most satisfying aspects of Glory’s role in the story is how her presence exposes the folly of the Nightwing Regime and causes Morrowseer’s entire plan to implode, all through his own fault.

Glory enters the Nightwings’ awareness as a spanner in the works, a quick fix that became necessary due to an intervention by Scarlet, and a completely unknown variable. Consequently, she and the way she is treated shine a light on Morrowseer’s ability to adapt on the fly. Namely, the complete and utter absence of any such ability.

There were definitely ways for Morrowseer to make this work. The simplest solution would have been to just deliver an updated prophecy to account for Scarlet’s meddling, though he was really leaning on that fake mysticism and “unseen hand of fate” schtick, so I get why he didn’t want to tip his hand like that.

Ignoring that, he could have simply claimed that Glory IS the Skywing of the prophecy, that actually she is half Skywing, and then told her to stay red whenever she’s in public. He could have then ordered Kestrel to pose as her mother, which would have been extra ironic since Kestrel DID have a child with a Rainwing.

If they had done literally anything other than antagonize Glory and treat her as some kind of mistake, it stands to reason that the Dragonets wouldn’t have rebelled and tried to escape. Without the threat to Glory’s life, the others might not have been able to convince Sunny to leave and they would have stayed put. Maybe Morrowseer could have even swayed them to his side, by coming in as a savior to validate Glory’s existence and deliver them all from their captors’ torment.

If Morrowseer had swallowed his pride and been kind to Glory, even just pretending to be so, their plan would have gone off perfectly, and Blister would have taken the throne.

But instead, he short-sightedly ordered her death, ensuring that the Dragonets would never be loyal to him, and that Glory would dedicate her efforts towards destroying their plan. They created their own undoing, and as a reward, Morrowseer dies by having a volcano literally erupt up his backside.

Truly a con for the ages.

What I would do differently

Earlier nitpicks aside, if there is one blemish on the character for me, it is in the moment where her competence is tested and she becomes Queen.

Here is a quick recap of that moment: Glory, fed up with the display of self-serving lethargy, has just challenged Magnificient for the Rainwing throne. The ruling structure has decayed into this strange amalgamation of volunteering commoners who all take the position for selfish reasons, and the previous Queen just let this happen because she got disillusioned with her people. Glory needs the position to be functional right now to rescue some kidnapped Rainwings, so she seeks to cut out the rot.

Magnificient however is a catty little shit and convinces her gaggle of equally inadequate commoners-turned-monarchs to rig the challenge and humiliate Glory. Glory tries to persevere through the rigged challenges but it doesn’t look good. When she is at her lowest point, Kinkajou accidentally gets injured and Glory’s quick thinking saves her from excruciating pain. This reveals to the tribe that Glory has secretly been the Rainwing Princess all along and is the true legitimate heir to the throne by right of birth. This realization makes the previous Queen forfeit her match and wins Glory the challenge.

This is certainly a nice and validating moment for Glory, I’m happy for her, but... to be quite frank, this is completely backwards. The reason why Glory is awesome and aspirational is because of her inner strength, her propensity for getting things done, and her refusal to give up even as everyone keeps shovelling manure into her face. She is amazing because she comes from nothing and nobody expects anything of her, and she—through sheer grit and determination—turns all of that around and makes herself not only into SOMETHING, but one of the most significant somethings there is.

To have her personal, most important victory hinge on a random fortunate blood link that she had no control over is antithetical to her story. It removes all of her agency and, instead of proving that circumstance of birth does not have to define who you are, doubles down on it by suggesting Glory was incapable of winning by her own merits and had to be bailed out by a secret royal heritage.

Like, am I to assume that, if Glory wasn’t coincidentally a secret Princess, she would have failed? That everything she accomplished through her own power was rendered meaningless? Why is so much importance placed on birthright (of royalty) being the savior, when previously birthright (of being worthless) has suffocated Glory’s entire life? Like, the concept of birthright is arguably the VILLAIN of her story, why is the villain resolving her conflict for her?

And conversely, if we assume Grandeur would have heard her out even without the secret lineage, then why is it necessary in the first place? All it does is muddy Glory’s character journey and defiance of birth circumstance being a thing that defines you. No, sorry Glory, birthright still does dictate who you are, it’s just that your birth happened to be better than previously thought.

