This scene was such bullshit. First of all, don’t tell us there’s a tell, and then not tell us what it is. SHEESH.
Secondly, she should’ve come down on him much harder. For G-d’s sake, how many times has this happened, and how many times has she scolded him for it, and yet... I want to see her get FURIOUS. #malefuckery #malewriterfuckery
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And there may be a couple more I’m missing. But basically, close to half of every season’s episodes have the crime centered around some obscure biotech or business thing. And of course, the most famous guest actor is always the killer. That’s called a formula, ironically. And it’s a shame, because not only is it repetitive and strains credulity, it almost never involves any kind of personal stakes for the leads, and thus is boring as all get out. Lucy Liu and Jonny Lee Miller are so much better than this, cause we’ve seen what they can do with even the tiniest bit of emotional material. Sigh.
HOLMES AND WATSON RACE TO HELP DETECTIVE BELL WHEN HE BECOMES A VICTIM OF A BIO-TERRORISM ATTACK AT THE PRECINCT AND THE STATION IS QUARANTINED, ON “ELEMENTARY,” MONDAY, AUGUST 6
“Through the Fog” – Holmes and Watson race to help Detective Bell when he becomes a victim of a bio-terrorism attack at the precinct and the station is quarantined. During the lockdown, Captain Gregson and Detective Bell begin to suspect they are trapped inside with the perpetrator. Also, Watson faces the difficult task of helping her mother, Mary (Freda Foh Shen), accept that her advancing Alzheimer’s disease requires her to receive more medical care, on ELEMENTARY, Monday, August 6 (10:00-11:00 PM, ET/PT) on the CBS Television Network.
CHEAT TWEET: Man down! Holmes & Watson race to help Det. Bell when he’s a victim of a bio-terrorism attack at the precinct that puts the station into lockdown! @Elementary_CBS 8/6 at 10pm http://bit.ly/2mtPv9O
REGULAR CAST:
Jonny Lee Miller (Sherlock Holmes)
Lucy Liu (Joan Watson)
Aidan Quinn (Captain Tommy Gregson)
Jon Michael Hill (Detective Marcus Bell)
Desmond Harrington (Michael)
GUEST CAST:
Almeria Campbell (Officer Rossi)
Suzy Nakamura (Dr. Bridget Tanaka)
Jimmy Brooks (Officer Myers)
Gonzalo Menendez (Felipe)
Freddy Miyares (Javi)
Joe Carroll (Jeff Stanton)
Rona Figueroa (Natalie Park)
Leon Addison Brown (Anthony Daniels)
Meredith Garretson (Lydia Winchell)
Raul Aranas (Hernan Cortes)
Hubert Point-Du Jour (Jaylen Thomas)
Michael Rispoli (Sean O’Grady)
Amelia Workman (Cora)
Brian Sills (Bob)
WRITTEN BY: Jeffrey Paul King
DIRECTED BY: Guy Ferland
So, yay, only three seasons after she first started showing symptoms, now we finally have the Mary’s Alzheimer episode! And to go along with it, a totally tropey A story! By a hack writer! Can’t wait...
So disappointed to see RHW, Goodman and King -- the absolute troika of worst Elementary writers ever -- churning out these episodes instead of Liz Friedman or any one else who might be a P.O.C. or female.Â
This is practically a two-parter so... and they both woulda been a C- without a little LL directorial magic.
The great: Man, that Lucy Liu knows how to direct her some TV. And I’m not just saying that because I stan the hell out of her. Her visuals are exquisite -- the opening shot of those three hardhat lights bouncing down a dark tunnel, those shadows on the tomb wall... then she goes hand-held for a little extra oomph. And the performances she gets out of Jonny... and John Noble, and Julian Sands (who I doubt they would’ve been able to cast otherwise). She knows the value of a good close-up (see Handmaid’s Tale), yet uses them sparingly for impact. Between this and Luke Cage, she is really honing her craft.
The good: Finally, the show realizes it has a valuable narrative history and utilizes it (too bad its always all about Sherly). The final scene of 6x9 at the fireplace was beautifully played by both, and their earlier orgasm banter was adorable. Liu and Miller really are great scene partners. And Sherlock’s face when he has to utter the word “Moriarty.” Nicely done.
The bad: I’ve said it before, and I’ll keep saying it -- these f-ing rich, white male murder plots are RIDICULOUS. They’re impossible to follow (esp. 6x10), despite being filled with pages and pages of nonsensical exposition. Meanwhile, you’ve got John F-ing Noble and Alfredo back! And you use them in two or three little scenes. SIGH.
6x10 in particular was just unbelievably boring and horrible. The show had finally begun understanding stakes and emotion, and then RHW just throws it all away with the usual overcomplicated who-cares nothingness. Imagine if one of the canvases that they needed to prove their case was hanging in someone’s home or at a major museum. And Gregson couldn’t get them access. How much fun would it’ve been to see JW & SH use their talents to break into someplace like that -- they don’t have to steal anything, they just look at the thing and hang it back up. That would’ve been so tense and hilarious and so so easy.
