Fernand Cormon (French, 1845-1924) - Le Combat des Centaures et des Lapithes (The Battle of the Centaurs and the Lapiths) (1913)

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Fernand Cormon (French, 1845-1924) - Le Combat des Centaures et des Lapithes (The Battle of the Centaurs and the Lapiths) (1913)

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Fernand Cormon, Anticipation
Vivek Narayanan, "Fernand Cormon's La Mort de Ravana (1875)," After; Fernand Cormon, La Mort de Ravana
The Stone Age: Return from a Bear Hunt by Fernand Cormon
Fernand Cormon - Caïn fuyant devant la malédiction de Jéhovah (1880)

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The Battle of Essling, May 1809 by Fernand Cormon
Growing up, I barely knew the Bible, but read and reread the part when Cain drifted east or was drawn that way, into a place of desolation, the land of Nod, there to begin, with a wife of unknown origin, another race of men, under the mark of God. As a boy, I thought Nod would be a place where the blue scillas would bloom gray, a country of the rack and screw, the serrated sword, where the very serving cups were bone. As a grown man, I’ve heard that Nod never was a nation (of Cain’s offspring, or anyone) but a mistranslation of wander, so Cain could go wherever, and be in Nod. Far more than in God, I believe in Cain, who destroyed his own brother, and therefore in any city could have his wish, and be alone.
James Arthur, The land of Nod (in ‘Charms against lightning’, Copper Canyon Press 2012)
Fernand Cormon, Caïn (oil on canvas, 1880)
Fernand Cormon (1845-1924) - The Satyr.