This secret Princess twist is perhaps what I would consider as the one significant misstep in Glory’s character development. Which is why I usually rewrite this portion of the story for myself.

Here is how I picture this playing out: Just turn it all around, flip the statuses. Rainwings don’t keep track of their personal lineages, but the exception of this is and always has been the royal family. Queen Grandeur had five daughters and she knows who all of them are. However, they were all incompetent for one reason or another, so when the time came to pick a successor, she couldn’t. At a loss for what to do, she reluctantly allowed all of them to share the throne on a weird rotating schedule. Her hope was, while they were all individually inept, maybe together they could balance out each others’ shortcomings.

This went catastrophically wrong. The Rainwing government became a farce of self-serving, ineffectual bullcrap. The Rainwing tribe, once a proud hub of travelling merchants, fell into complete decline. Grandeur saw this decay, but couldn’t do anything about it because she had already abdicated and couldn’t retake the throne. Thus, powerless and seeing no alternative, she became jaded and disillusioned with everything.

Then comes Glory, an upstart commoner and outsider, and dares make a grab for power. Magnificient huffs and slinks off to her tired mother, laying this out, but twisting it in her own favor. She completely neglects to mention the kidnapped Rainwings and instead assassinates Glory’s character, describing her as jealous and lusting for the position. Grandeur, long having grown accustomed to displays of selfish behavior around her, believes this without scrutiny. The former Queen is too checked out to question it. She half-heartedly agrees to mess with this upstart to get her daughters off her back.

The challenges play out, but throughout Grandeur keeps catching glimpses of Glory’s actual character, which does not align with the twisted caricature she was presented with earlier. It all culminates in that scene where Kinkajou tearfully apologizes to Glory for messing up the venom challenge, and Glory treating her with compassion and understanding, mentioning the kidnapped Rainwings in the process. Grandeur has caught on by now and decides to just talk to Glory to figure out what her deal is. Glory tells her about all the Rainwings currently in captivity. Jambu and Mangrove tell her about how Glory tried to find Orchid. Kinkajou explains how Glory risked her own life and got herself captured to rescue her. And the other Dragonets tell her about being stolen from the tribe when she was an egg. Grandeur learns of all the things Glory has done for their tribe since she arrived, despite not even really being a part of it or knowing any of them.

Grandeur hears this and becomes absolutely livid at having been lied to. She starts tearing into Magnificient about playing around while their tribe is being preyed on and the callous dismissal of their people’s plight in captivity. She is furious that her daughter would be so selfish to actively delay the only person trying to help, and frustrated at herself for enabling it through inaction. The rage reawakens the fire within her, she is feeling a drive and passion for her tribe and position like she hasn’t in many years. So she throws the challenge and disowns Magnificient on the spot, then names Glory her successor by right of merit, lack of royal blood be damned.

This is only possible because of all the things Glory chose to do for these people, and the heart, craftiness, and competence she displayed while doing them. It’s the personal integrity she showed in those moments, not a blood link, that sways Grandeur to her side. It’s an earned victory, not facilitated by luck or circumstance of birth, but an unrelenting will to prove to the world and herself that she matters.

It is the very victory Glory has worked towards her entire life. She wasn’t born special, but she made herself special. The circumstance was overcome.

Conclusion

It may strike some as odd that I dedicated so much essay space to discussing Glory’s character flaws (in-story flaws, not flaws with her narrative purpose). A while ago I saw this sentiment around that Glory is “too perfect” and gets overly glorified (ha ha).

To a certain extent I understand that. Her abilities feel like superpowers sometimes, to the point where she outclasses several members of her group, and she ends her arc in the most powerful and influential position out of all the arc 1 protagonists.

But I disagree with the notion that she has no flaws, or is generically perfect (a Mary-Sue, as some may describe it). The story, at the brisk pace it is told, may not always be interested in exploring them fully, but Glory does have significant shortcomings that cause friction in her life, particularly with her personal relationships. That she ends up in such a prominent position of power is to be expected from a character whose primary trait is that she is an overachiever, in a story that isn’t a tragedy.

But I don't think that's enough to make her generic.

