Jan 8
Madeline after Prayer (1868)
by Daniel Maclise
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Madeline after Prayer (1868)
by Daniel Maclise
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Men's suit, American, made 1830-1840. Collection of the Metropolitan Museum of Art:
The styles of the 1830s were prescribed by fashionable dandies, such as Alfred Guillaume Gabriel, Count D'Orsay (1801-1852), a French emigrant who had relocated to England in 1829, and influenced artists and writers in wit and dress. The prescribed silhouette was composed of a full chest, often enhanced by padding or multiple vests, and a slim waist, which was frequently achieved through a men's corset, and slim trouser-clad legs. The coat was expected to fit snugly which led to the jacket and tails being cut separately to prevent a crease from forming at the waist.
Alfred, Count D'Orsay. Lithograph after an early 1830s sketch by Daniel Maclise (NPG).
Daniel Maclise (Irish, 1806–1870) - Rosalind and Celia
Daniel Maclise (1806–1870)
The Origin of the Harp, 1862
after the painting by Robert Graves (1798–1873)
Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest by Daniel Maclise
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Portrait of Catherine Dickens
Artist: Daniel Maclise (Irish, 1806-1870)
Date: c. 1847
Medium: Oil painting
Collection: Charles Dickens Museum, London, United Kingdom
Noah's Sacrifice
Artist: Daniel Maclise (Irish, 1806–1870)
Date: 1847-1853
Medium: Oil on canvas
Collection: Leeds Art Gallery, Leeds, England
Description
After the flood, Noah built an altar and offered burnt sacrifices of clean animals to God, marking an act of worship, gratitude, and faith for his family's survival. This voluntary act, likely driven by his dedication, brought a "sweet savor" to the Lord, indicating acceptance of his worship.
Charles William Sharpe (1818-1899) (after Daniel Maclise), 'Undine', ''The Art Journal'', Vol. 1, 1855 A 2016 post I made on this painting should you want to see it in color.