"Filmmaking is collaboration, and without a great team you don't stand a chance."
Every month we feature one crew from our awesome community of video creators to get a look at how they got started and why they love the industry as much as we do.Â
This month we're sharing Zach Graber's story in two ways. Check out his video & read on to find out how he broke into the biz.Â
How long have you been around?
I have been working in this industry in different capacities for about 15 years.
How did you get started in video production? What's your story?Â
I first broke into the business working at a recording studio. I cut my teeth doing car dealership radio spots - and on a few rare occasions, I would mix a bluegrass or hiphop album. Â From there I moved to NYC and worked at a large advertising agency as a video editor. Â Or nights and weekends I started learning motion graphics and visual effects and eventually landed some freelance jobs on some feature films. Â Those experiences really pushed me to get more involved in the film industry, so I left the city and went to film school. Â After I got out I started working on feature films in the camera department, which lead to me shooting my own stuff.
What do you love about this industry?
I love a group of creative people coming together to make something. Â It could be anything from a high art film to a mayonnaise commercial I just love working with passionate people who love creating beautiful images.
What do you think is one of the biggest misconceptions people have about production?Â
I think people get too wrapped up in celebrity and getting to work with notable people. Â If you want to get into the film industry to be around famous people you will never be fulfilled. This is a shockingly hard business to work in, and if you are not in it for the right reasons you wonât last long.
"I never go to a shoot withoutâŚ"
A great Key Grip and Gaffer. Â Filmmaking is a collaboration, and without a great team you donât stand a chance.
What advice would you offer to filmmakers looking to break into industry? Â
Unless you are a genius, you have a lot of bad movies to make before you get yourself dialed in.  You need to start making those movies as soon as possible.  Get those bad movies out of your system early so by the time you have established yourself and people are paying attention you have found your voice and refined your work.  (aka shoot, shoot, shootâŚ)
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"I am a complete gear head; I love the latest and greatest gadgets. But owning the best gear doesnât make you a great cinematographer. And, consequently, just because you might not be working with cutting edge equipment, doesnât mean you canât produce great content"
Every month we feature one crew from our awesome community of video creators to get a look at how they got started and why they love the industry as much as we do.Â
Our pal Ben Goloff of Black Box Productions Ltd. shares why he & his business partner Josh Usheroff "hit the ground running & never looked back."
Company name
Black Box Productions Ltd.
How long have you guys been around?
Black Box Productions has been around for almost 6 years, although Josh and I have been working together for many years before that. We started the company back in 2008. I was working as an editor in Toronto at the time, and Josh was in Montreal working as a freelance cinematographer. Since we were both getting good experience working separately, we figured it would be a good time to team up and realize a dream that we both had since we were teenagers. So I moved to Montreal, and we joined forces to create Black Box Productions. The rest, as they say, is history.
So, what's your story? How did you start making videos?
For me, it started with a class at Dawson College in media production that Josh and I took together. Iâd never really even picked up a camera before that, but soon we were making silly art films of urban exploration in abandoned buildings. We were hooked, and had both decided we wanted careers in production - but we ended up taking very different paths.
To make a long story short, I moved to Toronto to pursue an undergrad in Film Studies. I used my time in school to work on as many projects as possible in whatever capacity I could. I was given opportunities to edit independent docs and shorts, direct music videos, PA on all sorts of sets, and produce and shoot my own art films. In the years that followed, I had managed to get a good career going as an editor, working at a bunch of different TV stations, eventually winding up at CBC where I edited spots for the news. It was a great job, and I loved the challenges that it brought - but Iâve always had my sights set on something else. Ever since that first class that Josh and I took at Dawson, the dream was to work together on our own productions. So in 2008, I left my job Toronto to move to Montreal and Black Box Productions was born, though the story behind the name will forever remain shrouded in mystery.
We hit the ground running, working on all kinds of productions with all kinds of budgets. Now, over 5 years into it, I canât picture doing anything else. In addition to building our business, weâve also continued to focus on our own projects, picking up where we left off all those years ago. Weâre still just as enthusiastic and energetic as we ever were, only this time we have significantly more life experience, and much better equipment to work with.
What do you love about this industry?
I love the spontaneity that can sometimes come with production. Hopefully you always know what projects youâll be working on next week. But on occasion, an opportunity falls into your lap, completely out of the blue, thatâs both challenging and amazing. One day youâre working on an internal corporate video, and the next youâre flying out to Austria, on 3 days notice, to shoot Canadian World Cup ski racers skiing really, really fast. Production can take you to some really interesting places, and thatâs what I love the most.