Admittedly, I don’t know how widespread this sentiment actually is. It’s possible it was just a stray opinion I happened to witness. Perhaps beliefs like this would be less common if the story was more willing to rub Glory’s nose in it when she messes up, like I’ve mentioned with that Clay scene. At least every once in a while.

But despite all that, I hope it is evident that she is a well-rounded, three-dimensional character—one of the deepest out of all the arc 1 protagonists even. I can follow her thought process and understand everything she does because of how strongly she is characterized. And I can look up to her because of how much adversity she faces and manages to confront head-on. The place she ends up in (not necessarily all the steps that get her there) has always made sense to me.

And so, because I can’t think of anything else to do, let me conclude this wordy essay with a toast:

May we hence all stride onward, like our Glory, to our glory.

Orca's art

I think Orca was a passionate artist who took her craft very seriously. She was dedicated and sensitive in a way her mother wasn't, and this might have been a source of pride (and occasionally arrogance) in her own life.

When I view Coral's creative pursuits I see her as someone who does art mainly for appearance's sake. There is a bit of a shallow, performative quality to her; she lavishes in the praise and attention it gets her, which is why she seats her council of advisors primarily with sycophants who fawn over her. The actual quality of her work is somewhat middling (not terrible, but plainly average), she just uses her power and influence to make people regard it highly.

I think Orca saw this quality of her mother and, while she idolized Coral's art at a more impressionable age, their understanding of what it meant to be an artist diverged as she grew older. To her, art was more about the work itself and the honing of your skills, rather than the price tag you can put on your creations. A large body of her work probably was never shown to anyone. There might even be a secret cave somewhere that's full of never-before revealed statues and figurines she made; hidden away from the public so the ignorant masses wouldn't lump her in with her mother as just another royal show-off.

Orca's ambition

Why exactly Orca chose to challenge her mother at a comparatively young age is difficult to say. Perhaps her perceived artistic superiority eventually turned into resentment and hostility. Perhaps she saw her mother as strong and enduring and felt so trapped in her shadow that she HAD to confront her. Maybe she was just cocky and wanted to be rude. We can't say.

I think what we can rule out almost definitively is that Orca's reasons were for any sense of "justice" or "goodness vanquishing evil". Orca was not an altruist and she didn't have anyone's best interest at heart. If her grab for power had been for benevolent reasons, she would not have concocted a plan to murder her unborn siblings and children in cold blood. You don't do something like that if you're a caring, nurturing person. I think whatever reason she had was likely self-motivated in some way.

It's also important to be aware that we have no idea what Queen Coral was like back when Orca was alive. The murderous version of her we see in the second book--the one who threatens her own daughter with death and who rips apart her servants from the mouth down--is a woman who has slowly and methodically been driven mad by grief and the continued loss of her children. It can be easy to lose track of, but if the odds of a newborn Seawing being male or female are roughly equal, there is a chance Coral has lived through the death of a child like thirty times by the time we meet her. It is very possible that before that horrific trauma, Coral was a well-adjusted and kind person who was maybe a bit self-absorbed but ultimately well-meaning. Intense grief and misfortune can wear us down and exacerbate our worst qualities.

So no, I don't really believe Orca was trying to take a stand against a tyrant, or to make the world a better place. I think she just wanted to challenge her mother, whether to prove to herself that she was capable of it, or some other, less-reputable reason.

Orca's Legacy

With everything I've extrapolated from what little canonical information there is... If Orca won her challenge and had become Queen, I think she would have not been very successful. With how the succession process works in most Pyrrhian cultures, it is important for the Queen to project an image of strength, confidence, and permanence. She is always under threat of being challenged by her heirs, but also expected to endure that pressure and remain strong in the face of it.

Coral, for all her numerous other faults, embodies this quality extremely well. Orca did not. She was scared to death of that situation (as would I be to be fair) and engineered a backdoor to avoid it altogether. This suggests to me that, had she assumed the role of ruler, she would have eventually buckled under the stress and fallen apart.

There is a tendency for us to under-appreciate what we have and instead covet what we don't. It's possible Orca would have flourished by focusing on her art instead of throwing it away in a bid for power she didn't even really want. But of course it is always easier to say that with hindsight.

Asked by @americanman18 and @l-art-stuff-l

Oh, it wasn't particularly deep. Pretty much just the "Luigi wins by doing absolutely nothing" meme, just rebranded as "Blue saves Pantala by being the most passive doormat imaginable".