Also, that stupid hospital scene. Let’s have yet MORE exposition, instead of a potentially interesting interrogation scene as the medical staff (and/or Joan) are working on the suspect and he dies right before he reveals the killer. It’s just not that hard.
The awful: I kept thinking what an opportunity they had and missed to really explore Mycroft’s death.
Unlike the majority of the fandom, I really loved Joancroft. The triangle -- and the comedy and drama it drew out -- were stakes-driven, and the fact that Mycroft wasn’t some traditionally handsome dude made it that much more interesting. And he and JW had some great chemistry. ANYWAY, while the death reveal scene was good, 6x10 just threw it away. Joan obviously wanted a funeral, so SH should’ve figured out some kind of service just for them to honor how much he meant to them.
Instead, the writers always have an excuse as to why J-Dub isn't more upset/emotional than expected. No. Just ... no.
And now they’re bringing Moriarty back -- but not really. SIGH.
The good: Lucy Liu, obviously, and Samantha Quan, who continue to do a ton with the scraps they’re given.Â
Wardrobe, obviously.
A ticking clock (that’s the D-plus) -- see how that makes all the difference? The stolen plutonium gave the story a sense of urgency until the end, when it slammed into a boring-ass wall of exposition. And you could drive a Sparky-filled truck through the plot holes as per. But still, there were actual stakes. People were in actual jeopardy.
Sherlock knows about New Jersey gravel but NOT a lightning-making machine? Sha, right.Â
The bad: I love how CBS tried desperately to pimp the episode by saying “the sisters have conflicting reactions to their father’s death.” UH NO. IF ONLY. That would’ve been great, since CONFLICT=DRAMA. Leave it to these hacks to undercut that at every turn.
The bad, continued: That crew of baddies was ridiculous. If they’re Dutch, maybe cast some tall blonde guy instead of generic Eastern European dude? And they just like, okay we give up? Let Aidan Quinn shoot him for g-d’s sake.
That final twist about the agent dude. Really? Who gave a f-ck? And the guy’s reaction? At least have them have to cuff him and he struggles or something.
The very sad and ugly:
If Doherty, RHW et al think that that little b-story makes up for years of Watson neglect, they got another thing coming.Â
Above is a new piece of art by Jamie Noguchi to break up all this text ;)
As Sherlock so helpfully reminded Joan, she’s a detective. Which means that oh, about four seasons ago, she would’ve gone looking for her father. Or, even better, say there was an episode in which a serial killer is murdering homeless men. She’s so worried and panicked over her finding her father, she overlooks a big clue. Or any number of other scenarios that would’ve kept that v. key story alive.
And the production can pony up for any number of actors for their dumb-ass, boring crime stories, but can’t spare any to give Watson a decent emotional story? Where was Watson’s mother? Don’t tell me she wouldn’t have come to that funeral. Where was Oren? Why do they think we’re so stupid that we don’t know that the CO-LEAD has a family that’s already been established? Why didn’t we see Joan having tea with Lin’s Mom last season (oh my G-d, no that was TWO FULL SEASONS ago!) when it was first established.
Then, there’s the writers’ real crime -- they actually gave the “story” (half-baked as it was) to Sherlock, as per. And as usual, Watson was left to do nothing but react. Then, they play her big moment off screen (RHW loves this -- remember the boxing match?) and have the resolution be all about Lin anyway.
It is unforgiveable to NOT show Watson reading and reacting to that letter. And to add insult to injury, it wasn’t even about her!! It’s about the sister we’ve only seen in a couple eps in a couple of scenes. Then JW could’ve fudged the truth to Lin, leaving her with a dramatic dilemma.
It’s a huge enough cliche to have a letter from a dead person, but to not even get the payoff of them reading it -- see Carl’s letters to everyone on the Walking Dead to show how to do this. It works. It’s hella emotional.Â
But NOOOOO!!!
They gave the story to SH and to Lin, leaving JW, once again with NADA. For shame!! I hope the damn show is cancelled, so LL can move on to much better things.
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Just issued a steaming burn to RHW and had to share. I didn’t like the snarky way he answered that tweet, even tho he said he was open to any questions.
Plus, you know what? I DO want Joanlock, cause they obv love one another. Not to mention, it would add a much-needed layer of emotionality to the proceedings. Sheesh. Tropes work for a reason, it’s what you do with them that matters. #JWDB dammit!!Â
Warning: The following contains spoilers for Monday’s Elementary finale. Cheerio! Elementary wrapped up Season 6 on Monday night by moving Sherlock and Joan across the pond. So how did the du…
So I woke up this morning all excited and feeling terrible about all the bad things I’ve said about Doherty recently. That goodbye scene was incredible. The acting, the writing -- that’s how good the show can be when it wants to. And I was so proud of him for really shaking things up and going full Joanlock, canon-ites be damned.
