#mona lanius

(‘her face, oh god her face’)

especially funny if you consider this to be the same situation for bill and remember that there were multiple cases where these niggas were outnumbered

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I planned to do these a LONGG time ago. I just didn't find the motivation to do it. Whenever I love a character so much, I dress them up in the prettiest outfits I can find on Pinterest. Playing dress up is how I express love.

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Mona and Bill as equals. Mona still remains the dominant one but I’d love to see Bill actually be a partner and equal to Mona rather than just a mindless animal, Mona is the brains of the operation while Bill is the muscle, kinda like the fandom’s interpretation of their dynamic in the early days of the Painter and I’d like to see Bill have an actual personality too. Also, get David Howard Thornton to play Bill, that would be SO perfect.

Either downplay The Red Man or remove him entirely. I was never a big fan of the Crimson Cunt and I think he works better as a delusion that Mona has, either in the form of a voice she hears or an alter, or Mona and Bill were indoctrinated into the cult that worships him as children but it’s kept ambiguous if he’s even real or not. Also, Mona is the one who actually makes the goddamn paintings and she does so as offerings to the Vermillion Fellow.

Really lean into the idea of Mona being this eccentric artist who kills and tortures people for artistic inspiration, like a real Otis Driftwood type with a dash of Edward Carver, she can go from being a cold, reserved, intellectual to a hyperactive crack head that’s bouncing off the walls depending on the scene.

Like I was discussing with @bro-ker, give the movie the tone and feel of a late 70’s-early 80’s, grindhouse horror film akin to Texas Chainsaw Massacre, Pieces, Maniac, The Crazies etc. with a charmingly low budget feel to it, very atmospheric and slow paced to build tension but still unapologetically gory and exploitive.

Make it a mix of found footage and standard filming, kinda like what the Backrooms did but make the found footage aspect longer than just one scene and more integral to the film’s identity, like the found footage parts should be the highlights of the movie more or less.

Do NOT water down the gory or shocking aspects in order to appeal to a wider audience, they should want the Terrifier audience to come see this film, make it an R rated splatter film that is borderline X rated, make it a big part of the marketing too, like provide moviegoers with Painter themed barf bags when they go see it.

I swear I know all the fandoms inside out!!