Imagining him getting mugged by some Hivewing in an alley somewhere, and Luna has to convince him that this is a bad thing, and that the mugger's feelings getting hurt should not invalidate his self-preservation instinct.

CW: Discussion of physical abuse.

Formative Years

Clays early years were molded heavily by his belief that he almost killed Tsunami while she was hatching. He believed this because his guardians, mostly Kestrel, insisted this is what happened. Of course at the end of the first book we learn that this wasn’t the case and that they were just misinformed about how Mudwings work.

To us, this may all seem absolutely ridiculous. We look at Clay and see this obvious gentle giant without a malicious bone in his body angsting about being a blood-crazed monster. But for Clay himself, this was a very real, very horrifying situation. Suspend your disbelief for a moment. His entire childhood was marred by the crushing guilt of almost having murdered his surrogate sister at birth, and he couldn’t remember why he did it. He understood nothing about this situation, and didn’t know if this secret violent side could even resurface one day. Basic things like going to sleep would become terrifying; he may have laid awake, wondering whether his body might act on its own as soon as he fell unconscious. Just like back then, when it acted before he could even form coherent thoughts. The fear of losing control to the monster and waking up on top of a loved one’s mangled body was always there.

This perception of himself as a violent killer was at odds with his social nature as a Mudwing. He loved his surrogate siblings with the same intensity that any Mudwing would love their own, and thus he hated the part of himself that threatened them. As a direct response to this dissonant view, Clay developed a desire to protect them. If he willed himself to shield them from getting hurt with all of his strength, he would never be able to harm them again. This was his way of coping with the fear.

It is pretty apparent from the text that at least Kestrel was physically abusive towards them. Dune was possibly too, Webs I don’t think so, but he also didn’t do anything to stop it. As Clay grew older I think he began to recognize the patterns. He would start deliberately acting in ways so that most of Kestrel’s ire would be redirected towards himself instead of the others. This is why all the Dragonets of Destiny have such deep respect for Clay; they remember him always standing between them and Kestrel, even as he ended up with more and more scars for it.

Luckily, he is able to reconnect with his Mudwing heritage at the end of book 1 and learns that he never was that blood-crazed murderer the guardians insisted he was. But even so, the scars and memories would never fully fade, and he’d never lose sight of the need to protect his loved ones.

Personality and Interests

Clay’s love of food and eating is well-established, to the point where it sometimes seems like it is his only character trait from book 2 onwards. This is normal; he’s got a big body and I assume the self-regenerative properties inherent to Mudwings burn a lot of calories, so he needs to eat a lot to refuel them. I think there’s a bit more to him still though.

Clay is at his happiest when he can either prevent someone else’s pain, or take it away. Conversely he becomes distressed when he sees someone suffering. I believe he is incredibly earnest and built close to water. He cries easily, though never in response to his own pain or suffering. He feels positive emotions very strongly and can get overwhelmed that way, especially when he sees his loved ones happy. When he cries, he does so openly and without shame. It is very unsatisfying to tease him because he will usually just take what people say to him at face value and thus make them feel bad.

He’s also very physically affectionate and huggy.

People who meet Clay often get the impression that he is book dumb, or just stupid in general. This is not the case, as Clay does have a capacity for learning even complex subject matter. I just think he struggles with subjects he can’t see a practical application for, or aren’t relevant to things he wants to do. He has little interest in memorizing ancient figures or learning how to measure the sides of a triangle

When Glory fights Deathbringer in book 3, she makes mention of a “dragon anatomy class” which I assume was taught by Webs. Clay, as much as he struggled with history and numbers, excelled at this particular class because its insight could be used to keep people safe. As such, whenever the need for it arises, Clay is usually quick to act as the group’s primary healer/medical advisor.

(Excerpts from WoF graphic novels 2 and 3, censored for blood.)

This notion is further supported by the fact that, once they all become teachers at the Jade Mountain Academy, Clay is the one to lead an anatomy class, just like the one he attended before.