What do you think is one of the biggest misconceptions people have about vid production?Â
I think that the biggest misconception people have is that itâs all in the tools. Donât get me wrong, I am a complete gear head; I love the latest and greatest gadgets. But owning the best gear doesnât make you a great cinematographer. And, consequently, just because you might not be working with cutting edge equipment, doesnât mean you canât produce great content.
"I never go to a shoot without..."
My glasses. I really need those to see.
What advice would you offer to aspiring filmmakers? Â
The best advice I could give is really just common sense. Show up on set with a good work ethic and a positive attitude. Be open-minded and willing to make mistakes and learn. Always be honest and keep your word. This may seem self-evident, but you would be surprised at how many people tend for forget the very basics of professional conduct.Â
You can find out more about Black Box Productions Ltd. on their website, or check out their work on Facebook, Twitter & Vimeo.Â
"I love that I have the opportunity to never tell the same story twice. Each story, company and brand has something unique to say."
Every so often we feature one crew from our awesome community of video creators to get a look at how they got started and why they love the industry as much as we do.Â
Aaron Bernakevitch of 4K Film Productions shares his secrets on the power of diligence & fresh socks. Check it out!Â
How long have you been around?
28 marvelous years thanks to my Mom and Pa, but as a company 4K Film Production is happily in our 6th year of business serving Calgary and Western Canada.
How did you get started in video production?
As a young fresh-faced boy I was fascinated with photography and image recording. I fell in love with this new-fangled tool called the âpolaroid camera.â I would shoot Polaroidâs as though I was single-handedly responsible for capturing my neighborhoods history. I was so impressed with the instant feedback the Polaroid produced. In my early teens this love of instant feedback progressed my film passions into becoming a semi-pro snow-shoveler and âscrapingâ together $800 to purchase my first Hi8 camera. Again, I was the town historian and I couldn't stop filming everything around me. My love of this new camera at the age of 15 led me to enroll in a 16mm summer camp with our local film society CSIFâŚ.from that camp onward I WAS HOOKED!
I havenât let the camera leave my hand since, and its taken me on a most wonderful journey over the last 10 years travelling the world from China, Australia, Vietnam, El Salvador and America capturing everything from documentaries and dramas and commercials OH MY!
What do you love about this industry?
I love that I have the opportunity to never tell the same story twice. Each story, company and brand has something unique to say. It is my privilege to be able to present each project in an original way whether it be print, stills or motion picture. I pride myself on helping our clients find the best visual approach to help sell their brand, content and services. I am very fortunate that I get to do my dream job everyday.
I am also humbled and excited by the pace of technology in this industry and itâs shocking how far things have progressed over the last 10 years. Knowing it will only improve as time goes on is exciting for me. This insanely fast-paced rise in new technology has lead to what I affectingly call âfirst world cinematographer problemsâwith the choice of digital video cameras and the range of quality they can produce. Itâs become a joy to be able to figure these new tools out and see how we can push them to their limits artistically. The simple fact that I can shoot 120 FPS on my iphone means life is good!
What do you think is one of the biggest misconceptions people have about this industry?
People are always saying" it's a who you know industry". Yes, having contacts helps but I personally feel if youâre good, youâre goodâŚand you will get the work. I know itâs a bit of a âIf you build it they will comeâ mantra, but if youâre diligent and passionate, those contacts will connect and bigger and better projects will arise.
One of your favorite projects that youâve worked on?
Calgary Flames opening video 2011-2012.
It was an honor and pleasure to work with the Calgary Flames and specifically Jerome on this project. It was apparent that Jerome had a remarkable level of focus and determination when, as it turned out, the first shot we captured that day ended up being the shot used in the projectâŚthatâs a pretty special thing to be a part of.
The final product turned out awesome and was well received in that seasonâs opening night game at the Saddle Dome. It was an overwhelming and humbling experience to watch our work on the jumbotron in front of thousands of cheering fans and know that I was a part of something larger than just a video.
"I never go to a shoot without..."
EXTRA SOCKS!!!!!.....A fresh pair of socks to swap out at lunch, trust me!
My own water bottleâŚ.Iâm âteam-hydration AND team-environmentâ
Proper footwear **with finger studiously pointing** Yes I'm a nerd and a Boy Scout of 10 years prior. I always like being prepared.
