Daniel Maclise (1806–1870), The End
endpiece from the book 'Leonora / [by Gottfried August Bürger] ; translated by Julia M. Cameron', 1847
engraved by John Thompson (1785−1866)
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Daniel Maclise (1806–1870), The End
endpiece from the book 'Leonora / [by Gottfried August Bürger] ; translated by Julia M. Cameron', 1847
engraved by John Thompson (1785−1866)

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From: Winslow, Jacques-Bénigne, 1669-1760. An anatomical exposition of the structure of the human body. London : J. Knapton, 1763
QM28 .W77 1763
ROUND 2, MATCH 7
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"...With a design concept taken from the store’s name, Endpiece, in which the real hero is the hyper-scale chunky knitted wall. The wall isn’t just a pretty, just-cause gesture – but rather links closely to Endpiece’s brand identity. The name ‘end piece’ also refers to that part of the glasses which connects the lens-frame (front) with the temple (side). Many brands apply their own details to this junction of the glasses. End piece therefore becomes an important element which forms an integral part of brand identity, providing the perfect canvas for imagination and creativity. Like tiny components of a high-end watch keep time by moving accurately as they are supposed to, the ‘end piece’ of glasses is also the most important object that raises their value..."
ENDPIECE optical store by WGNB
From: Shenstone, William, 1714-1763. The poetical works of Will. Shenstone. London : Printed for C. Cooke, 1795?
PR3677 .A1 1795

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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From: Shenstone, William, 1714-1763. The poetical works of Will. Shenstone. London : Printed for C. Cooke, 1795?
PR3677 .A1 1795
From: Rowe, Nicholas, 1674-1718. Plays. London : Printed for J. and R. Tonson and H. Lintot, 1736
PR3671.R5 A7 1736
From: Cotton, Nathaniel, 1705-1788. Visions in verse. London : Printed for R. and J. Dodsley, 1760
PR3732 .S4 1766