In conclusion

Clay is pretty much everyone’s big brother. While he isn’t as eccentric and colorful as the people he is surrounded by, his earnestness and general benevolence make him the backbone of the Dragonets of Destiny. Whenever anyone has a deeply-rooted, serious problem they are hesitant to bring up with others, Clay will usually be the first person considered as a confidant. Tsunami and Starflight know he would never judge or shame them no matter how ridiculous the thing they approach him with. Glory trusts him with her emotions whenever her stoic facade cracks. And Sunny has an incredibly strong bond with him.

I think that makes him pretty cool, even if he doesn’t really have much to do anymore once he overcomes his personal demons. I’m happy that he gets to be happy in the end.

I pretty much agree with your perspective on how the longform arcs usually progress. It wasn't as pronounced in the first arc, but from arc 2 onwards you often had the first book being really good and fresh. You can really feel the vibrant new ideas and excitement. The one after might also still be good. Then by the mid-point you can feel that the story is starting to get bored of itself; characters and developments get abruptly dropped or hastily ended. The fourth book then does a massive swerve into a wild new direction, concluding with an ending in the fifth that is either under-baked, not fully set-up, or far-fetched.

I heard that this arc is only going to be three books long (apparently this is just an unverified statement at present time; don't take it as fact), so that is probably a good idea. Even though personally I would like to see more books that are completely self-contained, like Legends: Darkstalker.

As for my opinion on arc 4... Well, I don't really have much of one since it's not out yet. I like Umber, I have mixed feelings on how arc 2 handled Sora... I'm glad Umber seems to still be gay. But there was this blurb a while ago that gave me some thoughts.

Umber was never supposed to be a hero . . . . As the youngest sibling of his MudWing hatching, Umber doesn't have the responsibilities of his bigwings, Reed, nor the heroic destiny prophesied for his brother, Clay. He's always been content with his role as the cheerful, goofy, little brother. But when his sister, Sora, causes a tragedy at Jade Mountain Academy, Umber finds himself on the run and thrown into a whole new role--that of protector.

I find this very funny, the idea that Umber is "the youngest sibling" in any appreciable sense. From what we know, the special sibling bond that Mudwings experience happens between hatchlings of the same clutch, meaning all members in a sibling unit are roughly the same age. So unless Reed decided to carry Umber's unhatched egg around for a year or so as a prank or fashion statement, Umber is "the youngest sibling" by a measure of a few minutes at most. Umber, Reed, and Clay are the same age.

Admittedly, I don't have a twin sibling and thus I don't know whether a lot of twins usually define themselves by the order they were born. Maybe they do. I just find this description a bit misleading because to me it almost tries to imply there are full years separating those siblings.

I also never got the impression that Umber didn't have a defined role or responsibility within the group. When Sutherland released that dragon guide book a while ago, she clarified that all sibling units have one dragon who acts as the "face", who reaches out to other units and makes connections, mediates. When I read that I immediately thought "Yes! That's what Umber is! He was the first one to reach out to Clay when he noticed him, that role fits him perfectly. That's what he does."

It made sense to me. He was the social one, the one who's easy to talk to. He was the first to talk to Clay, and I assume he was also the one who suggested to Turtle to sleep back-to-back when he noticed Turtle's discomfort with being alone. Even when he took Sora and fled with her, that read to me as an extension of his role as the mediator, brokering a sort of "truce" between society and his sister.

Umber intuitively picks up on the needs of those around him, and then works to find the best strategy to resolve those needs.

So I guess if I have any thoughts about arc 4, it is my hope they will remember this aspect of Umber's characterization. That he is very socially intelligent and attentive. That he's easy-going because it makes him more approachable, not because he doesn't care. I hope they won't make him an unreliable goofball who needs to learn the value of responsibility. Because he already knows. He's been through a war and he's lost a sister.

Yeah.

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Okay, I HAVE to do it! I'm sorry!

Way back when--after I had just finished drawing all of the JMA students--for a brief while I got an itching to combine my obsession with Wings of Fire and my precarious interest in Fire Emblem. So I started cobbling together a project using the FE support system structure and featuring various WoF characters talking to each other about... stuff.

I called it... The JMA Files *thunderclap, followed by kazoo jingle*

Now, the project I eventually put on ice because I was busy with other things. But "A Good Life" is a skit I repurposed from Winter's and Icicle's planned A-Support conversation.

Really, if I end up making more skits like that, I reckon a lot of them will be repurposed from ideas and concepts I had for that project.