Any advice to aspiring filmmakers?
Be humble,take advice and seize every opportunity.
Learn more about Aaron & 4k Film Production here, here and here. :-)
âI've always been fascinated with video, especially the reaction a video can elicit from an audience.â
Every month we feature one crew from our awesome community of video creators to get a look at how they got started and why they love the industry as much as we do.Â
Chris Stasiuk from Signature Video Group kicks off 2014 by sharing some insight on his favourite video projects and one thing he'll never go to a shoot without (hint: Canadian coffee can be a game changer)
Company name: Signature Video Group
Title: Creative Director/Founder
How long have you been around for?Â
October, 2014 will mark our 5th year in business.Â
What kind of work do you do?Â
I can say with confidence that I've worn pretty much every hat in the production bag. I've even made nearly a dozen cameo appearances in client videos. I'm not saying I'm Leo over here, but my role of "guy opening storage locker door" really cemented me as a legitimate B-Roll talent.Â
In all seriousness, I've been lucky enough to build an incredible team, and together we are capable of handling every aspect of a video production (for many types of video content). I'm still very hands on at every step of the process, but having an awesome team has really allowed me to focus on Directing and Producing.Â
What kind of videos do you mostly work on?Â
If I had to put my finger on our precise specialty, I would have to say it's unscripted (but very much on message) doc style content. Beautiful Cinematography, genuine subjects and a moral to the story can make for amazing video content. Â
That being said, we really can and do make pretty much any type of short form video content (scripted and unscripted). Check out our portfolio to see what I mean.Â
How did you get started in video production?
I've always been fascinated with video, especially the reaction a video can elicit from an audience. I would always find a way to build video elements into school presentations (usually earning some laughs and bonus marks) and even hosted a local cable T.V show discussing the weekly happenings in high school sports. Nerd Alert.Â
After university and subsequent post graduate studies, I started my career in brand marketing for Canada's largest casual dining restaurant chain and after 3 great years of eating way too many pizzas (guess it yet?) I left to start this business. Nearly 5 years later, more than 100 completed projects and work from some of Canada's biggest brands in my portfolio, I would definitely still say that I am just getting started.Â
What do you love about this industry?
I love the notion that essentially every video project, no matter how big and complex starts with a kernel of an idea and a simple conversation. Then, with the right creative talent and the proper resources, that kernel can quite literally be transformed into moving pictures that can truly captivate an audience and influence a decision. I love that I get to wake up every day with the opportunity to have those conversations...and see where they might lead.
Favourite project that youâve worked on & why?
The first summer of starting my business, I landed (from a cold call, and a conversation) a fairly large project (at least in scope) for a large micro-brewery here in Toronto. I had promised them 10 videos (all scripted comedy with actors), a social campaign, a micro site and that we would reach a goal of generating 50,000 views. I should mention that I promised all of this for a budget of what turned out in hindsight, grossly unsubstantial.
I quickly realized that although I would be "living the dream" of shooting beer commercials all summer, I had bitten off more than I knew how to chew. I'll spare you all the details, but somehow our rag tag crew managed to pull it off to tremendous success. At the end of it, with more than 40 people involved in the project we shot all 10 spots over 6 days, launched the microsite, social campaign...and earned more than 1 million organic video views within a year of being online.Â
The success of that campaign helped me launch my business and position us as a legitimate solution for clients looking for high quality video content and measurable results. And it started with a cold call.Â
I never go to a shoot withoutâŚ
I always wear comfortable shoes (it's usually a very long day) and make sure I have ample change in my pocket for multiple Timmyâs runs. Gotta fuel the beast...or at least stay awake. Â
What advice would you offer to filmmakers looking to break into the industry? Â
I've really only been at this professionally for 5 years, but I have found that doing these 3 things helped me break (and more importantly stay) in the industry.Â
1) Have an awesome reel or portfolio of your work ready for producers to easily access. Also, be very clear about exactly what your role was in those productions.Â
2) Make lots of videos! When you are starting off, take the opportunity to work with as many people as you can on as many projects possible. Even if you are working "for the experience", it's an excellent investment in your time. This is how you'll hone your skills and ultimately become a better filmmaker.Â
3) This might sound cliche, but have passion for your craft. When you genuinely take pride in your work and deliver the best possible product, people notice. This can lead to opportunities that you never saw coming.