But now I read this article, in which of COURSE, he goes back on it -- oh, no, it wasn’t Joanlock. It was platonic. SERIOUSLY??? INFURIATING. Â
It's obvious that SH & JW love each other, and it's NOT just platonic. That's where the characters have taken you over the course of six long years, and that's where you have to go with them, despite whatever perceived backlash you might face. It makes narrative and emotional sense that these two people are soul mates in every sense of the word, romantically, physically and otherwise. Not friends or buds or partners.
This is a living breathing TV show, with characters who grow and change. And if after that scene, which was one of the best in the series, you just go back to your rich-guy-murders-for-business BS and everything is status quo as quickly as possible, you're denying your actors -- Â and your loyal, intelligent audience -- something really meaningful.
I mean, we don't need to see them have sex, but we do need to see them acknowledge that their relationship has changed in a significant way. This show has been in desperate need of a shake-up for years, and now you’re trying to force the genie back into the bottle?
Evil Daddy Moonves is no longer running the show. So do the right thing. And hire some damn established women writers who know what they’re doing while you’re at it. Cause #JWDB!
P.S. Someone asked him how many women writers/EPs he had on staff for Season 7, and of COURSE, he didn’t answer.Â
#Elementary Episode 6x20 The Ties That Bind. Grade: C
The good: This did not play out quite as expected. They actually paid off a physical threat to JW, so yay.
Aidan Quinn rocks. So awesome to see him really active in the investigation. More please.
I sorta liked that JW acted on her own to piss off Michael, and that it wasn’t directly connected to SH.
The bad and the ugly: Begin rant...
But I mean... what’s the point of this whole Michael vs. Sherlock story then? The whole thing was really, really muddled. It was NEVER clear WTF Michael wanted with SH in the first place.Â
The idea of the story is a good one -- that SH is just a hair away from being a destructive force just like his evil doppleganger Michael. That SH becomes so in tune with Michael that he does, in fact, go to some very dark places. Maybe he even becomes almost violent with Athena, while re-enacting a Michael murder and it scares them both.Â
I could even see Michael kidnapping or kicking Joan’s ass to essentially force SH to beat the crap out of him, and framing him so SH has to disappear out of town --- pushing him over the edge (of the Reichenbach Falls, figuratively at least).
Instead, though, we have no IDEA why Michael killed those particular women, nor why he was taunting SH. And we didn’t even get to see SH solve it either! The copycat story just undercut the whole damn thing!
Can’t believe they wasted the whole episode on that ridiculous copycat story. There is NO way some judge is gonna go to the trouble of murdering some chick who’s screwing her husband in the same style as a serial killer!
And Michael’s whole “I want to help you” stay sober by killing people to keep you occupied? I mean, WTF? And Desmond Harrington was terrible. You need someone really good to go up against JLM / LL, and he wasn’t even close to being up to it.
Plus, there were plot holes you could drive a truck through.
Just how the hell would the judge know where Sherlock went to meetings so she could place the body?
And WTF happened to the plan to plant drugs on Michael so that they could get him off the street? (And then what if the adoption social worker happened upon those drugs when she came for her house check? And how dare they f-ing just drop that story altogether!)Â
Agent Mallick asks them if they knew Michael was back and they said no. But two episodes prior, SH found out he’d been the one behind the robbery at his doctor’s office, so yeah, they knew, and yeah they dropped the ball, and hell to the yeah, SH should be feeling guilty as f-ck.Â
And then, the attack. SIGH. Staged so poorly.
Yeah, sure, he just appears behind her w/out a sound, somehow defeating all of Sherlock’s fancy locks and security systems. And she doesn’t even get in one good kick in the balls before he starts in on her? This is Joan F-cking Watson, boxer, bad-ass bitch we’re talking about. And that beatdown? She woulda been way more severely injured. A huge guy kicking the crap out of teensy little 5′1″, 98 lb. JW? A couple broken ribs?? Try internal bleeding, kidney damage...
How is it that he doesn’t manage to chase her down before she stumbles up the stairs?Â
And don’t even get me started on that stupid f-cking helicopter blade. What in the living hell? There wasn’t a screwdriver around? That was beyond ridiculous.
So then, she stabs him with a giant helicopter blade (SRSLY??), and like, he disappears without a sound or a trace in less than five seconds.
Okay, and I KNOW they’re not going to do hurt/comfort in the B-stone, but g-d dammit, we deserve it!! Plus, it’s an actual story beat! SH comes home to find her, and goes rushing back out to track the blood trail, and then he makes the decision to return to her, even tho she’s telling him to chase the guy. He chooses her, and lets Michael get away. And then another body shows up.
Finally -- the last thing JW says to Sherly is “FIND HIM.” So how come he’s at home scrubbing blood off the stairs when he gets the call that the guy is dead? He shoulda been OUT THERE. We should’ve seen him frantic and like beating informants up and sh-t.
And please. We’re really supposed to think that JW with two broken ribs is going to somehow have beaten the guy to death? Or gotten someone to do it for her? And that SH has to even ask her that question? I mean, if Michael had hurt Sherlock or the Captain or w/e, but she wouldn’t avenge her own beatdown.Â
BTW, SPOILER ALERT: My money’s on Gregson’s daughter for the killer. She’s on the cast list for next week. ;)