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“The video is shot in RGBD, a new visual format pioneered by George that mingles regular camera footage with infrared, depth-based data from a Microsoft Kinect camera, the same device that helps video gamers control games with their bodies instead of controllers. The depth data from the Kinect allow George and Minard to manipulate how their footage looks at will even after the shoot — they can simulate what the scene would look like shot from any angle, at any distance.The data points swirl and coalesce to form faces and human forms, or break apart to visualize what Sterling describes as the urban landscape of code. He decries the standard visual cliches of new media art, but still concludes, “writing art-code is an intellectual adventure.” (via The Art Documentary of the Future)
Brussels Airlines: Des décibels en plein vol, direction Tomorrowland
Des décibels en plein vol, direction Tomorrowland
http://www.dailymotion.com/video/x2z0a12_des-decibels-en-plein-vol-direction-tomorrowland_music
Publié le 23 juillet 2015 à 11h00 par François Duclos
La compagnie aérienne Brussels Airlines organise accueille aujourd’hui à l’aéroport de Bruxelles les festivaliers venus assister à Tomorrowland sur 119 vols au départ de 64 aéroports. Elle organise pour l’occasion un concours de selfies.
Pour la…
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